Tag Archives: monument

Cedar Breaks, Evening

Cedar Breaks, Evening
Soft evening light on the formations of Cedar Breaks National Monument

Cedar Breaks, Evening. Cedar Breaks National Monument, Utah. October 5, 2010. © Copyright 2017 G Dan Mitchell – all rights reserved.

Soft evening light on the formations of Cedar Breaks National Monument

This was only my second photography trip to Utah — the first had been not long before this when we visited in spring. (When I was very young, my family used to drive through Utah on trips between California and the Midwest, but I was hardly aware of the landscape.) This time we aimed for autumn, leaving the eastern Sierra at the beginning of October and heading across Nevada (not the usual route!) to western Utah and staying near Cedar Breaks National Monument for a few days at the start of our visit.

I did not know much about Cedar Breaks, and one thing that surprised me was the abrupt break between the wildly colorful and sculpted pink rock of the canyon and the flat and relatively plain high country to the east. A road travels along this boundary, and it took me a while to figure out how to photograph the area — the high flatlands seemed plain and the canyon dropped away into the western light. But that light from the west turned out to be the key. Near the end of our visit we were along the southern edge of the chasm late in the day when high, thin clouds softened that light from the west, and from here, rather than photographing straight into it, I could focus on the textures and colors made visible by the light sweeping across from the left.

As you consider this beautiful scene, also consider that such areas in Utah are currently threatened by radical anti-environmental Utah politicians who seem hell-bent on giving away our shared public lands to special interest extraction industries. It is simply astonishing that people who live in a place of such beauty could be so blind to it. Consider supporting the Southern Utah Wilderness Alliance in their work to defend these treasures.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Weathered Sandstone Wall

Weathered Sandstone Wall
A weathered and cracked sandstone wall in Utah canyon country

Weathered Sandstone Wall. Grand Staircase-Escalante National Monument, Utah. October 28, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A weathered and cracked sandstone wall in Utah canyon country

It has been about four-and-a-half years since I visited this spot and made this photograph, but I remember it distinctly. We had followed the twisting course of a small stream down a canyon as it wound back and forth between the tall sandstone walls. Eventually we perhaps began to think it was time to turn around, but it was hard to resist finding out what was around “one more bend” — until we had passed through quite a few more of them! I remember three things about this particular wall. It was huge — a monumental expanse of nearly solid granite broken in a few spots where giant flakes of rock had fallen. The stream passed right along the base of the wall. And there were odd circular patterns inscribed into its surface — so regular in shape that I first thought they must have been made by humans.

This spot is in Grand Staircase-Escalante National Monument, a place that we might have believed to be safely protected for future generations. But these days, when America has been turned upside-down, things we took for granted are now threatened. And, yes, there are forces in the state of Utah that are working to take land out of this incredible monument and turn it over to extractive industries to dig it up and take out shale oil, uranium, and whatever else they can get their hands on. There are many things we can do about this. One very important step is to get the attention of the people of the state of Utah and remind them that one of their greatest assets is the beautiful system of parks, monuments, national forests, and other lands that draws visitors from all over the world — visitors who support a thriving tourism and recreation economy in the state. Since their legislators don’t seem to respond to reason or shame, perhaps they will respond to economic pressure. This week a consortium of outdoor manufacturers announced that they are moving their annual convention out of Utah. Lots of us are vowing to not visit the state until they stop trying to destroy it — and we won’t be staying in their motels, eating in their restaurants, buying gas there, or anything else.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Sandstone and Singleleaf Ash

Sandstone and Singleleaf Ash
A singleleaf ash tree stretches across red sandstone wall, Utah

Sandstone and Singleleaf Ash. Grand Staircase-Escalante National Monument. October 28, 2010. © Copyright 2017 G Dan Mitchell – all rights reserved.

A singleleaf ash tree stretches across red sandstone wall, Utah

I love the stunning sandstone landscapes of Southern Utah — a world of canyons intimate or huge, smooth red sandstone walls, the force of water, juniper trees, flatlands and mountains, and the thought-provoking presence of people who lived here before we came. When I return to my California landscapes from Utah they always seem a bit… gray. I made this photograph on a visit a bit more than four years ago, when I joined several photographer friends to explore places from Zion National Park to Capitol Reef National Park, spending time in some of the stunning national monument lands in between. I made this photograph in the Grand Staircase-Escalante National Monument, a place that surely is deserving of national park status.

Back in 2012 during this visit, I thought about how my country had the foresight to protect such quintessential American landscapes and hold them in trust for all Americans today and long into the future. It did not even cross my mind that they might soon again be in danger. But they are, including this very place, now described by self-serving politicians intent on taking the land that we own and giving it away to private interests as being “places where no one goes” or places that are just empty desert. This is, of course, nonsense and only a liar or worse could make such a claim with a straight face. Once again, it appears that it will be time to have to try to re-save these places.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Columns and Lichen

Columns and Lichen
Basalt columns and bright yellow lichen, Devils Postpile National Monument

Columns and Lichen. Devils Postpile National Monument, California. October 9, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Basalt columns and bright yellow lichen, Devils Postpile National Monument

This photograph is probably the result of at least one accident. We had gone to the Eastern Sierra for a few days to photograph fall color, arriving late in the evening, tired and ready to sleep. We discussed how early we would get up the next morning, but I managed to remain vague about my plans, secretly hoping that I might not wake up on “photographer time,” but perhaps actually sleep in a bit! In fact, that is what happened — and it was probably a good thing since I was tired after three busy weeks including several previous trips over the crest to photograph on the east side of the range.

Of course, once we got up late we still had to figure out what we would photograph. Obviously dawn light was out of the question, and it seemed like we might not get out until the best early and soft light for aspen color had passed. We hatched a very general plan to head over to Devils Postpile National Monument, though I didn’t have real high hopes for it. However, once we arrived we realized that we had actually come at just the right time. This feature, at this time of year, doesn’t get sunlight very early. When we arrived the face was still in beautiful, soft, shaded light but the surroundings were reflecting some light onto the columns. That’s what I call a “happy accident!”


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.