Tag Archives: nature

Walking Cranes

Walking Cranes
A flock of sandhill cranes crosses a rural roadway in Central Valley pasture land.

Walking Cranes. © Copyright 2022 G Dan Mitchell.

A flock of sandhill cranes crosses a rural roadway in Central Valley pasture land.

Why did the crane cross the road? In some of my recent posts I have written about how the behavior of geese and cranes seems to change as the time for them to fly back to the north approaches. From what I have seen, the birds become increasingly active — I’m tempted to use the word “restless” to describe it. They appear in larger flocks, and they assembly in different and more predictable places. They seem to be active at all hours of the day, there are frequent “lift offs” by thousands of them, and the cranes and various kinds of geese often seem to intermix.

It also seems like they become a bit less hesitant about being where humans are. You still can’t (and should not) get too close to them, but they start to show up alongside roads and paths and in ponds very close to such places. It isn’t at all uncommon to arrive in places along gravel roads… and find that the flocks are stretched right across the roadway. I often end up stopping to wait for them to finish their business or else approaching very slowly, giving them time to slowly move out of the way. I stopped to let this group of cranes finish its activities — I was in no hurry, and it gave me a chance to photograph them.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Stems

Stems
Stems of new bulbs crowd together.

Stems. © Copyright 2022 G Dan Mitchell.

Stems of new bulbs crowd together.

It isn’t unusual for someone to ask about one of my photographs, “Have you thought about how it would look in black and white?” Why, yes, I almost certainly have! When I began “doing photography” quite a few decades ago, I started with black and white film and printing, and almost all of the photographers I admired were those doing black and white work. Sometimes I know at the time of exposure that a photograph will be black and white. (Though I prefer today’s technology that allows me to capture for color image data for use in the post-processing conversion to monochrome.) Sometimes I’m positive that a photograph will end up as a color image. And sometimes, to be honest, I’m not certain.

This photograph falls into the latter category. Sort of. But not exactly. The thing that drew me to the subject originally was the pattern of very green plants. In fact, a while ago I shared a version of this photograph that is very much a color image. But yet… I felt that it would also work in black and white, and that in some ways the “abstract” nature of patterns of lines and contrasts between light and dark might even work better in some ways using a monochrome rendition.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Hidden Leaves

Hidden Leaves
Leaves on the ground under the plants in a formal garden.

Hidden Leaves. © Copyright 2022 G Dan Mitchell.

Leaves on the ground under the plants in a formal garden.

In a discussion about “what to photograph,” I once heard a photographer simply say, “There’s always SOMETHING to see!” You can always find something worthy of a photograph almost anywhere if you look closely enough and open your eyes to what is around you. Often the potential subject is not the thing that you were looking for.

That was certainly the case with this photograph. We had gone to a beautiful garden where the first signs of coming spring were evident—flowers starting to bloom and green things growing. I did photograph some of those subjects, but I was also a bit restless. I started looking around at the other things at this place, and once I did I started to see potential subjects. In one shady section of the garden there were camellias and other larger plants, and beneath these plants the ground was covered with fallen leaves, presenting an intimate landscape that looked more like autumn than the arrival of spring.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Four Cranes in Flight

Four Cranes in Flight
Four lesser sandhill cranes in flight against blue sky.

Four Cranes in Flight. © Copyright 2022 G Dan Mitchell.

Four lesser sandhill cranes in flight against blue sky.

So often photography is about composition, controlling the relationships among elements within the frame —left and right, front and back, up and down, relationships among colors and luminosity levels, lines, curves, and all the rest. This is certainly the case when photographing from the tripod, and it is usually true even when shooting with a handheld camera. Even in situations when things happen quickly, we try to maintain some awareness of how the different elements fit together.

Then some birds fly overhead against a pure blue sky… and one just makes exposures. In the midst of photographing birds in the larger landscape, I realized that I was in a spot that groups of sandhill cranes were traversing, often nearly directly overhead. To some extent you take what you get in these situations, and you don’t have any control over the relative positions of the birds. But you do have some control, at least if you have been photographing birds for a while. Rather than just blasting away in burst mode — which is sometimes the only realistic strategy — you can watch the birds, track their movements relative to one another, and increase the odds a bit by timing the exposures.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.