Tag Archives: light

The Edge Of The Grove

The Edge Of The Grove
Autumn color at the edge of a grove of white-trunk aspen trees.

The Edge Of The Grove. © Copyright 2021 G Dan Mitchell – all rights reserved.

Autumn color at the edge of a grove of white-trunk aspen trees.

In a recent post I mentioned that I was almost done with fall color photographs for the year. Maybe. Sort of. But no promises. So here’s another one. This grove is a bit atypical for the Eastern Sierra, where we often see small groves of trees that are twisted and bent, and where continuous groves a tall, straight trees are the exception. I’m not certain why this is the case in “my” mountains, but I suspect it has to do with the rugged and often-rocky landscape, the relatively dry climate in parts of the range, and likely other factors. This grove on the eastern edge of the range abuts sagebrush high desert country, and perhaps the more open terrain allows the trees to get more light than they might receive in a deep valley.

This photograph differs from most that I share in that it is a re-working of a photograph that I shared a few years ago. A photograph is not necessary a finished thing, and a given version represents what and how the photographer saw the image at a particular point in time. We change and our way of seeing changes, and when we look back at earlier work it is common to reimagine how we might interpret the subject. Here the changes are mostly along the lines of “tuning up” the image a bit. There’s a slight tightening of the crop, some differences in how the colorful leaves appear, and some small changes to the foreground and the shadows.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Waiting For Transit

Waiting For Transit
People await their ride at a San Francisco light rail station.

Waiting For Transit. © Copyright 2021 G Dan Mitchell – all rights reserved.

People await their ride at a San Francisco light rail station.

Perhaps you already knew that I made this photograph a few years ago — it is in San Francisco, it is at a transit stop… and no one is wearing a mask! You wouldn’t find that combination today. (That’s one reason that the San Francisco Bay Area has among the lowest infection rates in the country, but I digress…) I made the photograph on one of my photography days in San Francisco, which tend to follow a familiar pattern: Up well before dawn, catch a train to the City, arrive around sunrise, spend the morning wandering on foot and photography, then take the train back home my mid-afternoon. San Francisco is a very walkable city, and you can cover a lot of ground there on foot.

Recently I had the pleasure of giving a talk on street photography to a somewhat surprising group, the photography section of the San Diego Chapter of the Sierra Club. That’s not your typical topic for this group, and I was aware that there might be some skeptics. My premise is that doing street photography (and other kinds of not-nature photography) can make you a better photographer, and that the benefits can accrue to your nature photography, too. I can’t recreate the entire talk here, but this photograph embodies a few key ideas. First, it takes advantage of a very local photographic opportunity, so I can photograph even when I can’t travel to lovely, far away, natural places. Second, it treats the street as a kind of urban landscape, occupied by “human wildlife.” In fact, I often construct photographs like this one by first finding the “landscape” and then waiting for passers-by to populate it. Third (and final for now) photographing these local subjects is good “practice” that keeps my ability to see photographically tuned up.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Silo and Shadows

Silo and Shadows
Morning shadows fall across the curving surface of an agricultural silo, Central Valley, California.

Silo and Shadows. © Copyright 2021 G Dan Mitchell – all rights reserved.

Morning shadows fall across the curving surface of an agricultural silo, Central Valley, California.

This photograph comes from the area where I first learned about bird photography. I’ve told the story before, but here’s the outline. I had almost no interest in photographing birds — it was completely outside my experience. One morning I was at my local espresso stand when I struck up a conversation with a friend who was also in the line. She happened to mention a birding location that she liked just south of Sacramento, California. For some reason, I was intrigued, and since I had some time to drive a few days later I headed out there, not knowing what I would find. It was a winter morning and as the sun rose I found thousands of birds everywhere — on the ground and in the sky. I had not idea what kind of birds they were (I think I assumed that all birds were geese…) but I was hooked. This was the start of a passion for photographing them.

You may wonder how that connects with this photograph. As I explored that area I came to some flooded rice fields, and nearby found a structure including several silos. I photographed it, and periodically I’ve returned to photograph it again. I photographed this view on a sunny morning, when the reflections of angled pipes, ladders, supports, and wire produced a complex pattern across the curving, corrugated metal skin of this silo.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Young Trees, Zion Canyon

Young Trees, Zion Canyon
Slender young trees growing at the base of the sandstone cliffs in Zion Canyon.

Young Trees, Zion Canyon. © Copyright 2021 G Dan Mitchell – all rights reserved.

Slender young trees growing at the base of the sandstone cliffs in Zion Canyon.

The biggest and oldest cottonwood trees are some of the most impressive specimens in these canyons. They often tower high above their surroundings, and for this reason can be photographed against cliff faces or sky without interference from other plants. They fill sections of canyon bottoms throughout the Southwest and, for that matter, they are found in an amazing range of places in the west, from near desert locations to the flatlands of California’s Central Valley. However, their dominance of the plantscape can sometimes distract from other worthy subjects that do not shout their presence quite so loudly.

These young trees in Zion Canyon have a kind of grace and fragility that contrasts with the solid mass of those bigger cottonwoods. The branches of these trees are slender and they move in the breeze. (Which, by the way, adds a particular challenge to photographing them in very low light.) The soft canyon light reflecting down from far above almost makes them luminous.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.