Tag Archives: light

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Sunrise Above the Badlands

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Sunrise Above the Badlands
Sunrise on desert peaks works its toward badlands.

Sunrise Above the Badlands. © Copyright 2022.G Dan Mitchell.

Sunrise on desert peaks works its toward badlands.

There are some landscapes that stump me. Even after returning many times, often over a period of years, I still find it hard to “see” them photographically. While I don’t generally have that issue with Death Valley National Park as a whole, there are a few locations where this comes up, and at least a couple of them are relatively iconic places that are visited by the majority of the park’s visitors. My feeling about both of them has long been… interesting places, but not my thing photographically. In the back of my mind, in both cases, I wonder if it is more that I still need to just figure out how to see them.

A chance comment that a friend made about one of these two locations recently stuck in my mind and I kept thinking about it on my January visit to the park. On the last morning of this trip I went to one of these place and poked around a bit. Perhaps surprisingly, this photograph includes a feature of the landscape where I have stopped in the past, looked, and kept going. This time, however, I went ahead and set up and then made a few photographs as the early morning sun was striking the high peaks to the east.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Creosote, Morning Light

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Creosote, Morning Light
A cluster of creosote in sand dunes, backlit by morning sun.

Creosote, Morning Light. © Copyright 2022 G Dan Mitchell.

A cluster of creosote in sand dunes, backlit by morning sun.

As this morning’s light quickly evolved, I had just time to make one photograph of this subject from this camera position. I was photographing almost straight into the sun, which was just above the ridge that creates the shadow in the background. The plant’s mirror image of shadows caught my attention, and it sort of felt like the combination of the plant and its shadow exploded across this bit of dune landscape.

From a photographic perspective, this image is another example of a few semi-technical points I’ve made in some of my recent Death Valley posts. It was made quickly — not at all using the sort of sedate process that some might think of when considering landscape photography. This landscape of dunes and light evolves very quickly at this time of day, and to respond to it I often work quickly, moving rapidly from one subject to the next. It is also a photograph made with a long focal length lens. As I have mentioned, this lets me work a larger area in the dunes more quickly, and it also allows me to limit the scope of the composition.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Creosote, Sunset Shadows

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Creosote, Sunset Shadows
A clump of creosote among curving sand dunes as sunset shadows arrive.

Creosote, Sunset Shadows. © Copyright 2022 G Dan Mitchell – all rights reserved.

A clump of creosote among curving sand dunes as sunset shadows arrive.

This comes from a short but very intense burst of photography on a late- January evening in Death Valley National Park. A suitable interval before sunset I had headed out on a hike of a bit more than a mile to a line of sand dunes, where I expected that the final direct sun o the day would arrive over the top of a low ridge to my west, and that it would have the potential to bring some lovely, wam light to the dunes. I arrived at the dunes well before sunset and set to work looking for subjects in this somewhat unfamiliar place.

The light was already transitioning toward evening, and as I worked the transition accelerated. I put a long lens on the camera, partly because it would allow me to pick our small compositions in the larger landscape and partly because it would let me quickly respond to short-term bits of beautiful light that were too transitory for me to pick up and move to their location. Moments before the sun dropped beyond that ridge, the color of the light intensified and the shadows lengthened.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Desert Ridges, Morning Haze II

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Desert Ridges, Morning Haze II
Desert ridges disappear into distant morning haze.

Desert Ridges, Morning Haze II. © Copyright 2022 G Dan Mitchell – all rights reserved.

Desert ridges disappear into distant morning haze.

While the light of the very early morning and the very late afternoon is the most obviously appealing, there are ways to photograph at almost any time of the day. Because the distances in the Death Valley landscape are often so immense, there is almost always some amount of haze in the air. Not only does it obscure distant features, but it also shifts the color balance toward blue. In all honestly, sometimes this doesn’t make for the most appealing landscape photography, especially when distant features are included. But it is also possible to make the blue haze your friend, especially where it can enhance the sense of distance and scale.

I had finished up my sunrise photography at a different location on this morning of my early 2022 visit to Death Valley. My daily routine is usually to bet up very early — well before sunrise — and head to a first location, arriving well before the good light appears. You may have noticed that I didn’t mention things like coffee. Or breakfast. I usually skip them and get right to work. Later, after finishing with that first subject of the day, it would be easy to give in to the call of breakfast, but I usually continue on to a second location that holds some promise in later light. So on this morning I headed up into the hills to find a spot with a broad, long-distance view. From here I photographed across rows of intervening ridges as the haze gradually hid the landscape details to the point that haze and light and land merged in the distance.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.