Tag Archives: mirror

Photographs: Chicago, Photographs: Structures and Objects

Mirror in Mirror

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Mirror in Mirror
Reflecting surfaces of Chicago architecture

Mirror in Mirror. Chicago, Illinois. August 2, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Reflecting surfaces of Chicago architecture

This is another of my architectural detail photographs from our summer 2014 visit to Chicago. We decided to cross the continent the old-fashioned, slow way — we took the train from the San Francisco Bay Area to New York City. The first leg was on the venerable California Zephyr to Chicago, and we decided to take a few extra days in Chicago before boarding the Lakeshore Limited (also apparently known as the Late Shore Limited…) to Manhattan. We stayed right in downtown Chicago, just a few blocks from Millennium Park, so there was plenty to see and do. One morning we took the architectural tour up the river, something that I had not done before.

I enjoy Chicago. Part of it appeals to my long-ago midwestern roots, I think. But it is also a cosmopolitan big city with a quality all its own. While the buildings are as huge as those of any other big city, the urban center sprawls in a way that is quite different from, say, New York City or from our familiar San Francisco. It seems like views of the architecture are a bit more opened and varied, and much more light seems to get down to street level. I’ve long been fascinated by close-in photographs of building details, especially when they include windows like these. When I look at them initially I see a big, sturdy building. But looking more closely I see that most of what I’m looking at is not-the-building, but instead is a series of reflections and reflections of reflections in the windows, and the whole structure starts to take on a more insubstantial quality.

G Dan Mitchell is a California photographer and visual opportunist. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Merced River, Branches, El Capitan

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Merced River Reflections
Merced River Reflections

Merced River Reflections. Yosemite Valley, California. November 30, 2005. © Copyright 2005 G Dan Mitchell – all rights reserved.

Branches in the still water of the Merced River with floating autumn leaves and the reflection of El Capitan, Yosemite Valley.

This photograph is almost a bit of an optical trick. I’ll let you look for a second and figure it out…

… Does it make sense now? The foreground is composed of some intertwining dead branches just above the surface of a very still section of the quiet, late autumn Merced River in Yosemite Valley. The leaves floating on and just beneath the surface of the water give it away. Because there are so many branches, their dark reflections seem, to me at least, to almost merge with the shapes of the actual branches, creating a complex pattern. And, reflected in the surface of the water and appearing as a backdrop to these elements, is the sunlit face of El Capitan.

I would love to tell a great story about making this photograph… but I don’t remember making it! I discovered it only recently while reviewing all of my old raw files, and all I can say for sure is that I made it on one of my annual late October trips to The Valley to photograph the fall colors. For those who follow the technical stuff, I made this photograph with some pretty low-level gear back at a time when I was experimenting with my first DSLR. The camera was the very humble (but better than some think, at least for this sort of thing!) Canon Digital Rebel XT, an early 8 MP body. Even more humble was the lens, the not so swell EFS 17-85mm Canon lens.

(Note: This was originally posted on September 21, 2011. I’m moving this photograph back up on the home page today as this is a new revision of the original photograph — the date of the revision is December 26, 2014)

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Technique

Camera Stability and Long Lenses

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I responded to a question somewhere else and thought that it might be useful to share the response here, too. A photographer asked some questions about using long focal length telephoto lenses for landscape photography and how to deal with the issue of camera/lens stability, bringing up related questions about things like live view modes, mirror lockup, image-stabilization, and so forth. Here is what I wrote in response…

Rocky Creek Bridge, Surf and Fog
Black and white photograph of Rocky Creek Bridge with winter storm surf and fog. Big Sur coastline, California.

If you are shooting landscapes from the tripod…

  • Do use live view – it is the mode that introduces the least amount of shutter vibration.
  • Either mode 1 or 2 will perform essentially equally well when it comes to shutter vibration. (In both cases, there really isn’t any shutter motion vibration before the exposure since it is initiated electronically.
  • If you use a remote release (and you do, right?!) then there is no reason to use any delay setting on the camera to avoid vibration. (Many cameras have settings for 2 second or 10 second delays – mostly there so you can run and get in the photo, too!)
  • Mirror lockup is irrelevant in live view. The mirror is up by default in live view.  To be even more explicit, live view and MLU are mutually exclusive modes – they cannot be used at the same time.
  • After touching the camera, moving the tripod, etc., wait a few seconds for vibrations to dissipate before making your exposure. I  think that 2-3 seconds is sufficient, though some folks will claim that even longer might help.
  • Speaking of this, I would tend to avoid using either auto-focus (AF) mode when making landscape photographs with such a long lens. Either can introduce some amount of vibration to the system, but especially the mode that momentarily flips the mirror down, auto-focuses in the usual manner, then flips the mirror up to make the shot in live view. I prefer to manually focus at 10x magnification. If you must autofocus, do so before switching to live view mode, and then turn AF off before making the exposure.
  • Realize that the large area of these big lenses, combined with their very long focal lengths and great magnification, make the system far more susceptible to vibration from air movement. Even relatively weak breezes can create enough vibration to create a bit of blur and soften the image. Continue reading Camera Stability and Long Lenses →
Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Shoreline Trees and Boulder, Morning

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Shoreline Trees and Boulder, Morning
Shoreline Trees and Boulder, Morning

Shoreline Trees and Boulder, Morning. Yosemite National Park, California. © Copyright G Dan Mitchell – all rights reserved.

Morning light glances across the surface of Tenaya Lake, sprinkled with pollen, and illuminated shoreline trees and boulder, Yosemite National Park, California.

Shortly after the sun cleared the surrounding peaks, the morning light slants across the pollen-covered surface of Tenaya Lake to illuminate two small trees and their larger neighbors, along with a small peninsula and some shoreline boulders. This is an area in which I have photographed in the past, but this time I arrived much earlier in the day and the water level was still considerably higher than later in the season due to the heavy snow melt run-off that had peaked only a week or two earlier.

G Dan Mitchell Photography
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