Tag Archives: lines

Photographs: Central California, Photographs: Nature, Photographs: Northern California

Reeds and Reflected Sky

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Reeds and Reflected Sky
Reeds and Reflected Sky

Reeds and Reflected Sky. San Joaquin Valley, California. January 21, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Reeds and blue sky reflected in the surface of a San Joaquin Valley pond

This image could serve an example of how puzzlement, patience, and good luck can lead to a photograph. I have looked at precisely this clump of reeds perhaps a half-dozen times, thought about how I might photograph them, but could not make it work. They grow in a marshy pond in a San Joaquin Valley wildlife refuge, near a spot where I almost always stop at least once each time I visit. The usual reason for stopping at this precise spot has little or nothing to do with these plants, and more to do with the wildlife that might be around or with the interesting light that often appears here at certain times of the day.

When I have stopped here to photograph those other things, or perhaps just to look around, I have noticed the reeds and wanted to photograph them, but remained puzzled about how to make the photograph work. It may seem odd that such a simple subject would be challenging, but it is hard to find a sight line to one clump that isn’t interrupted by others, the water is often a bit stirred up by wind and birds, and getting the right reflections and light on the water is a challenge. But each time I think about it, and I had even tried a few previous photographs. But this time I had some luck on my side. First, it was a very calm and still morning, so the surface of the water was almost glass smooth, with just very subtle ripples. Second, the morning fog and haze distinctly muted what could otherwise be an overpowering blue in the reflection from the sky. (I’m almost embarrassed to admit it, but I didn’t even go back to my vehicle to get a tripod to make this shot, instead just shooting it handheld.)

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Red on White, Sandstone

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Red on White, Sandstone - A vestigial layer of red sandstone forms small, layered mounds atop patterned white rock, Zion National Park
A vestigial layer of red sandstone forms small, layered mounds atop patterned white rock, Zion National Park

Red on White, Sandstone. Zion National Park, Utah. October 22, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A vestigial layer of red sandstone forms small, layered mounds atop patterned white rock, Zion National Park

All over the southwest, where various layers of sedimentary rock meet, it is possible to find odd and surprising juxtapositions of the different layers. In many places a bit of a higher, harder layer will remain above the softer material below, creating hoodoos and mushroom-shaped structures. Sometime the upper rim of a canyon will be lined with a layer of the harder rock, while there is a steep drop-off below. Here, bits of the darker read sandstone, with different types of layering and different texture, sit on top of the smoothly curving and finely layered underlying lighter rock.

I had seen this spot in Zion in the past – it isn’t all that hard to find – and even photographed it from a greater distance and different angles. This time I decided to approach more closely, walking out on the wave-like formation of the lower, lighter rock and passing around these small reddish prominences. I made this photograph on the same day I made many of my other most recent Zion photographs, a day when the light varied tremendously due to winds and cloud cover. One moment this spot was hit by brilliant sunshine, and a moment later it was in shade – and the changes did not always synchronize between the near and far elements. I made this photograph during a moment when the direct sun was largely muted by passing clouds.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Architecture, Photographs: Northern California, Photographs: San Francisco, Photographs: Structures and Objects, Photographs: Urban/Street

Towers and Sky

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Towers and Sky
“Towers and Sky” — Two downtown San Francisco buildings and a patch of clear sky.

Whether or not it is apparent, this photograph is the result of some simple shooting and some significant post-processing work. The shot was made handheld during an early evening walk through a portion of San Francisco’s financial district. In addition to looking for the usual street stuff, I was giving my attention to what was above me. I made a series of photographs of very tall buildings, shooting almost straight up and from very close to the bases of the buildings. In “street” style, I was working with a 50mm prime and framing subjects within the constraints of that lens. (Since the subject comes up in this context from time to time… no, I’m not making any statement about the “right” lens to use for street. Sometimes I just like to work with a prime. Sometimes I like to work with a zoom. Sometimes I like both!)

When photographing these subjects in this way, the vertical shooting angle and closeness to the buildings can eliminate the reflections of other buildings and let each structure be seen apart from its surroundings to some extent. In this photograph, the windows (almost) do not reflect anything but sky. In order to emphasize the presence of those windows I chose to apply a blue (!) filter in post, which also had the effect of making the sky almost perfectly white, especially after some curves adjustments. I applied a few other processes as well to get the look I was after here – but those can be my secret!

For probably 90% or more of my photography, I’m pretty much a tripod kind of guy. Working without the tripod, walking through urban areas, and responding somewhat quickly (as least compared to some of my landscape work) to subjects, and then moving on – all of this can be a welcome change from my more typical shooting style.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Abstract, Photographs: Architecture, Photographs: Imaginary Landscapes, Photographs: Northern California, Photographs: San Francisco, Photographs: Structures and Objects, Photographs: Urban/Street

One Front Street, San Francisco

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IOne Front Street, San Francisco - maginary (urban) landscape based on the facade of the One Front Street building, San Francisco
Imaginary (urban) landscape based on the facade of the One Front Street building, San Francisco

One Front Street, San Francisco. San Francisco, California. July 9, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Imaginary (urban) landscape based on the facade of the One Front Street building, San Francisco.

This is another in a short series of photographs I did earlier this month in which I focused on shooting very close to the base of some downtown San Francisco buildings, aiming the camera nearly straight up in order to see their shapes more abstractly, and then working fairly freely in post to modify the images in ways that I felt were interesting. This one, and some of the others, are subject to enough post-processing that they probably fit into the category that I describes as “imaginary landscapes.)

I imagine that architects who create such things understand these buildings in ways far different from this in which the rest of us see them. A few things, likely completely obvious to the building designers, occurred to me. One, obvious now that I see it, is that the visual character of the buildings themselves is formed as much by what they reflect of their surroundings as it is by their own shape, texture, and material. Most of what constitutes this photograph, for example, is not the building itself (which is largely defined by the narrow non-reflecting portions) but by what in the surrounding environment is reflected on its surface and how those reflections are shaped and modified by the reflecting surface of the building. In this case, the building reflects itself in the right angles such as the one in the center of this shot, along with the sky, and sometimes the surrounding buildings. (Though the latter is removed when you aim the camera up so sharply.)

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.