Tag Archives: mist

Winter Sun, Fog, Trees

Winter Sun, Fog, Trees
Morning sun glows weakly through tule fog to silhouette a grove of winter cottonwood trees.

Winter Sun, Fog, Trees. © Copyright 2021 G Dan Mitchell – all rights reserved.

Morning sun glows weakly through tule fog to silhouette a grove of winter cottonwood trees.

This New Year’s Day my photography was supposed to focus on migratory birds, but somehow I ended up with a bunch of landscape photographs! This is a bit ironic, since I go to these places to photograph birds — but perhaps it isn’t too surprising given that it is hard to photograph birds when the fog is so thick that it obscures things more than 100 feet away.

Before I made this photograph I had tried to photograph cranes. I could hear them nearby, but I could not see a single one through the fog aside from a few that occasionally flew directly overhead. I finally decided to look elsewhere, and before long I passed these familiar trees. In the fog they took on a new and mysterious aspect, so I stopped and set myself up in landscape photographer mode — off came the really long lens and out came the tripod. As I worked the fog changed from moment to moment, and at the instant of this exposure the sun was barely visible through the fog.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Fog and Reeds

Fog and Reeds
Dense winter tule fog, tule islands, and a wetland pond.

Fog and Reeds. © Copyright 2021 G Dan Mitchell – all rights reserved.

Dense winter tule fog, tule islands, and a wetland pond.

From time to time I like to do visual experiments, seeing how minimal the content of the image can be and still work. Sometimes these photograph balance on an edge between portrayal of the real and pure color and form. I feel that images like this can portray or evoke the mood of a subject, even if they don’t include much detail at all. The idea is to suggest more than to tell.

The winter tule fogs of California’s Central Valley often do a fine job of minimizing landscape details. (They also do a fine job of minimizing the details of the roads I drive to get there, but I digress…) These shallow fog layers settle in during the winter and can be some of the thickest fogs you’ll ever encounter. Oddly, because they are so shallow, sometimes your vision straight upwards is barely impeded at all — and as I made this photograph the nearly-full moon was clearly visible overhead. But the view out into the landscape was radically limited, hardly extending more than a few tens of feet and muting details of closer subjects.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Winter Trees, Fog

Winter Trees, Fog
Tule fog surrounds a stand of. barren winter trees, Central Valley.

Winter Trees, Fog. © Copyright 2021 G Dan Mitchell – all rights reserved.

Tule fog surrounds a stand of. barren winter trees, Central Valley.

Something tells me that California Central Valley residents might disagree with me when I say that the winter tule fogs are among the biggest attractions of the region. I understand that days (or weeks!) of the gray can be depressing, and I’ve heard the stories about traffic accidents in zero-visibility fog. It is wet. It s cold. You can’t see through it. It interferes with travel.

But I love the mystery that the tule fog brings to this area. On clear summer days this is a broad, flat landscape that is largely agricultural. That has the potential to give it a bucolic quality, but the nature of modern Central Valley agriculture is that it also borders on an industrial process. But when the fog rises the world shrinks down to a radius that might be measured in yards rather than miles, more distant distractions disappear, details are muted, and the shallow but thick layer of fog glows luminously on a winter morning.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Winter Mist, Tomales Bay

Winter Mist, Tomales Bay
Morning mist rises above Tomales Bay on a cold winter morning.

Winter Mist, Tomales Bay. © Copyright 2013 G Dan Mitchell – all rights reserved.

Morning mist rises above Tomales Bay on a cold winter morning.

One advantage of living near iconic locations (in this case, the Point Reyes National Seashore) is that I can go there on short notice at times when few other visitors are around. Being only a short distance north of San Francisco and less than an hour’s drive from some populated areas of the greater Bay Area, a visit here on a summer weekend can be considerably less than a solitary experience. But on a freezing cold (literally!) late-winter weekday morning you might find yourself all alone in such a place.

I have passed by this spot many times, and this was not the first time I stopped to make photographs here. (Nearby and just out of sight are a couple of iconic regional photographic subjects.) On this morning it was the light that stopped me, along with the new grass on the coastal hills along the far shore. (Winter is our green season in much of California.) As I worked, the thin morning fog above the waters of Tomales Bay drifted slowly, backlit by the low-angle morning light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.