Tag Archives: monochrome

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Granite Towers, Storm Clouds

August 9, 2013 G Dan Mitchell Leave a comment

Storm clouds begin to clear about granite towers and spires, Yosemite Valley, California

These towers stand close to Sentinel Rocks in Yosemite Valley. The day had started out very cloudy, with light rain on the Valley floor and snow flurries around the rim of the Valley. As the day wore on the rain mostly stopped and there were breaks in the clouds, although the atmosphere stayed a bit on the murky side overall. That “murkiness” was not very conducive to a color photograph so I felt that this was more likely to end up in monochrome, as indeed it did. Because the sun is slightly behind the large towers and because the atmosphere was not completely clear, the towers took on a sort of ominous quality.

On a winter day when clouds ring the Valley I could easily spend hours with a long lens pointed up toward the rim, isolating little vignettes of clouds and trees and rock. For a place whose landscape seems to be so familiar, this provides an ephemeral alternate landscape that forms and disappears in moments. When I’m in the Valley, give me clouds!

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Lake, Granite, and Forest Reflection

July 15, 2013 G Dan Mitchell Leave a comment

Granite slabs rise above the reflected shoreline of Tenaya Lake, Yosemite National Park

I woke up on this morning in Yosemite Valley, car camping (as in “camping in the back of my car”) so that I could rise well before dawn, get out of the Valley, and drive over Tioga Pass in the morning light on this first weekend during which the road was open. It had actually opened the previous day, and I had made a ritual midday “first of the season” drive to the pass, but it was in light that was less than inspiring – hence my return at an earlier hour this next morning. It was dark when I left the Valley and the sky began to lighten as I headed up toward highway 120 and the trans-Sierra route.

I stopped along the way in the very early light to photograph lakes and rocks and trees and granite, and by the time I arrived at the shoreline of Tenaya Lake I felt like the light was going. However, the stillness of the water and the slight atmospheric recession produced by morning haze caught my attention and I pulled over. The main draw for me in this composition and a few other similar ones that I did at the same time was the reflection of the sunlit granite slabs ascending from the far shoreline. I also wanted to contrast that hard and bright surface with the softer and darker patterns of the forest beyond and the shaded faces above the forest.

Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast

Point Reyes and Drakes Bay

July 1, 2013 G Dan Mitchell Leave a comment

Drakes Bay and the Point Reyes Peninsula, viewed from near Mount Vision on Inverness Ridge

After photographing very early in the morning along the shores of Tomales Bay near the town of Inverness, I continued along the road to Point Reyes and soon entered the national seashore. There was a possibility that I might try to meet up with a group of people who planned to photograph the herds of tule elk a bit later in the morning, but at this point I had some time to kill before that might occur. I wasn’t quite sure where I was going to shoot, so I was sort of “following my nose” and the light, atmosphere, and other conditions and waiting to see where I might end up. I had a general idea that it might be interesting to go all the way out to the point itself, where the morning light might illuminate some of the cliffs along Drakes Bay that don’t get that sort of light later in the day.

However, long before I got close to that area I passed a turn-off that I had often noticed and wondered about, a road labelled Mount Vision. With one option looking just about as good as any other option, I decided to head up that road to see what I could see. The road climbs quickly, more or less switchbacking up a steep include and up a few valleys before more or less leveling off high up on Inverness Ridge, actually ascending to the top of the ridge in a few spots and providing panoramic views both towards the ocean and back towards Tomales Bay. Although it wasn’t exactly foggy – at least not in the form that is common here much of the year – the atmosphere was obscured and out at the far end of the peninsula the curving end of Point Reyes was a bit hard to see, and there was a distinct blue quality to the haze that didn’t seem like it was going to work especially well for a color photograph. So I started thinking that this scene might work better in black and white. Soon I saw this steep foreground ridge with its tall trees and dark shaded elements and it seemed like its angle and darker tones might set off the lighter and less contrasty elements of the landscape in the distance, from the tree-filled valley in the middle of the frame to the barely visible peninsula near the horizon.

Photographs: Northern California, Photographs: Ocean & Coast

Launch For Hire Building

June 18, 2013 G Dan Mitchell Leave a comment

The “Launch For Hire” building, docks, and Tomales Bay as remnants of morning fog drift above the water

I shared a color version of this photograph back in March, not too long after I made the photograph. The building is an old wooden structure that sits on pilings above the waters of Tomales Bay, and is probably familiar (especially with its “LAUNCH FOR HIRE” sign) to almost anyone who passes by on the way to Point Reyes. In fact, that is precisely where I was headed. I had gone up there quite early, hoping to arrive early enough to be at Drakes Bay for sunrise. However, other sites along the way distracted me, and after I finished photographing them I found myself delayed, and the sun was rising over the Marin County hills as I drove around the bay. This photograph was made a few minutes later, after the very first light had already come and gone.

The “black and white or color?” question is a new one for those of us who started out photographing on film “back in the day.” Some of you reading this no doubt think that this context is obvious, but in a world in which some actually don’t understand, for example, how a rotary dial telephone worked, this context will likely soon become as unfamiliar as using a horse and buggy. Whether to shoot color or black and white was, only a bit more than a decade ago, a decision what was made well before clicking the shutter. Put black and white film in the camera and shoot black and white, or put color media in the camera and shoot color. (In most cases – with sheet film it was possible to choose, though that didn’t tend to be the work process of such photographers.) Now we have the odd advantage – or, sometimes, the burden – of having to decide based on the nature of the subject and how we see it. Quite a few photographers using digital media will tell you that they don’t always know for sure whether a shot will work best in black and white or color at the time of exposure. (Sometimes you do, but not always.) So we “capture” the scene in color and put off the final decision until the post-processing stage. Even there it can occasionally be hard to decide. This was one of those cases – and both the color and black and white versions live on for now.

G Dan Mitchell Photography

Tag Archives: monochrome

Granite Towers, Storm Clouds

Lake, Granite, and Forest Reflection

Point Reyes and Drakes Bay

Launch For Hire Building

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.