A man rides an ascending escalator in San Francisco, California.
There is a lot I could write about this photograph, but I think I’ll keep it short and simply describe. I made the photograph in 2007 while on one of my walks around San Francisco – walks that usually start at the CalTrain station and then head off in a variety of directions, almost all of which provide opportunities to photograph the urban “landscape and wildlife.”
On a warm New York City evening, a man sits on the landing of a metal stairway on the exterior of a brick building.
We decided that we would visit the High Line Park in Chelsea early in our recent visit to New York City. Recalling some wonderful evening and sunset light at the park during last year’s visit, we had something like that in mind again on this visit… but that is not quite how it turned out. Although it had been sunny earlier, when we arrived at this location late in the day we could see very dark clouds building over on the New Jersey shoreline and beyond. Even though it was at least an hour and a half before sunset the light was dimming quickly, and we began to see large flashes of lightning in the sky to the west.
While the anticipated warm evening light would have been nice – and was when we returned a few days later – the softer light of these overcast conditions provided some advantages, too. Shooting toward the setting sun, as I would have been doing in this shot, can be tough on the High Line – but this soft light allowed me to more easily handle what would have otherwise been a real exposure challenge at this time of day. Just as we approached this building, the man emerged from the curtained doorway and provided a focal point to the photograph of this wall.
He is looking back over his shoulder for a very good reason. A few minutes after making this exposure – or perhaps sooner! – the lightning began to flash and the thunder began to boom directly overhead. We decided that the elevated park was no place to be in an electrical storm, and we quickly found a way back down to street level as sprinkles started. By the time had headed a block to the east, looking for a place to eat, the wind began to howl and the skies let loose a tremendous downpour, forcing us to choose a restaurant on the basis of proximity rather than reputation!
People moving on multiple levels of lobby and walkways at the Museum of Modern Art, New York.
I’ve been sitting on this photograph for a while, but I’ll interrupt the recent series of Sierra Nevada photographs to insert something more urban.
The photograph was made handheld inside a central atrium-like area of the Museum of Modern Art in New York City, a space from which layers of walkways could be seen. Although the slow shutter speed was somewhat a matter of necessity (but not totally) it also allowed me to let the moving figures blur, which suggests their motion more than would a faster shutter speed. I also removes the specific features of many of the closer people and lets them function more as generic figures in the image. There is more going on in the scene than might be apparent with a cursory glance.
A man descends the Peter Macchiarini steps past worn and dilapidated buildings in downtown San Francisco.
I photographed this rather bleak scene on a side street in San Francisco last summer. I first walked up this street to photograph the “Peter Macchiarini Steps” that ascend steeply here in place of a normal sidewalk. Then I saw the opposing shapes of the large square ductwork and the smaller round pipes against the weathered and dilapidated exterior of the buildings. Finally, I found that the occasional person descending the steps might add a point of interest, so I waited…
When I look at a photograph like this one I see layers of different things – but maybe that’s just me! :-) At one level it is just a slightly gritty little street scene, presented in a pretty unvarnished manner. (I did some work to straighten angles and so forth in post – I generally don’t get to use tilt/shift lenses when I shoot street!) Then I see several interesting-to-me geometries in the scene. I mentioned above the opposing bends of the pipes and ducts and their relative positions on the wall. I also see a collection of rectangular shapes throughout the frame: the lighter area of wall behind the figure, the doors in the lower center, the small window above the doors, the three upper windows, and the sections of wall between them. Then there are a bunch of horizontal components: the large lighter band across the upper center, the very small patterns of the siding, the sequence of upper story windows against siding, the lower edge of the siding. And within these separate layers of order there are things that don’t quite fit. The man of course, wearing black and in motion with one foot suspended in mid-step, but also the trash can in front of him – also black, the bits of conduit running in odd directions, the small section of pipe in front of the door, and the concrete sidewalk steps.
Of course, you are free to see a picture of some guy walking down the steps…
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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