Tag Archives: light

Canyon Walls, Reflected Light

Canyon Walls, Reflected Light
“Canyon Walls, Reflected Light” — Light reflected from blue sky and sunlight canyon walls illuminates the lower reaches of a Utah slot canyon

On this day I visited — though just barely — an area of slot canyons in southern Utah. I rarely do much advance research when I plan to photograph in a new area, generally preferring to discover the place for myself. This has both advantages and disadvantages. I certainly make my share of missteps and sometimes miss spectacular locations on my initial visits. On the other hand, when I come with few preconceptions I am free to make my own relationship with these places and perhaps I am forced to look a bit more carefully at what I see.

I had a vague plan to visit an area where there are some fairly well-known features, though I did not plan to visit the most popular of them, preferring to avoid the need to special permits and the attendance line-waiting. So I got a map (one without a lot of detail) and figured out where to find a gravel side road to a place with a name I had heard of, and I headed that direction. I parked at another place with a name that sounded familiar, loaded up and started walking down a valley with a good size wash. Soon the walls closed in on both sides and I entered an area of slot canyon. There is much to see and feel in these canyons, but my attention is often focused on the light, which does astonishing things when it bounces down between higher red rock canyon walls. As I came to this spot I was taken aback by the intensity of the brilliant blue tones when open sky reflected on the shiny surface of the rock, contrasting with the intense reddish tones of red rock illuminated by red reflected light, and creating almost sensuous forms in the rock walls.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Forest, Granite Bowl

Forest, Granite Bowl
Forest, Granite Bowl

Forest, Granite Bowl. Yosemite National Park, California. September 8, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Evening light on forests and a glaciated granite bowl, Yosemite National Park

Large slabs of nearly unbroken granite, left behind in the wake of ancient glaciers, are a prominent and characteristic feature of the high country of Yosemite National Park. There is granite all of the Sierra, but this granite often seems to me to be more intact, and rather than encountering fields of broken rock it is common to come across these beautiful structures of exfoliating granite, often still with areas of smooth and reflective glacial polish. Scattered trees have taken hold in surprisingly thin cracks.

This bowl is in such a characteristic place, in the bottom of a great river canyon, just where it begins to become narrower and steeper. The area clearly shows the effects of glaciation, from the smooth rock in the canyon bottom to the sculpted domes and faces above. I have photographed in this bowl before on several occasions, and despite shooting there many times I continue to find new ways to see it every time I visit.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Morning Haze and Light, Shoreline Trees

Morning Haze and Light, Shoreline Trees
Morning Haze and Light, Shoreline Trees

Morning Haze and Light, Shoreline Trees. Yosemite National Park, California. September 3, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Forest trees at the edge of a Sierra Nevada subalpine lake in morning light, Yosemite National Park

This is another photograph from that magical first day of shooting at a location that I would stay at for nearly a full week. As I wrote previously, the magic of this first morning comes from many things. Recognition is one of them — the experience of experiencing again the familiar elements of the Sierra backcountry that I have known for so many years: the sounds of gentle wind and water lapping at the end of the lake, the stillness of the morning air, that beautiful light coming over a ridge and striking trees and rocks from behind, the bits of detritus along the shoreline. A sense of expectation is another — the focus on seeing what is new at this place, the almost certain knowledge that I will discover new and unexpected things during the upcoming days.

On this morning I walked down to this lake for the first time. (I had arrived so late the previous day — after sunset, actually — that I had not even gone to the shoreline.) I began to circle around its west side slowly, first on a trail through flat terrain near where we camped, and then on rockier areas that forced me to ascend above the water a bit. All the time I was looking for subjects and compositions — though it would take a few more days before I fully fell into the ideal mode of seeing. I love backlight and I live juxtapositions of subjects, and I was attracted to the fringe of morning light on the branches of the trees at left and on the grasses below, and to how they contrasted with the deeply shaded area beyond.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Morning, Subalpine Lake

Morning, Subalpine Lake
A granite peninsula holding small trees extends into the waters of a subalpine lake, Yosemite National Park

Morning, Subalpine Lake. Yosemite National Park, California. September 3, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

A granite peninsula holding small trees extends into the waters of a subalpine lake, Yosemite National Park

I made this photograph on our first real photography day of our early September backcountry photography trip in Yosemite National Park. There is a sort of life-cycle to any trip and especially for longer trips like this one. The entire first day of the “expedition” was spent loading vehicles, driving across California, and getting settled into first night accommodations in the eastern Sierra. The second day was a travel day — first a drive up to our trailhead, getting our gear to the packers who would take the majority of it in to our destination, leaving vehicles and starting the long hike, arrival and camp setup, and dinner… and the day was gone. So this third day of the trip was the first for serious photography.

The first day in a location where you will spend substantial time photographing is an interesting one, and the first morning is a very special time. After two days of transit, this is when photography begins. We arose before dawn, loaded up packs of camera gear, and headed down to the lake, each following his or her own path. It is a time of renewal and recognition — of the features and sensory elements of being in the Sierra high country and of focusing your “seeing” intensely. I began by first making an obligatory warm-up shot or two and then working my way around the west side of the lake, looking back across it toward the early morning sun as it eventually rose high enough to backlight trees and rocks. When I look at this photograph, the point of view and the elements in the frame remind me again of those first day sensations as we began our relationship with this lake and its surrounding terrain, a location we would photograph for the better part of a week.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.