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Desert Holly, Dry Wash

Desert Holly, Dry Wash, Death Valley
“Desert Holly, Dry Wash” — A desert holly plant, either dead or dormant, in the middle of a dry wash, Death Valley.

Desert Holly must be one of the must adapted and tenacious plans in Death Valley National Park. It grows in some of the least likely spots — places where there is barely any soil, where the sun bakes the land, and where water is rare. Desert Holly plants can occasionally put out a beautiful cover of pale green leaves, but more often the plant looks dormant or dead, with many dead leaves and very dry branches.

This specimen grew in a desert wash, where water occasionally passes through this very dry area. It has to rely on fairly rare flows of water. Plants grow in much of Death Valley, but few do in this location. While a few further up the wash had green foliage, I saw only dry, desiccated leaves on this one.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Fractal Landscape

Fractal Landscape, Death Valley National Park
“Fractal Landscape” — A Death Valley landscape of layers of eroded ridges.

This view has intrigued me for years. At one popular Death Valley National Park location, one comes upon it quickly and often briefly. Because it is the coda of visits to this area that has many other attractions, it is easy to overlook it. It is harder to photograph than it seems that it should be — there are some compositional challenges, and unless the light is right the scene can have very low contrast and tricky colors.

The variety of pattens and details in the scene is remarkable. The first four ridges are low and consist of soft, easily eroded material. The more distant ridge is far away, across an intervening valley, and its details are almost always muted by haze. The foreground formations are deeply eroded and cut by gullies — which might seem like an odd thing at first when you consider that you are in an extremely hot and arid desert.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Badlands, Desert Valley

Badlands, Desert Valley
The view across eroded badlands hill and up a broad wash toward desert mountains.

Badlands, Desert Valley. © Copyright 2023 G Dan Mitchell.

The view across eroded badlands hills and up a broad wash toward desert mountains.

This scene has intrigued and challenged me for quite a while, and this is certainly not the first time I have photographed it. I is near an area where I frequently photograph in Death Valley, and for a variety of reasons I typically arrive at this spot after completing work in nearly locations. The view opens suddenly from a high perspective at a turn in the route, and I hardly ever pass without stopping.

As can be the case in the desert landscape distance, atmospheric contact, lighting, and subjects of low contrast are both pluses and minuses. Landscapes that may look well-defined in person are not always easy to translate to a photograph. This time I decided to render this subject in monochrome, which gives me more control over some of these parameters and try to register the depth of the scene.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Desert Hills, Morning Haze

Desert Hills, Morning Haze
Morning haze obscures distant hills above badlands formations, Death Valley Naitonal Park.

Desert Hills, Morning Haze. © Copyright 2023 G Dan Mitchell.

Morning haze obscures distant hills above badlands formations, Death Valley Naitonal Park.

This scene came as a complete surprise. I arrived at this location on a low ridge before dawn and photographed some striking geological formations to my north as the sun came up, gradually filling the landscape with light. Finishing with that subject, I turned around and looked in the opposite direction. Backlit haze had descended on the barren landscape and was glowing in the morning light.

In clear weather, this view reveals badlands in the foreground and dark and tall mountains beyond. But the light made the haze luminous and muted the details of the terrain. I’ve seen such atmosphere in this landscape before, but more often it has come as the result of dust storms. But this was a quiet and nearly still morning.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question. (Click this post’s title first if you are viewing on the home page.)


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.