Tag Archives: morning

Photographs: Central California, Photographs: Nature, Photographs: Ocean & Coast

Cliffside Trees, Fog

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Cliffside Trees, Fog, Point Lobos
“Cliffside Trees, Fog” — Monterey cypress trees line the rocky edges of the north shore of Point Lobos on a foggy morning.

This is another in this week’s series of photographs from a recent foggy morning at Point Lobos State Reserve, a favorite location where I have photographed for decades. I live a bit more than an hour away, so I can watch the weather and head over there almost at the spur of the moment when conditions look good. And the conditions on this morning were excellent, with the fog being both persistent and often translucent.

Tall cliffs tower above rugged peninsulas, rocky promontories, and coves along the north shore. This is one of the best locations to see Monterey cypress trees that have been challenged and bent by the rocky terrain and the wind. Many of the trees in this photograph grow at the edge of the land and subsist on little more than the thin soil collected in cracks in the rock.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Ridges and Shadows

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Ridges and Shadows
Morning light creates stark contrasts between ridges and shadows on Death Valley badlands landscape.

Ridges and Shadows. © Copyright 2022 G Dan Mitchell.

Morning light creates stark contrasts between ridges and shadows on Death Valley badlands landscape.

Believe it or not, I’m still not quite done with this year’s Death Valley photographs. I’ve been sitting on this one for a week or two, pondering several things about it, but now I think I’m done with it. It may be the final one from this year’s very productive visits to the park. We’ll see! (Looking ahead, there’s a good chance that a year from now I’ll review the files and find at least one more.)

This is perhaps the place to again mention the typical cycle I go through when I return with photographs from a location. I open up the collection, and a few typically jump out at me immediately. These will not necessarily be “the best” of the group, but they are photographs that are fairly straightforward to process and work more or less as I expected when I exposed them. Then I go back through the files and begin to work on likely prospects that will require more thought. (Often the best work comes from this pass.) But this isn’t the end of it, and next I look again, this time trying to see the work with a different perspective. Here I often “discover” how to “see” photographs that did not initially seem like they would work. Finally (or maybe not?) I make one more serious traverse of the work to see what I might have missed. And with that — at least until I come back to the files in a year or so — it is on to new projects!

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Sequoia-Kings Canyon

Evening Dunes

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Evening Dunes
Soft early-evening light on san dunes as the last sun strike distant desert mountains.

Evening Dunes. © Copyright 2022 G Dan Mitchell.

Soft early-evening light on sand dunes as the last sun strikes distant desert mountains.

Photographers (and other creatives) understand that their perspective on their own work will always differ from those of others. It cannot be any other way. Only the photographer — that’s me! — knows the circumstances and experiences of making the image. No one else can ever see the photograph the way I do or know all of the associations it evokes. Perhaps this is a reason that we tell stories about photographs. We hope to fill in some of what the photograph alone cannot tell.

So, some backstory: This was the first time I visited at this semi-remote desert location. I planned to photograph in the evening, camp nearby that night, and photograph again in the morning. My camp was a bit more than a half hour walk from the location, and this was the very last photograph I made that evening. Astute observers (and fellow photographers) may wonder: “Why did you stop when that light was still on the mountains?” Well… I was there to photograph the dunes. It was extremely windy and the low light was becoming more of a problem. The light on the mountains was beautiful, but there wasn’t a photograph there. And I had a long walk back to my camp, alone and across terrain that I had not visited before.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Morning Sun, Panamint Mountains

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Morning Sun, Panamint Mountains
Morning sun on the eastern face of the Panamint Mountains.

Morning Sun, Panamint Mountains. © Copyright 2022 G Dan Mitchell.

Morning sun on the eastern face of the Panamint Mountains.

The light on this morning was interesting, a bit softer than expected due to thin clouds to the east that muted the colors and contrast a bit, plus a bit of the ubiquitous Death Valley haze. I made the photograph back in late January, so it isn’t a big surprise to see a dusting of snow on the higher peaks along the ridge of the Panamint Mountains.

The Panamint Mountains stand along the western side of Death Valley and are a remarkable range in many ways — their scale, the human history they contain, and their relative inaccessibility. While humans have, no doubt, appeared from time to time in this slice of landscape, it is a forbidding place and not one traversed easily. From Valley floor to the highest peaks is over 11,000′ feet, and the terrain between the two is immense and rugged.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question. (Click this post’s title first if you are viewing on the home page.)

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.