Tag Archives: loading

Photographs: Northern California, Photographs: Urban/Street

Loading Dock

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Loading Dock
“Loading Dock” — An old loading dock, closed off with corrugated metal sheets.

This photograph is a companion to another one I recently shared featuring a different part of the same old building. It is a weathered structure with loading docks on both sides that is in a very slowly gentrifying light industrial area of San Jose. It has all the features you’d expect — it is next to an old rail line, it is on a fairly major street, and its exterior features concrete, corrugated metal, and very weathered wood.

I had been thinking about photographing it for a while but never seemed to get around to it, despite going there fairly regularly. There are now some newer businesses in the building that we patronize. I finally remembered to bring a camera as I went out for a long walk that would take me there, and I paused to photograph this old loading dock, now obviously abandoned, with its interesting textures and geometric forms.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: San Francisco, Photographs: Structures and Objects, Photographs: Urban/Street

960 Loading Dock

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960 Loading Dock
Loading dock area of a San Francisco building.

960 Loading Dock. © Copyright 2021 G Dan Mitchell – all rights reserved.

Loading dock area of a San Francisco building.

As life trends slowly back towards a more normal world, I was recently able to join my Studio Nocturne friends (a group of San Francisco Bay Area night photographers) for the resumption of our annual fall “open studio” events in conjunction with the ArtSpan San Francisco Open Studios. The group and its ancestor, The Nocturnes, has shown night photography during this event for a couple of decades. Things were more or less suspended last year, for reasons I hardly need to explain, but this year we were able to offer a very successful open studio event in North Beach, followed by a “pop-up” event in Dogpatch.

So, for the first time in a couple of years, I spent the better part of several full days in San Francisco, showing art, working with my colleagues, talking to visitors about our work. This return to something feeling a bit like the old normal was wonderful. It was also great to once again feel like the life of this city was returning — masked and socially-distanced, yes, but still. The photograph includes the “view” from my location at the pop-up event. As an aside, its composition reminds me of the ubiquitous “chyron” displays on television…

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Architecture, Photographs: Night, Photographs: Northern California, Photographs: Structures and Objects, Photographs: Urban/Street

Abandoned Loading Dock

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Abandoned Loading Dock
Railroad tracks and a weather protection structure above an old loading dock, Mare Island Naval Ship Yard

Abandoned Loading Dock. Mare Island Naval Ship Yard, Vallejo, California. March 11, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Railroad tracks and a weather protection structure above an old loading dock, Mare Island Naval Ship Yard

This is another very still and quiet image from my recent evening photographing the historic Mare Island Naval Ship Yard. Image walking alone in the darkness among these old (mostly) abandoned ship yard buildings: shops, warehouses, towers. Occasionally a lone car drives past, momentarily raising my level of alertness. It is mostly silent except for a sound of distant traffic across the water in Vallejo. The air is typically cold and damp, and on this night a bit of a breeze blows. The photographs are visual images, but they also evoke, for me, a whole series of associations, memories, and sensations associated with the place the experience of making the photographs.

There is always a question of just how to treat luminosity and color with these nighttime subjects. The fact of the matter is that many of these scenes are barely visible to the human eye, and details are shrouded in darkness. In this low light color is mostly desaturated, only becoming visible afterwards in the photograph. And much of the color is not the true color of the objects, but rather is the color of the light that illuminates them — and it can range from yellow to reddish, but white or even blue-green. The concept of accurate rendering becomes moot, since an “accurate” photograph (if “accurate” means “what it looked like”) would be almost colorless and nearly pitch black. Instead I take this as an opportunity to capture “what the camera sees” and use that as the raw material for what must be an interpretation of the captured light — almost inevitably brighter and more colorful than the original, but still trying to evoke that mysterious and quiet nocturnal quality.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Architecture, Photographs: Northern California, Photographs: San Francisco, Photographs: Structures and Objects, Photographs: Urban/Street

Door Number Fifty-Five

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Door Number Fifty-Five - Door #55, rusted frame, and weathered concrete wall, San Francisco.
Door #55, rusted frame, and weathered concrete wall, San Francisco.

Door Number Fifty-Five. San Francisco, California. April 20, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Door #55, rusted frame, and weathered concrete wall, San Francisco.

This will be the first in a series of three “door photographs” I made in one small waterfront alley along San Francisco’s Embarcadero one morning in April. This alley lies behind a steel gate that has often been closed when I have passed by before. I’ve been intrigued by the spot, but unable to do more than try to look through the closely spaced mesh of the gate, but on this morning the gate was wide open and people seemed to be coming from and going to some businesses or offices beyond, so I just walked in and made some photographs of the appealingly decayed parts of the old buildings on this pier.

Several of the doorways, featuring large roll-up doors, were marked by numbers simply stenciled directly on the rough concrete walls. All of the exterior surfaces showed signs of neglect and the whole scene had a utilitarian quality about it – not a thing appeared to have been done to intentionally improve the look of the place. The concrete was marked with seemingly-random splotches of paint, the large check mark you see here and more. The rusted frame of the doorway looked someone might have run into it with a truck or some other large thing at some point, leaving it bent awkwardly inward.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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