Tag Archives: monochrome

Photographs: Fall, Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Trees, Meadow, Autumn Light

November 13, 2017 G Dan Mitchell Leave a comment

Every autumn the Sierra Nevada experiences days when the air is full of wildfire smoke. It was only recently that I came to recognize that a large component of what I’ve always identified as “autumn light” is the atmospheric haze from wildfires — not just those nearby in the Sierra, but including the diffused smoke from wildfires further away in California and even beyond California’s borders. Yes, the lower angle light is part of the effect, but it is the soft and hazy atmosphere that is perhaps the most major element. I’m amazed that it took me this long to fully make the connection, but also happy to find there are still new things to “discover” and understand!

The atmospheric light in this photograph is the result of this effect. It was a very smoky day in Yosemite Valley — the sort of day when you might consider wearing a breathing mask. A big fire was still smoldering just south of Yosemite Valley, its smoke collecting each evening and then flowing downwards into the Valley. I made the photograph just as the edge of the shadow from nearby cliffs was beginning to cross this meadow, and the sunlight caused the smokey atmosphere to glow behind the trees. It is easy to think of wildfire smoke as an impediment to photography, but if you turn your thinking around just a bit you soon realize that these conditions can provide some very special and even lovely possibilities, ranging from the muted and slightly sienna tones of the light to enhanced effects of atmospheric recession. The potentials for producing moody and evocative photographs may actually increase on days like this!

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Morning Wildfire Smoke

November 4, 2017 G Dan Mitchell Leave a comment

Early morning wildfire smoke settles into a Sierra Nevada valley

I arrived at this point in the early morning while the sun was still very low in the sky and before the day’s breezes had begun to pick up. A wildfire had burned across this section of the Yosemite high country starting quite a few weeks ago, and by now it had transformed from a raging inferno that was rapidly chewing up the landscape into a slow-burning fire that continued to do the beneficial work of eliminating years of build-up of undergrowth. The latter, while smoky and disruptive, is a natural part of the normal forest ecology.

From this overlook I could take in the few back toward the valley where the fire was burning. At this early hour the smoke was mostly settled in from the previous night, layered in among the trees at the bottom of valleys. Like a river only much slower and less tangible, the smoke drifted down the bottom of the valley and followed the natural contours of the land. As I photographed and the sun rose higher, the air began to move a bit more. The smoke started to diffuse and rise, and before long it had come up to my position and it was time to go.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Morning Light On Wildfire Smoke

November 2, 2017 G Dan Mitchell Leave a comment

For a day that I began with only a vague plan (photograph Glacier Point at dawn) that I managed to miss (distracted by dogwood trees), I ended up with quite a photographic haul before it was over. I have a very early morning photograph of a lovely forest scene with autumn colors, a series of photographs of beautiful and mysterious drifting smoke along Glacier Point Road, several photographs of the autumn scene in Yosemite Valley, and finally a small set of photographs of sunset light on snow-dusted granite along Tioga Pass Road. All told, it turned out to be a rather remarkable day!

The least expected subject also turned out to be the one that produced the largest number of photographs — the early morning wildfire smoke that had settled down in valleys and among the trees overnight. If I had arrived at Glacier Point when I originally planned I might have missed this in darkness. Yet again, I got lucky, and after a delay brought about by my inability to resist stopping to photograph another forest scene I arrived here at just the right moment. The air was still and the smoke was barely moving among the trees in this large valley below my location. I had a good long time to stand and take it in and then work the scene carefully, with photographs ranging from those including the full scene to others, like this one, that zeroed in on small elements of it. Several things attracted me about this particular scene: the beams of lighting the smoke drifting through the trees at the bottom of the frame, the zigzag pattern produced by forest and smoke, the tall and thin trees on the far ridge, and the bits of Yosemite granite domes barely visible in the distance through the smoke.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast

Pasture, Estero, and Drakes Bay

October 22, 2017 G Dan Mitchell Leave a comment

Looking across pastureland and Drakes Estero toward Drakes Bay and the California coast

I have a confession to make regarding Point Reyes. Although it is, relatively speaking, “in my local neighborhood” and I’ve gone there a lot, I have yet to fully wrap my mind around the place to the extent that I feel that I have fully photographed it or fully understand its character. I do have some photographs of the place that I like quite a bit, but when I go there I often find it more difficult to photograph than places like the Sierra, the Big Sur coast, California’s deserts, and similar. I love photographing the ocean, but here the features of the coast are perhaps more subtle, tending more toward beaches and bluffs and bay than to dramatic and rocky coastline. There are hills, but many are rather short, tend to be covered almost completely in forest in many cases, and tend to lack rocky outcroppings. The light can be very interesting, but there is often a fine line between too much and too little sun.

To summarize, I’m still working to figure out my vision of the place. Our most recent visit, in the middle of October during the northern California wildfires, was provided no exceptions to the challenge. There was no fog and the sky was almost clear… except that wildfire smoke often tended to blanket the terrain, producing a sort of yellow quality to the light. Because it is October, most of the green of meadows is long gone, and instead open areas are a kind of muted brown. Yet, I still want to photograph the place, and I know I’ll eventually “get it.” We did spend some time looking for photographs in the park this time, and this lovely inlet from Drakes Estero caught my attention as we traveled out toward the location of the Point Reyes Lighthouse. After we stopped and I looked more closely, I found the old stock fence to be an interesting addition to the photograph.

G Dan Mitchell Photography

Tag Archives: monochrome

Trees, Meadow, Autumn Light

Morning Wildfire Smoke

Morning Light On Wildfire Smoke

Pasture, Estero, and Drakes Bay

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.