Tag Archives: morning

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Trees Atop the Rostrum

January 27, 2011 G Dan Mitchell 2 Comments

Sparse trees grow in granite slabs above steep granite cliffs in Lower Yosemite Valley.

(Note: After receiving some advice from a helpful reader – which was much appreciated! – I now know that this feature has a name. It is called “the Rostrum,” and I have retitled the photograph accordingly.)

I’ve seen these tree-topped columns and the granite slabs beyond many times when I’ve taken Crane Flat Road into the Valley. On my recent visit to Yosemite, photographing these trees in both early and late light was on my agenda, and I got myself into position to shoot them on two or three occasions.

At the right times of day – and there are at least two when this can work – the light slants across the top of the granite slabs and ledges at the top of these cliffs and catches the trees with side or back light. Below these upper slopes the vertical fluted forms of the cliffs drop nearly vertically to the Merced River canyon below. The cliffs themselves are in what I might describe as lower Yosemite Valley – think of Crane Flat Road above Cascade Creek or the area well beyond the upper end of Wawona Tunnel. There is a lot of very interesting and imposing rock in this part of the Valley, though I think it may get overlooked a bit by comparison to the truly astonishing faces and domes and peaks of the Valley proper.

Since the light changes throughout the year, and especially because the point at which the sun sets moves north as the years moves from winter to summer, I want to come back and photograph this area again a bit later in the year when I think the potential for light later in the day might improve. From my point of view, the ideal conditions might combine “golden hour” side light with shadows that reduce the detail on the forest covered slopes beyond – and without the bright snow patches that appear here. Of course, a fresh snowfall here might also be interesting…

I got a bit of a laugh out of one thing that happened when I made this photograph, though it is similar to similar situations I’ve had in the past. It is not at all unusual for lots of tourists to stop when they see a photographer with a big tripod and large lens at a pull-out along the road. I assume they think that if the photographer with the Fancy Equipment is stopping that there must be something there worth photographing. But sometime the photographer is pointing the camera in direction that must only confuse them. On this occasion I was in a spot with a classic and stunning view of distant Bridalveil Fall, and I’ll bet that many of those stopping thought they might try to duplicate my “shot of the falls.” But as they stopped and looked they may have wondered about me if they noticed that my lens was aimed at some seemingly nondescript spot perhaps 30% to the right of the fall…

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Northern California, Photographs: Textures

Winter Willows, Cosumnes River

January 25, 2011 G Dan Mitchell 4 Comments

Bare winter willow trees in swampy land near the shore of the Cosumnes River, Central Valley, California.

(Thanks to John and Tom for setting me straight about this “brush” – these are dormant willow trees. I have changed the title of the photograph accordingly!)

When I arrived at the Cosumnes Wildlife Preserve on this morning it was very, very foggy – which is fine by me, since I like the moody and mysterious possibilities that come with shooting in the fog. However, on most mornings the fog – even the persistent Central Valley tule fog – eventually thins out and the light starts to shine through. For me the short period when the sun first begins to force its way through the gloom is a special one. For a period (often a short period) the weak light begins to define and highlight textures and forms and warm things up, but the softness of the light still remains. An analogy that comes to mind is that short but wonderful period of the day when spring skiing that occurs between the frozen morning slopes and the afternoon slush – it is a moment that is worth some difficulty to find.

I had wandered about in the thicker fog for a couple of hours when the sun first began to appear. I was in what had seemed like a pretty gray and drab place on a levee next to a lower area filled with brush. Then, as the light increased, the green colors of the branches began to glow and the contrast began to increase.

(I’m a bit embarrassed to say that I have absolutely no idea what these plants are. They are growing in a low area next to the levee that appears to flood periodically. If any one knows… )

Photographs: Northern California, Photographs: San Francisco

Alcatraz Island, San Francisco Bay Fog

December 26, 2010 G Dan Mitchell Leave a comment

Alcatraz Island is almost completely obscured by San Francisco Bay fog drifting beneath blue sky.

This is another of what I sort of think of as my “barely there” photographs, in which I work with subjects that are almost completely obscured by fog, mist, rain, or clouds. Some of my Yosemite Valley photographs from a rainy weekend near the end of this past October are in the same category.

You can experience an astonishing range of atmospheric conditions in and around San Francisco Bay. The patterns at this time of year (the very end of fall, and more like winter conditions) are quite different from summer. As often as not, the fog in the winter comes from inland rather than drifting in through the Golden Gate, and it is more related to the tule fog that can sit in the Central Valley during the winter, sometimes for weeks. On the other hand, after the passage of a winter storm (which brings its own impressive conditions) the winter air over the Bay can be crystal clear. And frequently the conditions can change rapidly, as was the case on this morning. When I arrived in the Marin Headlands above the north end of the Golden Gate Bridge before dawn, I was initially a bit disappointed that the conditions were too clear! Except for a bank of clouds right above San Francisco (the subject of some other recently posted photographs) the rest of the Bay was almost completely clear. But then, at first imperceptibly and then very quickly, fog began to condense out of the air above the bay. In a short period of time subjects that had been clearly visible were completely obscured. Within moments after making this photograph, Alcatraz was not longer visible.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature, Photographs: Northern California

Oaks and Hills, Winter Fog

December 24, 2010 G Dan Mitchell 2 Comments

Morning winter fog clears from the oak forest and grassland of the Calero Hills, California.

This is a sort of scene that seems to me to be a prototypical California view. Almost anywhere you go west of the Sierra and away from either the redwoods or deserts, you won’t be too far from places like this that feature grassland, oak trees, and some sort of vertical relief in the landscape. This area happens to be a short drive from where I live. It is merely a local county park and not a place that most would regard as special. However, because it is so close, I have been able to spend a great deal of time here in all seasons, at all times of the day, and in all sorts of weather conditions. Eventually I found that there is an almost unending supply of potential photographic subjects even in this spot that would certainly not impress most people as being exceptional.

I made this photograph back near the beginning of 2010, and shortly after that a posted an early version here. That version was in a slightly wider format and it was in color. As part of my year-end review of all of my raw files from 2010, I saw this image again in its original form… and this time I saw it a bit differently, in black and white and with a more “traditional” 4:5 ratio format. Contrary to what I though originally, I now think that the narrower format does a more effective job of juxtaposing the stacked angles of close, middle and far ridges, and it also let me eliminate some stuff along the margins that now seems distracting to me.

To the extent that this version of the image works, I think it illustrates something that I’ve heard others say and which resonates with my own experience, namely that it is sometimes easier to “see” what is in a photograph when you get a bit more distance from the act of “capturing” it.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.