Tag Archives: morning

Pond, Trees, Sky

Pond, Trees, Sky
Colorful trees arranged around San Joaquin Valley wetlands under autumn sky with clearing fog

Pond, Trees, Sky. San Joaquin Valley, California. December 9, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Colorful trees arranged around San Joaquin Valley wetlands under autumn sky with clearing fog

When I have written about some of the previous photographs of these San Joaquin Valley areas, where I go to photograph birds in the late fall and winter, I have described the cycle of my earlier mornings in such places: awake hours before sunrise, a two-hour drive in the dark, frequent arrival in thick tule fog, the first sound of birds after I stop my car and get out, the sensations related to photographing in the cold and foggy morning, the first light, sunrise. This photograph comes from a bit later in the morning, closer to the time when the rapidly changing early morning conditions stabilize and things begin to seem more static.

On this morning there had been some of the usual tule fog at daybreak. I photographed in those conditions for the first hour or two, but by 8:00 the fog was mostly gone and all that remained of it was the common Central Valley winter haze. Above that was the huge expanse of sky that I’m often aware of here — sky stretching unbroken from the low hills in the west to the distance Sierra Nevada crest far to the east. By this time the birds were generally much less active and the quick pace of the sunrise hours gave way to the slow, still quality of the midday hours.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Two Cranes, Morning, Marsh

Two Cranes, Morning, Marsh
Two sandhill cranes stand in a marsh in early morning sunlight

Two Cranes, Morning, Marsh. San Joaquin Valley, California. December 9, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Two sandhill cranes stand in a marsh in early morning sunlight

This past Saturday was a full-on bird day for me. It started before dawn in the San Joaquin Valley, where I visited some wetlands areas to photograph various birds: cranes, geese, ibises, tri-color blackbirds, a solitary heron and a few egrets. Later that afternoon I wrapped up my bird photography and headed up to Oakhurst in the Sierra foothills to attend the opening reception for AVIAN: Birds in A Changing World at Gallery Five. The juried exhibit includes over 60 pieces by more than 40 artists, including a couple of my bird photographs. Afterwards I drove back to the Bay Area. Yes, it was a long day!

The conditions and the birds can vary a lot at this time of year in the San Joaquin Valley. Often it is foggy, but the skies were nearly clear when I arrived this time, with just a bit of scattered ground for a some haze. Two bird events were striking right after I arrived. First, a huge cloud of very small birds — perhaps tri-color blackbirds — rose before dawn and moved across the horizon. Second, a larger-than-usual number of sandhill cranes lifted off at dawn, and they followed unusual paths that brought them close to me. As the fly-out was getting underway I photographed these two cranes in the pond as the first light began to filter through the haze. They stood quietly for a few minutes, then suddenly took to the air and were gone.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Lakeside Trees and Rocky Slope

Lakeside Trees and Rocky Slope
Lakeside autumn aspen trees reflected in shoreline water

Lakeside Trees and Rocky Slope. Eastern Sierra Nevada, California. October 9, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Lakeside autumn aspen trees reflected in shoreline water

This was a long and productive day. We started before dawn, waking up in darkness and heading up into the mountains to arrive at a likely spot to photograph fall color before sunrise. We began by photographing a familiar lake from a somewhat different perspective, working from an elevated position above the lake. A bit later we moved to other locations in the big east side mountain valley, generally working our way around so that we could photograph aspen color before the direct sun arrived. We stopped for breakfast at a mountain lodge before heading back down into Owens Valley and then turning north. We ended up north of Lee Vining in the late afternoon, and eventually we finished photography and began the long drive across the Sierra and back to the San Francisco Bay Area.

This is one of the early morning photographs. I had finished with a somewhat iconic Eastern Sierra subject, though photographing only parts of it that might or might not be recognizable. Soon the direct sunlight began to hit this subject, washing out the colors and ending my photography of that subject. No matter, I just pivoted a bit to my right and found lakeside trees where the direct sun had not yet arrived, and I photographed these trees in the softer shadow light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Wildfire Smoke, Forest, Morning

Wildfire Smoke, Forest, Morning
Morning smoke from the Empire fire settings among forest trees in morning light

Wildfire Smoke, Forest, Morning. Yosemite National Park, California. October 22, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Morning smoke from the Empire fire settings among forest trees in morning light

In today’s post I’m likely to repeat some things that I have shared before, but I think they might provide some context for this photograph of a wildfire that was still burning through forest in the Yosemite National Park Sierra Nevada high country. I have gone through several phases regarding wildfires as a subject. Many years ago, having had my first backcountry experiences in less enlightened part of the Smokey The Bear era, I simply regarded all wildfires as unmitigated disasters. Later I came to understand the obvious: wildfires have always been a part of the natural ecology of forests, and they are necessary for forest health. But I still didn’t like them. After that I began to make an effort to see wildfires and their aftermath as possible subjects for photographs, and even as potential subjects for photographs of something beautiful. For a long time I failed at that, even though I tried. More recently, perhaps because I have been lucky to be in the right places at the right time, I think I have finally begun to understand how to photograph the subject and make it work. (A longer post on that broad subject may be coming before long!)

There have been quite a few wildfires in California this year. (And while I recognize their importance in the natural order of things, I am concerned that the number and extent of the fires is far enough out of the normal range to have some long-term negative effects.) I have had plenty of opportunities to photograph their effects. On this late October morning I was in Yosemite and heading out towards Glacier Point, thinking it might be my final opportunity to photograph there before winter snows close the road for the season. I was stopped in my tracks as I came around a large bend in the road and to a high, open overlook with views toward the Sierra crest. The smoke from the slow-burning late stages of this fire had settled into hollows and among the trees in the still air overnight, and it was just beginning to drift and rise in the early morning light, both softening the scene and emphasizing the varied contours of ridges and forest.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.