Tag Archives: morning

Wetlands Dawn, Arriving Birds

Wetlands Dawn, Arriving Birds
A flock of geese prepares to land on a foggy wetlands pond at dawn

Wetlands Dawn, Arriving Birds. Central Valley, California. February 5, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A flock of geese prepares to land on a foggy wetlands pond at dawn

Another California winter day and another trip to visit the Central Valley and search out migratory birds and fog and atmospheric light!  Back in early February the bird action was beginning to pick up, and we would consistently find at last some geese (and often many more and other birds, too) when we arrived. Fog is one variable. I love thick fog, especially in these locations, and we often got precisely that. But on this morning the fog was thinner and earlier to dissipate, here already thin enough before dawn to let us see the winter sky.

As we watched the fog drift and thin and the sky begin to get lighter, groups of birds (mostly Ross’ geese) began to arrive, circling a bit and then landing on the ponds. The arcing curve of this flock’s flight, descending towards the right and then beginning to circle back, is visible in this photograph if you look closely. A few earlier arrivals float on the pond in an area lit by reflected sky.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Sand Dunes, First Light

Sand Dunes, First Light
The first morning light reveals textures in sand dunes, Death Valley National Park

Sand Dunes, First Light. Death Valley National Park, California. March 31, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

The first morning light reveals textures in sand dunes, Death Valley National Park

These dunes, and others like them, are both more ephemeral and more permanent that many may expect. The permanence initially surprised me. I had always imagined the peaks of dunes marching gradually across the landscape like slow motion ocean waves, producing a landscape that would never be the same twice. However, observing certain dunes in Death Valley National Park over a period of time made it clear that the broad features of the dunes are actually very nearly permanent. From year to year the overall form of the dunes remains largely the same — no surprise, perhaps, given that the forces that form them are constant, including the prevailing winds and surrounding geological features. Yet, other things are more ephemeral. Plants come and go, and footprints are erased by the next dust storm. The light is constantly changing, through the daily cycles and the annual cycle.

This was the final morning of this trip to Death Valley. Since dust storms (and rain!) had passed through the previous evening I was certain that I could find areas unmarked by footprints, where the natural patterns produced by wind would be found. I drove to a less popular area near the dunes, loaded up my equipment, and set out across the playa to get to the low dunes I had in mind. I arrived in soft pre-dawn light and began to photograph, trying to work with this subtle light and its extraordinarily low contrast, all the while watching the sky to the east to see when sunlight would strike the dunes. I composed this photograph in that soft light, but as I worked the sun cleared the mountains far to the east and warmer colored light began to more clearly show the sand patterns. I made this photograph during the very brief interval — literally only seconds — when that first light began to softly light the sand and before it struck with full intensity.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

First Light, Trees, Lake, and Ridge

First Light, Trees, Lake, and Ridge
Trees along a rock strewn lake as first morning light strikes a southern Sierra Nevada backcountry ridge

First Light, Trees, Lake, and Ridge. Sequoia National Park, California. August 8, 2008. © Copyright 2008 G Dan Mitchell – all rights reserved.

Trees along a rock strewn lake as first morning light strikes a southern Sierra Nevada backcountry ridge

This was the scene on the morning of this fifth day or a trip of over a week across the High Sierra Trail, a trip that would eventually summit Mount Whitney before descending the east side of the Sierra. To me, this route feels like it is composed of several distinct sections. The first couple of days are the approach, reaching the first high country from a west side trailhead. The next few of days are the crossing of the Kaweahs and the descent to the ridges above Big Arroyo, a portion of the trip that has the distinct feeling of remoteness and of dropping down to much lower country. Then there is the march up the Kern and the ascent to meet the JMT, followed by the lateral over to a base camp below Whitney, with the finale being the ascent of this ridge and then the long descent to Whitney Portal.

This morning was in that post-Kaweah phase, at our second camp after crossing the Gap. This lake, a bit off the “official” route, is a quiet and forested place with a gentle feeling that contrasts the rough edges of the higher country. We awoke this morning and I was out before dawn, photographing the first light on this high ridge beyond the trees and across the lake.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Two Geese, Reflection, Fog

Two Geese, Reflection, Fog
Two geese float on a winter pond in morning fog, Great Central Valley

Two Geese, Reflection, Fog. February 5, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Two geese float on a winter pond in morning fog, Great Central Valley

As is typical, this morning in California’s Great Central Valley began in fog — for so think that it initially obscured almost all potential subjects, at least if they were more than a few yards off of the route. Many times we could hear large numbers of geese and cranes that were not visible in the fog, but eventually some would break off from the flock and fly over and past us.

The fog is among my favorite features of winter in this valley, especially in the lowland wet areas where it can be foggy on many winter days. The fog transforms the landscape in many compelling ways. By obscuring distant detail, subjects can sometimes be seen apart from their regular surroundings. It is possible to make photographs in locations that would have been far too busy in “good” light — the fog selecting obscures of mutes more distant subjects. Here I stopped in a spot where there were few geese at all, though those that were hanging out here we floating serenely on the surface of the pond.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.