Tag Archives: morning

Rhyolite, Amargosa Valley, Telescope Peak

Rhyolite, Amargosa Valley, Telescope Peak
“Rhyolite, Amargosa Valley, Telescope Peak” — Telescope Peak, the Amargosa Mountains, and the Amargosa Valley seen beyond the ghost town of Rhyolite Nevada

I first visited the fabled ghost town of Rhyolite, Nevada perhaps a decade ago. I lies outside of Death Valley National Park, not too far from Beatty, Nevada. The place has existed in a state of mostly natural decay in the decades since it was abandoned. The story is that it was once a very successful and busy mining town, but as happens to virtually all such places, the mines played out and the town died. Not a lot is left at this point, though there are a few very interesting structures. Their size gives evidence of what the town must have been: a railroad station, a crumbling bank building, the remains of a large schoolhouse, and more.

When I first visited Rhyolite the place was pretty much what it was, and you could go just about anywhere you wanted to go. Within a few years fencing began to appear around some of the more dangerous structures—tall ruins of stone walls that are eventually going to fall. As time passed more and more fences were erected, and today many of the old buildings are off-limits. In a way this disappoints me, but given the increasing number of visitors and the increasingly fragile state of the town and its structures, I’m will to accept these limitations as a way to slow the eventual decay of the place. I’ve photographed at various times of day and in a range of conditions, but I still like dawn the best here. When the conditions are right, the sun comes up over a low ridge to the east and its light strikes the old bank building and other structures in the town just after it reaches the Amargosa Range and the summit of distant Telescope Peak, the highest point in Death Valley National Park.


Leave a comment or question using the form. (Click the title to see the full article and to comment if you are viewing it on the home page.)

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Badlands, Morning

Badlands, Morning
Badlands, Morning

Badlands, Morning. Death Valley National Park, California. April 3, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Morning light on rugged badlands, Death Valley National Park

This was a different sort of Death Valley visit than usual. My typical visit takes a pretty uncivilized approach. I always camp, sometimes in the back of my vehicle so that I can be in the right places quickly. I virtually always work completely alone, aside from occasionally running into another photographer or two. With the exception of a restaurant meal or two, I typically eat one backpacker-style hot meal in the evening, usually after returning from an evening shoot after dark, and the rest of the time I “browse” on whatever I can have with me. To a non-photographer that may sound somewhat rough, but photographers understand that this keeps me mobile, “out there” in the field, and gets me to places I might not see and experiences I might not have otherwise. I’m fine with it!

But this time, my wife came along. Aside from the expected changes this brings—she isn’t a camper, so we stayed at Stovepipe Wells—it also presents the opportunity to see the area through a different set of eyes and to revisit some of the more familiar places that I might otherwise not photograph. In the “different set of eyes department,” she is an avid photographer of very small things, mostly wildflowers. A few years ago she began to come along on a few of my shoots and then to carry a camera. While I would be off photographing some Big Thing, she would be crouched down in the brush somewhere finding an amazing flower that I hadn’t even realized was there. (A bit later I’ll post a few wildflower photographs from this trip, including many photographs of flowers I would likely have overlooked if she had not been along for the ride.) In addition, since she had never been to Death Valley before, it was important to hit some of the iconic locations in addition to heading out to some of the less visited places that I know about. With this in mind, I planned a morning at Zabriskie Point. Zabriskie is, to borrow a phrase, an icon for a reason. Since I’ve photographed extensively in the park for a decade now, I don’t usually photograph there unless I expect something truly exceptional or unusual. But, let’s be honest, a new visitor to DEVA must experience a sunrise at Zabriskie, which is just what we did on this morning. This did give me an opportunity to engage in a little informal project that I’ve been playing with for a few years, one that has me pointing my camera away from the familiar grand view over Gower Gulch and Manley Beacon toward the Valley and the Panamint Mountains and toward some of the other geological features found here.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Dawn, San Francisco Bay

Dawn, San Francisco Bay
Dawn, San Francisco Bay

Dawn, San Franicsco Bay. San Francisco, California. March 14, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Dawn light, fog, and high clouds over the northern shoreline of San Francisco Bay

This early morning late-winter view of San Francisco Bay looks back to the east from the Marin Headlands. The morning had started with somewhat murky conditions—high clouds above, atmospheric haze over the bay, and for along the San Francisco waterfront and across the bay toward Oakland. I was hoping for color, but the moment of sunrise was a bit disappointing in that regard. The probably was some color, but it was muted by the high clouds and haze and it happened mostly behind that fog bank floating above the East Bay.

But soon the high clouds began to pick up some color, and this pinkish glow reflected down towards the water, the fog, and the haze, gently coloring the scene. I thought that I might break up the many horizontal layers of light and color by including a it of the foreground land, and I experimented with several compositions: one that centered Angel Island in the scene, one that caught a bit of the edge of Angel Island and a bit of the Tiburon shoreline, and then this one which just included a bit of the north bay shoreline instead. Having watched so many sunrises, I still am struck by how this visual beauty arrives without a sound.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Fog, Tree, Marsh, Morning Sky

Fog, Tree, Marsh, Morning Sky
Fog, Tree, Marsh, Morning Sky

Fog, Tree, Marsh, Morning Sky. San Joaquin Valley, California. February 14, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Winter morning fog in bright morning light above a San Joaquin Valley marsh

I made this photograph, rendered here as a high key black and white image, in a wetland area of California’s San Joaquin Valley. Photography began on this morning before dawn, in very foggy conditions. Here, nearly two hours later, we had worked our way around to a different location where shallow ponds stretched into the distance, reflecting trees in the thinning fog that was brightly lit by the morning sun, and with high clouds above.

At the time when I looked across this water I was struck by how little of substance there was in the scene. Above was misty and faintly blue sky with thin clouds. Below there was water, but the water served primary to reflect that same sky. The only solid material in the scene is the faint trees, a few birds, some bits of grass, and a couple of thin strips of levee. Everything else is sky or fog or reflection of sky and fog. The photograph is one of a series that I have tucked away, yet to work on at the appropriate time, and in need of further thought: Do I work with the high key luminosity of the scene, or do I work with the color version in which everything is shades of blue?

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.