Tag Archives: mnwr

Above the Water

Above the Water
A flock of small birds, reflected in the surface of a winter pond.

Above the Water. © Copyright 2021 G Dan Mitchell – all rights reserved.

A flock of small birds, reflected in the surface of a winter pond.

These birds move so quickly and follow such unpredictable patterns that they are a real challenge to photograph. The sometimes stay in one place a bit while feeding but then, without much warning that I can detect, the whole flock of them instantly takes to the air, flying closely together and abruptly turning as if they were a single organism. They move quickly enough that it is hard to track them, and when they appear they are often in and out of camera range in a few short seconds.

Quite often they appear against busy backgrounds of grasses and trees and more distant water, and they can easily get lost against these backdrops. (Here their speed can be helpful, as panning with the birds can blur those backgrounds a bit.) It was foggy on this morning, and I chose (very quickly and intuitively!) to photograph them over a patch of uninterrupted water that gradually faded into the fog.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Three Trees, Sunset Clouds

Three Trees, Sunset Clouds
“Three Trees, Sunset Clouds” — Three trees and sunset clouds reflected in a Central Valley pond.

As we approach the end of 2021, here is (another) photograph from the last day of 2019, made on the last New Year’s Eve of the Before Times. It is strange to think back to the end of that year, when we certainly were well aware of challenges in our world — but when we had no idea of what was about to come. The subject of the photograph is an astounding scene of light and sky that formed late in the day. So many of these scenes are the result of coincidences that are far beyond our control — the light, the weather, the wind, where you find yourself and more. Often nothing out of the ordinary happens. But if you are there often enough, eventually you will almost certainly encounter something astounding.

As I saw this scene developing I stopped what I had been doing — photographing migratory birds — and turned my attention to the landscape. Since much of the scene was the sky itself and its reflection, the only real compositional decisions had to do with frame boundaries and what else might be in the scene. I found a place where I could get close enough to the water to fill the lower frame with reflections, then identified these trees as a potential visual focus, and I simply began making photographs as the light evolved. You may have seen another photograph from this evening that shared recently. I don’t think that there is one right way to portray such a scene, so I ended up with at least three ways of seeing it.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Central Valley Winter Sunset Clouds

Central Valley Winter Sunset Clouds
Sunset clouds above a Central Valley winter pond.

Central Valley Winter Sunset Clouds. © Copyright 2021 G Dan Mitchell – all rights reserved.

Sunset clouds above a Central Valley winter pond.

Recently, as we approached the end of 2021, I revisited some photographs from around New Years day of 2020, the last New Year’s of the Before Times. As is our tradition, a group of us met to spend a couple of days photographing winter subjects, pausing to raise a toast to the New Year following a few hours of early morning photographing on the first day of the new year. If you are focused on your New Year’s Eve party plan, it may be difficult to understand, but I can’t imagine anything better than greeting the literal dawn of the new year in a wild place, accompanied by friends.

We have met on New Year’s Day for a few years, but more recently some of us have expanded our celebration to begin the day before. So we were out there photographing on New Year’s Eve Day, right into the twilight hours. Sunsets can be exactly what you expect them to be, but sometimes they toss something unexpected and remarkable your direction. That was the case on this evening, when a combination of the passing tail edge of a weather front, still air, and a very colorful sky combined to create a rather remarkable set of conditions. It was one of those moments when it almost feels like I just have to point the camera and push the shutter button. (OK, there’s a bit more to it than that, but at least the primary subject is plainly obvious.)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Autumn Plant, Reflections

Autumn Plant, Reflections
An autumn plant silhouetted against the surface of a shallow Central Valley pond.

Autumn Plant, Reflections. © Copyright 2021 G Dan Mitchell – all rights reserved.

An autumn plant silhouetted against the surface of a shallow Central Valley pond.

In another recent post I noted that this is the season when I like to spend a lot of time in California’s Great Central Valley photographing birds, many of which are migratory visitors to the state and only remain for a few months. But the complete story is a bit more complicated. Yes, the birds do attract me to these locations. But the locations themselves and their potential as landscape subjects are equally compelling. (I sometimes describe what I do out there as not being precisely “bird photography” or “landscape photography,” but something that often feels more like “birdscape photography.”

I fill out another detail of that “complete story,” too. Sometimes the birds don’t show up, or they are there but too far away or in small numbers, or the light simply isn’t great for photographing them. This is often my cue to pivot to pure landscape photography, and in this region of fog, water, and sometimes an expansive sky, that can be a pretty interesting subject, too. On this visit the birds were few and far between — not a real surprise during an early-December visit on a gray day. By mid-morning I turned my attention to the landscape and was intrigued by the many plants at the water’s edge. In retrospect, the shape of this one and its adornment with what might be remind one of ornaments suggested a Christmas tree.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.