Tag Archives: national

Low Tide, Drakes Estero

Patterns emerge and reflect the sky at low tide on a foggy morning at Drakes Estero
Patterns emerge and reflect the sky at low tide on a foggy morning at Drakes Estero

Low Tide, Drakes Estero. Point Reyes National Seashore, California. July 23, 2017© Copyright 2017 G Dan Mitchell – all rights reserved.

Patterns emerge and reflect the sky at low tide on a foggy morning at Drakes Estero

Although I have been visiting the Point Reyes National Seashore, just north of San Francisco, for quite a few years, it has sometimes been a challenging place for me to photograph. Perhaps it is because, with some exceptions, it generally doesn’t feature the same sorts of iconic and spectacular Pacific coast subjects found in places such as the Big Sir coast. instead there are coastal lowlands with most-treeless bluffs, thick and impenetrable forests further inland, and grand vistas across low-lying landscapes. But given enough time and patience and persistence, I think ti begins to be possible to discover a way of seeing almost any landscape, and I’m starting to understand how to see this place.

I knew it that there would be fog on this visit, and my plan/hope was that I could get there at the right time to place myself along the boundary between sun and fog, where interesting things often happen with the light. I decided to take a rather long hike (about 13 miles roundtrip) to a location that I have long wanted to visit, and I arrived at the trailhead just as the fog was beginning to thin there. After dropping through forest I arrived and crossed one arm of Drakes Estero as the tide was at its low point, revealing mud flats along the shoreline. The trail climbed again and I came around another high headland to see a more expansive view toward the fog over the ocean to the west. The low tide revealed remarkable patterns in the estero, and the shallow water reflected the deep blue sky and the thinning fog clouds.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Juniper Forest and a Wash

Juniper Forest and a Wash
Juniper trees on red rock soil next to a shallow canyon

Juniper Forest and a Wash. Capitol Reef National Park, Utah. October 21, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Juniper trees on red rock soil next to a shallow canyon

My recollection of this afternoon is that we set out down the west side of the park without a particular plan in mind. Eventually we photographed in a deep canyon with tall sandstone walls, but at times we were challenged by trying to find interesting subjects. The light was harsh, but it was also interrupted in awkward ways by clouds — occasionally producing interesting patterns of light and shade, but also sometimes killing the interesting light.

In this area the land slopes down from west to east, following the contours of the underlying strata. For this reason, well before the end of the day the light is already coming across this gently rising terrain at a low angle relative to its incline. Here that light is sweeping across a landscape of red rock, juniper trees, and the beginnings of a small red rock canyon.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Juniper and Striped Sandstone

Juniper and Striped Sandstone
A vertically striped sandstone cliff behind a juniper tree

Juniper and Striped Sandstone. Capitol Reef National Park, Utah. October 21, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

A vertically striped sandstone cliff behind a juniper tree

My recollection is that we had driven into this deep canyon at Capitol Reef late in the day, and that we stopped to photograph as we began to head back out of the canyon not long before sunset. Because of the late hour, although it was still daytime, the light was blocked here by the very tall walls of this narrow canyon.

We stopped here largely because of the remarkable vertical stains on the smooth sandstone walls. In many places this layer of sandstone is almost monolithic, but here the staining produced sharp vertical lines and broke up the otherwise solid features of the rock. Near the base of the cliff a few boulders stood, and on the higher areas right next to the cliff a few trees managed to grow.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Shoreline, First Morning Light

Shoreline, First Morning Light
First morning light comes to the forested shoreline of a Sierra Nevada backcountry lake

Shoreline, First Morning Light. Yosemite National Park, California. September 5, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

First morning light comes to the forested shoreline of a Sierra Nevada backcountry lake

Near the end of the summer of 2014 I ventured into the Yosemite backcountry with a group of friends and photographers for a week of landscape photography work, first at a somewhat isolated lake and then near a more popular location. Although I’ve been a backpacker for years, accustomed to slogging along with a big backpack carrying all of my own gear, on this trip we were supported by pack train. In fact, we had stupendous support. All of our non-photographic gear was packed in to the first location. A few days later a pack train returned and moved our gear to the next location. (Meanwhile we hiked a cross-country route to get there, following a trajectory that stock could not use.) And finally at the end of the trip the packers came back again and schlepped our gear back out to civilization. I think I could get used to this — though I still very much enjoy the quiet and slow pace of self-contained backpacking.

We were at the lake for three or four days, long enough go venture beyond the obvious things that one sees when first arriving at a place. We had time to return to subjects and reconsider them a few days later, possibly in different light or at a different time of day. We were also able to push out boundaries outward a bit from the lake itself, climbing a few of the nearby promontories. And, always, we had the luxury of rolling out of sleeping bags before dawn, walking a few steps to the lakeshore, and beginning the day’s work. This photograph was made not more than five minutes from camp as the first light began to work down to lake level.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.