Tag Archives: Mountain

Photographs: Nature, Photographs: Sequoia-Kings Canyon, Photographs: Sierra Nevada

Alpine Granite and Trees

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Alpine Granite and Trees
Afternoon light on a landscape of alpine trees and granite ridges

Alpine Granite and Trees. Kings Canyon National Park, California. September 15, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Afternoon light on a landscape of alpine trees and granite ridges

Four of us camped out in this back-country valley high near the Sierra crest in Kings Canyon National Park, all told spending more than a week in the area. We set up a base camp at the entrance to a beautiful lake-filled basin, and then we gradually pushed out the boundaries of our exploration. During our stay we probably photographed a dozen lakes, and we experienced almost the full range of late-summer Sierra conditions, ranging from beautiful sunny days to days of thunder and lightning and rain.

Late on this beautiful afternoon I headed out on a lazy meander up our valley and past a series of small lakes along a stream coming down from the higher benches and valley. I walked up the valley the last direct light before the sun dropped behind a tall ridge to our west, and near the upper end of the string of lakes I stopped to make a photograph of the banks of this small lake, the surrounding forest, and the granite terrain ascending towards alpine ridges far above.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Strata and Folds, Evening

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Strata and Folds, Evening
Desert terrain of contorted and folded strata

Strata and Folds, Evening. Death Valley National Park, California. March 30, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Desert terrain of contorted and folded strata

It has been well over a year since I made this photograph, but I remember the evening well. I had arrived in Death Valley earlier in the day, by way of a detour through the Los Angeles area, found a place to camp, and was now starting several days of intensive photography in the area. In the evening I headed south in the park to a particular knoll that I have photographed from before, with the idea of photographing a particular subject in some light that I had in mind.

I found and photographed that subject, though conditions weren’t quite what I expected. A combination of evening haze and strong winds presented some challenges — and I’ll need to return to the spot to make that photograph that I originally envisioned. However, from this elevated position there was a spectacular view of arid and rugged desert terrain in the opposite direction, so as the light on my original subject faded I turned my attention in this direction. There are many things to think about and say about terrain like this, but I’ll mention one thing. When we look at such a place our first impression is of the rugged dryness. But when we look again we see evidence of water everywhere in such a landscape — in those valleys, and in the gullies tracing twisting lines down the faces of the formations.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Sierra Nevada

Back Country Taxi Service

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Back Country Taxi Service
Pack mules waiting to carry photographers into the Sierra Nevada back country

Back Country Taxi Service. Onion Valley, California. September 11, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Pack mules waiting to carry photographers into the Sierra Nevada back country

Mules like these are the delivery trucks and taxis of the backcountry, something that I didn’t always appreciate. There was a time some years back when I was simply annoyed by them, and felt that having to move to one side to let a string of animals pass was an affront. Then I found myself using pack animal support on a couple for long photography trips into the Sierra, and I was forced to modify my thinking a bit. There are places that the beasts shouldn’t go, but they also have a very long history of supplying and supporting back-country travelers. I started backpacking long enough ago that I even recall occasionally seeing a lone backpacker leading a mule.

This trip was the first and only time that I’ve actually ridden a mule into the backcountry. It was, as those who have tried it probably know, and “interesting” experience. I don’t have the space here to relate the whole story. I made this photograph on our first morning, when we went to the pack station to load up our gear before hitting the trail.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Sequoia-Kings Canyon, Photographs: Sierra Nevada

First Light, Trees, Lake, and Ridge

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First Light, Trees, Lake, and Ridge
Trees along a rock strewn lake as first morning light strikes a southern Sierra Nevada backcountry ridge

First Light, Trees, Lake, and Ridge. Sequoia National Park, California. August 8, 2008. © Copyright 2008 G Dan Mitchell – all rights reserved.

Trees along a rock strewn lake as first morning light strikes a southern Sierra Nevada backcountry ridge

This was the scene on the morning of this fifth day or a trip of over a week across the High Sierra Trail, a trip that would eventually summit Mount Whitney before descending the east side of the Sierra. To me, this route feels like it is composed of several distinct sections. The first couple of days are the approach, reaching the first high country from a west side trailhead. The next few of days are the crossing of the Kaweahs and the descent to the ridges above Big Arroyo, a portion of the trip that has the distinct feeling of remoteness and of dropping down to much lower country. Then there is the march up the Kern and the ascent to meet the JMT, followed by the lateral over to a base camp below Whitney, with the finale being the ascent of this ridge and then the long descent to Whitney Portal.

This morning was in that post-Kaweah phase, at our second camp after crossing the Gap. This lake, a bit off the “official” route, is a quiet and forested place with a gentle feeling that contrasts the rough edges of the higher country. We awoke this morning and I was out before dawn, photographing the first light on this high ridge beyond the trees and across the lake.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.