Tag Archives: monitor

Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Leafless Aspen Grove

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Leafless Aspen Grove
Sierra Nevada aspen grove with bare trunks

Leafless Aspen Grove. Sierra Nevada, California. October 4, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Sierra Nevada aspen grove with bare trunks

I’ve written before that this has been a very strange fall color season in the Eastern Sierra, and this photograph might be an example. Although the photograph was made very near the beginning of October, typically the time that the peak colors are arriving, this grove was one of many that were already completely devoid of autumn leaves. After spending some time in a very colorful area much further south along the eastern slopes of the Sierra, I decided to head back to the San Francisco Bay Area over a couple of passes that cross the range much further north. Near the top of one of these passes there is a vast open area that holds many large aspen groves, and I had hopes of photographing some color here late in the day.

I arrived to find a beautiful scene — high, open sagebrush country with clouds moving quickly across the landscape and creating changeable light. But the aspens were pretty much spent. I pulled off the main road at a place I know well, and took a short detour down a little gravel road toward the edge of groves where there are some very large trees. Here I found the trees, alright, but the leaves were gone. Fortunately, I like aspen groves in almost any condition — with bare branches, with new spring growth, with colorful autumn leaves, in snow — so I went to work photographing the dense patterns of closely spaced aspen trunks in the soft late-day light, muted even further by clouds.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada

Fall Aspen Trees, Country Road

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Fall Aspen Trees, Country Road
Fall Aspen Trees, Country Road

Fall Aspen Trees, Country Road. Near Monitor Pass, California. October 10, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

A narrow gravel road approaches groves of brilliantly colored autumn aspen trees, Sierra Nevada

The eastern Sierra is full of fall color during the month of October, especially in areas where aspen trees grow. (The peak color is typically found sometime during the first two to three weeks of the month, though it varies depending upon a range of climate and local conditions.) Sierra aspens often have a different appearance from that which many expect if they have seen the big, tall, straight aspen groves in places like Colorado and Utah and similar. There are some groves like that in the Sierra, but they are unusual. Here the trees seem to have more varied form depending upon where they end up growing. In some places the trees are stout and thick but also quite twisted and gnarled. In others the trees are straight but very short. Along some creeks they grow so think that it is almost impossible to make your way inside the groves.

The trees in this photograph are perhaps typical, to the extent that it makes sense to speak of “typical” Sierra aspens. They grow at a relatively high elevation, on a ridge that is actually east of the true Sierra crest, and thus in a drier location. The trees are straight, but they are also not all that big. They are not part of a huge grove stretching across vast distances, but instead form a somewhat isolate grove — there are others nearby, but they are not connected.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Questions from Readers (11/28/12)

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(Note: I made a major mistake in one spot in this post, suggesting precisely the opposite of what I meant. I have added a single WORD in bold upper case to correct the error. )

Blog readers occasionally email questions (and comments) to me. I can’t always reply personally to all messages, but occasionally I like to share some answers here, both for those who asked and for others who might have similar questions. Here is the latest edition – including a question about monitor calibration and printing, one about an older Epson 2200, and a request for more information about photographing in Death Valley.

Kent wrote:

“I am hoping you might be able to advise me on a problem. I have been having some difficulty getting my prints to match my computer screen. I have a Canon 5D Mark II, shoot in RAW and use Lightroom to process my photos. I have a IMac LCD screen, about 4 years old. I send my converted JPeg files to Aspen Creek for printing. I have contacted the experts at Aspen
Creek and they suggested monitor calibration software. So I regularly use Eye One monitor calibration but that doesn’t seem to help. I also work in a darkened room to minimize the ambient light.

Have you had similar problems? Have any ideas? I wonder if a higher end calibrated monitor wouldn’t help.”

This can be a complicated issue, but let me at least offer a few ideas.

I don’t know if this is the issue in your case, but it is important to realize that even a well-calibrated monitor will NOT present an image that looks “the same” as the image that gets printed on paper. There are some fundamental issues that differentiate images that are formed by projecting light from behind (they “glow!”) and images that are formed from ink/pigments, etc. that are illuminated from light that falls onto them. In general, I find that prints will seem to have less contrast and less intense colors, and will usually need to be brighter overall than the monitor might lead you to believe. In my view, a calibrated monitor gives you a consistent point of comparison, but you still need to learn to understand how to predict what your print will look like by comparison to what is on the monitor.

Continue reading Questions from Readers (11/28/12) →

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Tioga Pass and Alternatives as Winter Approaches

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Lots of us northern and central California photographers make trips to the eastern Sierra in the summer and fall – I know that many of you have been there in the past month to photograph aspens and other fall color. For many of us the standard route to the “east side” is through Yosemite National Park and over Tioga Pass on State Highway 120 to Lee Vining and the area near Mono Lake. From here it is a short drive south to Mammoth (about a half hour) and Bishop (an hour) and points south, including Big Pine, Independence, and Lone Pine.

As the fall season arrives and winter weather approaches, Tioga Pass becomes a less reliable route and eventually closes for the season. The seasonal closure typically occurs sometime in late October or in November, though the historical records show that it has happened as late as January 1! Continue reading Tioga Pass and Alternatives as Winter Approaches →