Tag Archives: mud

Displacement

Displacement
“Displacement” — Cracked and broken dry desert mud, Death Valley.

Those who photograph in the desert inevitably end up photographing… mud. I was attracted to many things in this little scene. The fractal patterns themselves, are always fascinating. (Finding just the right patterns is more difficult than it should be!) In this case I also liked the disruption of the expected pattern by the displacement of material from one of the dried cakes of mud. It appears that something has broken the top layer, left shards to the right, and interrupted the overall coloration of the little scene.

I cannot quite say why it is that photographers are so interested in desert mud — but we definitely are. There is something about the patterns themselves, but also the way light plays across these textures. I recall one time walking down an Utah canyon with a half dozen photographer friends. We encountered a little patch of nearly dry mud, and our progress immediately halted as all of us unloaded packs, set up tripods, and went to work for the next half hour… photographing mud.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Subalpine Meadow, Lake, and Peaks

Subapline Meadow, Lake, and Peaks
“Subalpine Meadow, Lake, and Peaks” — Alpine peaks stand beyond a subalpine meadow and lake, John Muir Wilderness.

This monumental string of peaks running west from the Sierra Nevada crest was our companion during a two-week late-summer base-camp here a few years ago. A group of nine photographers packed in and set up basecamp for a week. This gave us plenty of time to extensively explore and photograph the surrounding area. It is rare — and quite special — to get to focus so thoroughly on one small area of the wilderness like this.

Our camp was down in forest near a small lake, perhaps a ten or fifteen minute walk from the location of the photograph. A short walk up through the forest brought us to the edge of the alpine world at the timberline, where streams meander through open meadows, the views are uninterrupted by large trees, and it is possible to simply walk wherever you want to go — no need for trails.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Broken Branch and Wildflowers

Broken Branch and Wildflowers
“Broken Branch and Wildflowers” — A broken branch lies in a Sierra Nevada meadow next to wildflowers.

We were camped on a low hill covered with trees — likely an old lateral moraine of some sort. A subalpine lake below our hill was surrounded by meadows, and the wildflowers were still in bloom even though it was late in the season. On several occasions I just wandered slowly around and through the meadow, and on one of those walks I found this broken branch lying on the green grasses next to a few colorful wildflowers.

We had been base-camped at this Sierra Nevada backcountry location for the better part of a week when I made this photograph. Working in a limited area for an extended period reveals details that we miss on shorter visits. With less time I tend to focus on the most spectacular and dramatic elements in the landscape. But given more time I slow down and start to notice the small things like this.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Ridges and Light

Ridges and Light
Morning light on curved ridges, Death Valley National Park.

Ridges and Light. © Copyright 2022.G Dan Mitchell.

Morning light on curved ridges, Death Valley National Park.

There are many ways to tell the story of a landscape. One approach is to go for the whole thing, the epic landscape, the big view, and to put everything in the frame. This can work, and it may produce impressive and powerful images of great scale. And, to be sure, Death Valley National Park’s landscape lends itself to this with its expansive vistas, immense mountains ranges, and other striking features.

Another way to say something about a landscape is to go in the opposite direction and let small “excerpts” from the larger scene present aspects of it. The more I photograph a place the more I trend in this direction. You’ll still find me looking at those big views, but more and more I look for small bits and pieces. The texture of these rounded ridges is found all over Death Valley and is usually eroded into some combination of gullies and small, smooth hills. Here the warm-colored early morning light is sweeping across these hills, contrasting with the cooler tones of the shadows.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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