Ross’s geese fly low past a tree at dusk, San Joaquin Valley
A small group of photographer friends spent (for the third year in a row) New Year’s Day in California’s San Joaquin Valley, greeting the dawn of 2015 by photographing it! Dawn wasn’t the only attraction — we are also drawn here by the landscape, the incredible wildlife (geese, cranes, egrets, herons, ibises, pelicans, and much more), and the beautiful winter light in this part of California. We began our day in the pre-dawn soft and foggy light and ended it in post-dust light when it finally became to dark to photograph.
For me this simple photograph of a field, a tree, and some geese evokes many of the things that draw me back to this landscape every winter. Even on a day when the tule fog thins, the atmosphere rarely seems to fully clear, and the dusk light is soft and mysterious and full of colors. And at this hour the geese seem to be settling in for the evening, often collecting in large groups in fields of ponds. As they do, they often seem to fly low between groups, flowing across the still landscape and between trees like the wind itself or like the flow of water.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Foggy sunrise light on San Joaquin Valley trees and winter frost
This is quite literally a photograph of the dawn of 2015, made as the sun rose on January 1, 2015. A group of photographer friends has developed what seems to be becoming a tradition: meeting before dawn at a central California location to greet the first sunrise of the year, and then spending the day photographing wildlife and landscape, sharing lunch and stories, and generally having a great time. (This was the third New Year’s Day we have done this.) I suppose that an added benefit of this is that getting up at 4:00 AM on New Year’s Day means that staying up to midnight the night before is not an option!
This place is often very foggy at this time of year — the sort of fog that slows you down to a crawl as you drive along Central Valley back roads. It was supposed to be clear and cold on New Year’s Day. It certainly was cold — 23 degrees at one point. But although it was clear everywhere else, we still have fog in the early morning. We headed out to a spot where we thought the wildlife and sunrise light would be great and waited for dawn. Even though the spectacular sunrise was playing out to my east, I loved the way the light and fog and frost worked together on this scene to my north.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
A flock of geese takes to the air at dusk, San Joaquin Valley
After nearly a week in the dry and desiccated (and cold!) terrain of Death Valley National Park, I decided to break up my homeward drive with an evening stop in California’s San Joaquin Valley to photograph migratory birds. It is hard to imagine two places that are more different. Death Valley is mostly hard edged, dry, with only the hardiest vegetation, and a place of scarce wildlife. The San Joaquin is largely farmland, albeit due to irrigation, and where I went there is a lot of water and many thousands of birds. It was quite a contrast with where I had been and a sort of “welcome home” to a world that I am more accustomed to.
I arrived perhaps an hour before sunset, after a long drive that had begun early in the morning on the far side of the Sierra – and with a couple of hours of driving still to do. I drove across narrow farmland roads to get to the refuge, where I stopped and sat for a few moments before switching into “wildlife photographer mode.” As I had approached the place I had spotted a very large flock of Ross’s geese along the roadway that runs along the refuge, so I made steady progress back to this spot, where I figured I would do my evening photography. There was a very large group of geese already when I got there, and more were arriving from other far off locations. The geese mostly settle in on the pasture land and eat, but every so often something disturbs them and they take off en masse in a wild maelstrom of flapping wings and noise, fly around a few times, and soon return to almost the spot they left. There were two or three such giant “explosions” of flying geese as I photographed, and I shot this group using a rather slow shutter speed in post sunset dusk light.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Ross’s Geese and Snow Geese settle in for the evening at California Central Valley wetlands
This is a sort of New Years post – the first 2014 photograph to share – but my “2013 Favorite Photographs” post is yet to come. Watch for it later today.
Last year a group of friends decided that we couldn’t imagine a better way to welcome the new year than to assemble along the edge of a San Joaquin Valley marsh before first light, listening to the raucous sound of thousands of geese and cranes, to watch the first dawn of the year through the inevitable Central Valley tule fog, and then to spend the day making photographs. This year several of us resolved to make this an annual tradition and, although not all who came last year could make it, we again assembled at the familiar spot early on New Years Day. (It was a double challenge for me, as I arrived in back California from New York City barely more than 5 hours before my alarm would go off for the drive to the valley. At least the time zone change was on my side, or so I tried to convince myself at 4:00 AM by repeating, “It is already 7:00 in New York!”)
I drove in to the refuge in earliest pre-dawn light and met my friends David and Charlotte, who had arrived a few minutes earlier and were photographing the fog drifting along the edge of the wetlands. We exchanged New Years greetings and listened to the wild sounds of geese and cranes coming from all directions, and then began the (pleasant) work of finding dawn photography locations. We photographed through the morning and then, perhaps because this was a New Years Day “photographers’ holiday” ended up spending an inordinate but very pleasant amount of time standing around talking as the midday light became less conducive to photography. I had decided that I would probably leave for home after the morning shoot, but I succumbed to the invitation to join Dave and Char for a quick lunch in a nearby town, and when we finished eating (and, yes, again, talking a lot ;-) it was late enough that I figured I would make one more pass through the wetlands. I wasn’t certain how the evening would play out photographically, since friends visiting the area the previous day had reported finding few geese and because high clouds seemed to be turning the sky a bit gray and murky. The first good omen was finding a very large group of geese in a pond close to an access road. I stopped here a bit more than a half hour before sunset to photograph the evening fly-in, selecting a location that would place any evening color opposite the geese. Before long the gray sky began to pick up some color and as the process continued more geese arrived. Then, a bit earlier than usual, one of the most impressive events of any evening in this valley occurred – the arrival of thousands of high-flying sandhill cranes, passing overhead and circling in the fading light. A few of them appear against the sky in this post-sunset photograph of the colorful sky, a flock of geese below a lone tree, and the reflecting surface of a flooded field. Soon there was no longer enough light to photograph, and I simply stood by the car and listened to the sound of the cranes and geese until it was time to go.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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