Tag Archives: narrow

Fossgate Merchants’ Quarter

Fossgate Merchants' Quarter
“Fossgate Merchants’ Quarter” — Pedestrians stroll through the Fossgate Merchants’ Quarter, York.

We stopped in York for two nights this past spring, breaking up a train ride from Edinburgh to London. We had not been to York before, but had heard that it would be worth at least a quick visit. There’s a lot of interesting things to see: The Yorkminster Church (where we stopped to hear some music), the historic walls around the town, the river, and the old central area within the walls, especially the well-known “Shambles” area.

Despite a few signifiers of York, I think of this photograph as being more a generic street photography type, with interesting buildings and other details and a small crowd of passers-by. The location is within the old section of town, roughly on the fridge of the Shambles area.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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The Shambles

The Shambles
“The Shambles” — People walk along a narrow street in the Shambles, York.

We broke up our train ride from Edinburgh and London with a short visit to York during our United Kingdom trip earlier this year. It was quite a varied trip, starting with shoreline towns to the west in Scotland, then walking the Great Glen Way to Inverness, visiting a few other urban areas of Scotland, and finally concluding in London. The train trip from Edinburgh to London is fairly long, so it seemed like a good idea to break it in two and spend a couple nights here.

“The Shambles” are (is?) a well-known feature of the old part of York. This is an area of narrow, curving streets and tiny businesses crowded together. We visited this section on a cloudy morning when we were looking for coffee and breakfast — needs that were satisfied by a scone shop near when I made the photograph.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Ways

Ways
“Ways” — A graffiti-filled side alley in Glasgow, Scotland.

We visited a number of Scottish towns and cities, ranging from small villages where we were lodged during our Great Glen Way trek up to the urban centers of Edinburgh and Glasgow. We were actually in Glasgow twice. Our (long!) flight from the West Coast of the USA (in two segments) terminated in Glasgow, so we had made arrangements to walk the short distance from the terminal to the closest hotel and fall asleep. The next morning we took a shuttle into Glasgow to catch a trail to Oban, and while waiting we walked just a bit around downtown. But it wasn’t until we returned a couple of weeks later that we had a chance to explore this city.

We liked Glasgow even more than we expected to. We had read various things about the city — some suggested that it was more mundane than its bigger neighbor Edinburgh, but others touted its charm, quirkiness, “workaday” quality, and street art. In the end, we ended up agreeing with the latter reaction. There’s plenty to see and do there, but it doesn’t have the same tourist pressure that we saw in Edinburgh. I made this photograph near the end of a very long walk we took one day. Perhaps it doesn’t quite illustrate the point I’m trying to make about the town, but it was a fascinating little alley off of one of the main thoroughfares.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Strolling in Bologna

Strolling in Bologna
“Strolling in Bologna” — Pedestrains stroll along a narrow, curving street in Bologna, italy.

Sometimes my ideas about whether a photograph should be monochromatic or color turn out to be wrong. This street is quite colorful, with paint on the buildings that suggests the sandstone colors of Southwest American canyons. The soft light accentuated this effect and warmed those colors. But the more I worked on the photograph, the more that it seemed a case of “too much.”

In fact, the two central figure also disappear into the detail in the color rendition, and those colors, found throughout the rest of the frame, simply overwhelmed everything else. So gradually, step by step, my idea about how to interpret this scene shifted to thinking of it as monochromatic.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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