Tag Archives: lines

Photographs: Croatia, Photographs: Europe, Photographs: Structures and Objects, Photographs: Travel, Photographs: Urban/Street

Perpendicular

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Perpendicular
Blue wooden doors with former windows filled by painted wood panels.

Perpendicular. © Copyright 2023 G Dan Mitchell.

Blue wooden doors with former windows filled by painted wood panels.

Many photographers are intrigued — obsessed, even — with the abstract qualities of shapes, form, color, and texture. Many of you already understand that these things are often as important as, if not more so, than the objective content of photographs. A photograph does record things, but it isn’t just recording “what we see” — it is also about recording, arranging, and presenting “how we see.” And many of use — almost all, really — see this other things when we use our cameras.

I made this photograph while walking through Trogir, Croatia one morning — I am pretty sure this was the morning when Franka Mlikota Gabler and I met there to photograph. This town can be very crowded later in the day, but in the early morning hours we had it almost to ourselves, and there was plenty of time to photograph things like this without distractions. What is the photograph “about?” Hard to say precisely, and you have a voice in this, too. But I was obviously fascinated by the perpendicular arrangement of lines and rectangles, the subtle difference in the blue tones, and the weathering and other imperfections in the surfaces.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Agriculture, Photographs: Central California, Photographs: Nature

Dormant Trees and Fog

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Dormant Trees and Fog
Dormant trees in Central Valley winter tule fog.

Dormant Trees and Fog. © Copyright 2022 G Dan Mitchell – all rights reserved.

Dormant trees in Central Valley winter tule fog.

This is the second in a series of photographs I made of this Central Valley orchard on a very foggy winter morning. On a typical morning with these conditions, there comes a time when the fog begins to move and thin and the light begins to come through the fog and make it glow. (This is tule fog, which forms at night when the moisture level is right, and ends up producing a thin but often very dense layer of low fog.) I had been photographing birds in thicker fog, and when the thinning process began I moved to this location where I thought the trees might be an interesting subject.

In some ways it is an easy matter to photograph a subject like this one. It is naturally mysterious and compelling, both from the fog itself and from the vaguely anthropomorphic forms of the dormant trees. However, once I begin to work with such a subject, things invariably start to become more complicated than I expected — how to create a balanced composition? What camera position gives the most interesting juxtaposition of trunks? How much to focus on trunks and how much on the upper branches How to deal with inevitable intrusions of branches into the scene. My solution is a combination of looking and thinking, relying on intuition, and trying many different approaches.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Death Valley, Photographs: Desert, Photographs: Imaginary Landscapes, Photographs: Nature

Evening Dunes

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Evening Dunes
Abstract interpretation of sand dunes in evening light.

Evening Dunes. © Copyright 2013 G Dan Mitchell – all rights reserved.

Abstract interpretation of sand dunes in evening light.

For this photograph I decided to move further from supposed reality than usual. In my view, no photograph actually portrays “objective reality” accurately. That’s a good thing, and I prefer subjective reality in photographs. In other words, I’m interested not so much in what the photograph claims to tell us about the reality of the subject as I am interested in what the photographer wants us to find in the subject.

I was in sand dunes in the evening after the sun had dropped beyond mountains far to the west, leaving very colorful light in the clouds, light that suffused the landscape with color while softening the details. Here I was interested in the large patterns of light and dark and the smaller patterns made by wind on the surface of the dunes. The final interpretation of the colors reflects the bluish tones of evening light and the effect of the brightly colored sky, though here I modified the colors in ways that seemed to make some sense for this image.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature, Photographs: Night

San Joaquin Valley Moonrise

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San Joaquin Valley Moonrise
Winter full moon rises over San Joaquin Valley utility lines

New Year’s Moonrise. © Copyright 2018 G Dan Mitchell – all rights reserved.

Winter full moon rises over California utility lines

I have to admit that one reason I made this photograph was simply because I could. Such a photograph likely could not have been made just a few years ago, and certainly not in the way I made it. The photograph is, believe it or not, handheld… using a 300mm focal length on a 100-400mm zoom lens. Because this technical capability is so wonderful, I think it is worth mentioning it in this case. The moon is relatively bright, producing about as much light as daylight on our planet. However, it does not shed much light on the landscape, yet here I was able to retain some color in the sky and even make the details of the very dark utility lines and poles visible.

The genesis of the photograph is also significant. I was not here to photograph the full moon, and I actually was unaware that it had risen. I was focused on another subject, a large flock birds assembled in twilight in front of me, when someone said, “Look over there!” I turned around and saw the moon rising through the thin clouds above the valley. I could not take time to use a tripod — I photograph the birds handheld — so I simply took a chance that I might be able to hold the camera still enough and come up with the right exposure. I grabbed a few shots, then turned my attention back to the birds.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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