Tag Archives: light

Migratory Geese, Wetlands

“Migratory Geese, Wetlands”  Migratory geese (likely snow, Ross’s, and white-fronted) in Central California wetlands.

Our little band of photographers gathered once again on New Year’s Day to greet the new year together and photograph migratory birds and the often-foggy Central Valley landscape. This photograph holds what I think of as the main elements of this winter landscape: birds, a bit of fog, sky, trees, and grasses. (OK, cattle and crops are part of the scene, but not in this photograph.)

There are various natural cycles to observe when photographing these birds. The most obvious is annual — they return from the arctic every autumn and around the start of spring. There’s a cycle during that period, too. At first they are often harder to find, settling into remote areas of the valley and being more uneasy around humans. As the season goes on they seem to be a bit easier to locate as they collect in gigantic flocks, and the become extremely active in the final month before their departure for points north.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Tree, Clearing Fog, Dawn

“Tree, Clearing Fog, Dawn” — An old winter tree sillouetted against the dawn sky as tule fog clears.

Certain subjects keep drawing me back. I don’t mean just general types of subjects, but very specific things, places, objects, and so forth. This tree, at this time of day, in these conditions, is one of those subjects. It is at a place where I frequently photograph in the winter months, and I usually try to be there on mornings when the fog will clear at or after dawn — a morning just like this one.

There is something to be said for seeking out new and unusual subjects. But I think there is also great value in returning to the same subjects and getting to know them more deeply. Beyond that, there is a wonderful sense of being “grounded” in a familiar landscape, one that you know from long acquaintance, to the point that the surprises happen against a backdrop of deep familiarity.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | BlueSkyEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Mono Lake, Morning

Mono Lake, Morning
“Mono Lake, Morning” — Pahoa and Negit islands silhouetted against early morning lake reflections with desert mountains in the distance.

I have shared a few other Mono Lake photos made at this elevated location some distance from the lake. This camera position gives a different and broader sense of the lake and its surroundings. It is a huge body of water — there’s far more water on the far side of the islands than between them and the near shore. The desert mountains are many miles beyond the far edge of the lake. All in all, Mono Basin is a place of immense space and great distances.

I photographed very early in the morning. I had gone to this location to photograph something else, but by turning my camera 180 degrees the lake was in the frame. It was a generally clear morning with some high clouds, but the great distances still turned the atmosphere a bit blue with haze, and that haze mutes the details of the distant basin and mountains.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Trees and Smoke

Trees and Smoke
“Trees and Smoke” — Smoke from a managed fire drifts among Yosemite Valley autumn trees.

I have told the story of this series of photographs before, but here is a reminder in case you missed it. I was in Yosemite for a day of autumn color photography, but when I arrived I found the Valley full of smoke from a managed fire, set to burn off accumulated undergrowth. The Park Service does this regularly these days in autumn. It isn’t pleasant for visitors, but it makes for a healthy forest that is less likely to be destroyed by wildfires in the future. But it does pose some challenges for photographers!

Fortunately, with the right subjects and light it is possible to make photographs in smoky conditions. This isn’t the first time I’ve photographed in smoke, and I have shot actual wildfires in the past. I decided that here the drifting smoke was actually kind of moody, almost like fog except with bright sunlight streaming down from above. Here I centered a tree with autumn leaves inside and arch of thicker trunks.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

Scroll down to share comments or questions. (Click post title first if viewing on the home page.)


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.