Tag Archives: light

Big Sur Coast, Winter Light

Big Sur Coast, Winter Light
Big Sur Coast, Winter Light

Big Sur Coast, Winter Light. Pacific Coast Highway, California. January 31, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Rugged Big Sur coastal mountains in winter light recede into the distance

The entire Big Sur coast below Monterey, California is full of spectacular land- and seascapes, as the western edge of the continent meets the Pacific Ocean. Often as I drive the Pacific Coast Highway though this region I wonder at the improbability of the existence of the road along its length. (In fact, it is a challenge to keep it open, as there are frequent slides during winter months.)

While the region is almost entirely spectacular, things seem to become a degree wilder and bigger once I pass the inland town of Big Sur and head back out to the coast on the southward drive. Here in many places the road alternates between the edges of high ridges that drop precipitously into the sea and sections that follow along the very edge of the water. (I tend to prefer traveling south along this road, as the light is more likely to be the sort that I look for.) At this particular location, the nearby cliffs plunge into the ocean at an especially steep angle and the curve of the coastline provides extremely long views.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Big Sur Coast Near Bixby Bridge

Big Sur Coast Near Bixby Bridge
Big Sur Coast Near Bixby Bridge

A trip to the Big Sur coast last week got me thinking again about the photographic possibilities of that area, and about the fact that I need to photograph there more often! I’ve visited this coast since I was a child, and perhaps because it is so familiar to me I tend to overlook it, even though it is close enough that I can be there and back in less than a day.

In addition to my more recent visit, I was there much earlier this year, back in winter when we visited in late January. So, thinking about Big Sur this week, it seemed like a good time to start going back through those older photographs to see what emerged. (While I often share some photographs immediately after shooting a subject, I also like to revisit the images months or even a year or more later, when I think I can see them more clearly for what they are sometimes.) As I looked at these older photographs they seemed to me to have potential as monochrome images, and I ended up interpreting several of them that way. This photograph was made in the morning, and from a fairly iconic overlook in the upper section of the Big Sur coast, where ridge after ridge descends to the shores of the Pacific Ocean.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Winter Dusk, Three Birds

Winter Dusk, Three Birds
Winter Dusk, Three Birds

Winter Dusk, Three Birds. San Joaquin Valley, California. January 1, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Motion blur abstraction of a winter scene with three birds landing

Near the end of the day, well along into the dusk hour, with light fading fast, I decided to take advantage of the poor light and “play” a bit with very slow shutter speeds and intentional camera motion. By moving the camera in various ways during the exposure I can control to some extent the angle, length, and linearity of the blur. In some cases it is enough to just track the birds — and give the less fuzzy image of the three central birds, I am pretty certain that is what I was doing here. In other cases I can basically ignore the motion of my subjects and simply think about how to move the camera to create patterns in the motion blur.

I’ve often felt that working for sharply focused, stopped motion images of birds is not the only way to depict whatever it is that attracts me to them. The camera lets us see birds in ways that we really cannot usually see them with our own eyes. When birds are in motion it is almost impossible — at least with many types of birds — to clearly see them. They move too fast and the motion of wings is essentially impossible to track visually. And when we do stop them with a fast shutter speed, while we get to see them with a kind of clarity that isn’t otherwise possible, we may also sacrifice that sense of constant motion. So I started playing with the idea of intentionally avoiding sharp focus, allowing camera motion to come into play and using slow shutter speeds to allow the birds to blur and to blur their surroundings as the camera moves. To me, this sometimes evokes more strongly the feeling of the fast motion that I observe among these birds, and creates a different sort of honest portrayal of them.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Forested Hill, Morning

Forested Hill, Morning
Forested Hill, Morning

Forested Hill, Morning. Lake Tahoe, California. June 21, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Morning light on trees of an open forest ascending a rocky hillside, Lake Tahoe

More quiet morning light at Lake Tahoe, photographed during my visit last week. We were there for a wedding and up late at night, but I still managed to struggle out of bed shortly after 5:00 in pre-dawn near darkness and head out along the west side of the lake. For such an urbanized and busy place, it is certainly possible to find quiet and solitude in these early morning hours. I saw almost no one else out traveling at this early hour — apparently the beautiful dawn light isn’t quite enough to get others to rise!

The light was the sort that I describe as “interesting.” It was not the all-too-common light of a cloudless blue Sierra sky, nor was it the darkened, overcast light. There were enough clouds to occasionally “turn out the lights” on the warm morning light, but between those cloud shadows warm and soft light passed across lake and rocks and forest. I stopped at a simple roadside turnout, surrounded by forest, when I saw this morning light coming from behind some trees and, nearby, hitting them from the side. This is one sort of quintessential Sierra terrain, with straight but not too tall trees leading up a rocky and sandy slope covered with boulders and manzanita.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.