Tag Archives: national

Dune Shadow

Dune Shadow
“Dune Shadow” — A plant stretches out from the shadow of late-day light on sand dunes, Death Valley.

On some of my Death Valley visits I photograph dunes many times — at dawn and at sunset, and especially if there is a dust storm or interesting clouds. But on this trip I really only made one serious foray into the dunes, since other rarer features distracted me — most notably the reemergence of a remnant of prehistoric Lake Manly. But it wouldn’t have seemed like a real Death Valley visit without at least one dune adventure.

I made this photograph late in the day, just before the shadows of the Cottonwood Mountains angled across the valley and” dimmed the lights.” (No matter how many times I photograph there, I am still always surprised by how quickly this happens.) Despite first appearances, things do live in the sand, and here an old plant (barely) grows in the shelter of a small dune. Beyond, more dunes stretch across the valley floor, then a gravel fan rises toward desert mountains.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Afternoon Light, Lake Manly

Afternoon Light, Lake Manly
“Afternoon Light, Lake Manly” — Light beams above the snow-capped Panamint Mountains and Lake Manly.

These beams of light — sometimes known among photographers as “God light” — are a common afternoon feature in Death Valley. The valley runs roughly north-south, and there are tall mountain ranges on either side, with summits rising up to 11,000’+ at Telescope Peak on the west side. Consequently, direct sunrise and sunset are blocked from much of the valley floor, However, some time after sunrise and before sunset the light passes though canyons and gaps in the mountains, and this is the effect when it illuminates atmospheric haze.

If you visit Death Valley, it s good to keep this geography lesson in mind, since it can affect your experience and photography potential. If you want to photograph sunrise/sunset, you can see sunlit peaks on west side mountains in the morning and the east side mountains late in the day. If you want light down in the valley, you’ll have to find it a bit after sunrise and well before chronological sunset. What to do in the middle of the day when the sun is harsh? I like to head for canyons, the deeper and narrower the better!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Meandering Channels

Meandering Channels
“Meandering Channels” — Water flows across the salt playa through meandering channels in Death Valley.

Viewed up close from the valley floor, Death Valley is a mostly flat place blanked by tall mountains. But the details of its huge playa are largely invisible unless you travel off the paved roads and out into it. But even there, the flat terrain makes it difficult to fully understand the landforms. To do that you are better off heading to some place high above the valley and looking down into it from above.

I went one such place very early in the morning, and from there I watched the first rays of sunrise light strike the peaks of mountains across the valley, then work their way down to the valley itself. Eventually the shadows contracted and the full valley was in sun, revealing remarkable patterns of land, salt deposits, and meandering seasonal streams.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Far Desert Mountains

Far Desert Mountains
“Far Desert Mountains” — High desert mountain ridges sretch toward the horizon under morning clouds.

I know I am repeating myself, but one of the most impressive things about Death Valley National Park is the sheer scale of the place — the distances are huge. The only place I’ve experienced that impressed me the same way was the near-arctic in the Yukon Territories and Alaska. Here mountains go on, range after range, into the far distance. (As a friend of mine might point out, the haze here is an obvious example of “atmospheric recession.)

This photograph is also an example of why I’m a big fan of long focal lengths for landscape photography. Some will tell you that “landscape lenses” have short to normal focal lengths, and that wide-angle lenses should be your standard tools. I beg to differ. The truth? While I own ultra-wide lenses, I use them sparingly… and my favorite landscape photography lenses are often telephotos. Here I used a very long lens to compress the distance and to isolate a small, interesting section of much larger terrain.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.