Tag Archives: national

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Juniper and Sandstone Cliff

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Juniper and Sandstone Cliff
Tall sandstone cliffs dwarf Juniper trees growing among talus boulders.

Juniper and Sandstone Cliff. Capitan Reef National Park, Utah. October 20, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Tall sandstone cliffs dwarf Juniper trees growing among talus boulders.

Back in the fall of 2014 I was fortunate enough to be able to work with a great deal of autonomy for a period of about six months. This allowed me to be on the road in the landscapes of southwestern Utah for three weeks. With a long unbroken period of work in the field I was able to spend time in many of my favorite places — Grand Staircase-Escalante National Monument (now under threat from the current administration), Capitol Reef National Park, the Dixie National Forest, and Zion National Park. At times I worked individually, on several occasions I joined up with other photographers, and at the end I met family members at Zion.

I joined my friend and fellow photographer David Hoffman for a few days in Capitol Reef. The Fruita area was our home base, but we explored further south along both sides of this park. On this evening after setting up camp we simply went a short distance down the road along the great sandstone walls along the west side of the park and photographed the golden hour light and on into dusk. This scene is at the base of one of these monumental sandstone cliffs, where large boulders that have broken off the face are piled against it at the bottom and a few hardy trees and bushes have taken root.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Nature, Photographs: Sierra Nevada

Basalt Columns and Lichen

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Basalt Columns and Lichen
“Basalt Columns and Lichen” — Yellow lichen growing on the basalt columns of Devils Postpile National Monument

This is one of several photographs I made of the Postpile on this autumn morning, and every time I post one more I get to tell a bit of a story on myself. Landscape photographers often get up very early, sometimes many hours before sunrise. On this morning we had plans to do just that, and if we had gotten up on time we would likely have gone of to photograph aspens somewhere. But we overslept! It had been a long week, the drive to the east side of the range the evening before had been a long one, and we had arrived late. So rather than waking up hours before sunrise, it was probably more like an hour after sunrise.

We were initially a bit disappointed at losing a sunrise, but we decided to just take it easy, and soon we sat down to a nice civilized breakfast — also something of an anomaly for early morning photographers. Eventually we decided to wander out and just go up to Devils Postpile, which wasn’t far away. Arriving well after the supposed good light, I was going to just leave my camera equipment in the car, but Patty persuaded me to take it. And was I glad I did. Here the sun rises behind the face of the postpile, which was still in shadow, though receiving some reflected light from behind us and from the blue sky. I had a short time to work in this lovely soft light before the sun finally peeked over the top and I found myself photographing straight into its light.

Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Snag and Forest

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Snag and Forest
A solitary snag stands among forest trees in the Yosemite backcountry

Snag and Forest. Yosemite National Park, California. September 4, 2014. © Copyright 2017 G Dan Mitchell – all rights reserved.

A solitary snag stands among forest trees in the Yosemite backcountry

A group of us, a band of photographers, spent a week in a Yosemite backcountry area back in the summer of 2014. With the plan of spending a week doing extensive photography of one or two areas, our equipment was brought in by pack train — we just had to walk in carrying our photographic equipment. We settled in for a few days at an isolated lake, and then we moved to a more populated area for the final few days of our visit.

The first location was a lovely little lake, set in a broad depression on a ridge above a very large valley. This spot provided us all sorts of photographic subjects — intimate landscapes, big views across the canyon to high peaks, and the forests and meadows and rocks spread around the lake itself. On this morning I had climbed up slanting granite slabs to reach a higher area, and here I found this solitary snag standing among living trees, and backed by forest running on up into the higher peaks.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Morning Light, Domes, Lake

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Morning Light, Domes, Lake
Morning light on Tenaya Lake, granite domes, and Mount Conness

Morning Light, Domes, Lake. Yosemite National Park. July 16, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Morning light on Tenaya Lake, granite domes, and Mount Conness

I have been in a bit of a black and white mood recently. Although most of my photographs today are color photographs, my roots are in black and white. Many years ago that is what I learned to develop and print, all the way back to when my father took me into his home darkroom when I was a very young kid. Until I began to use slide film, virtually everything I shot was in black and white, and so many of my early photographic heroes also worked almost exclusively in monochrome.

I order to render the conjunction of shapes and masses, curves and textures in this complex scene of the Sierra Nevada landscape rising from Tenaya Lake, it seemed to me that black and white was the right choice. I made the photograph in the morning — not “crack of dawn” early, but a bit later, when the sun’s rays were clearing the higher ridge to the right and illuminating elements of the scene right down to the lake itself. The distant mass of Mount Conness is slightly obscured by haze, and a thin layer of bright clouds pass overhead.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.