Tag Archives: nature

Winter Wetlands

Winter Wetlands
Flooded winter wetlands with broken-down tules .

Winter Wetlands. © Copyright 2022 G Dan Mitchell – all rights reserved.

Flooded winter wetlands with broken-down tules .

Places like this fascinate me. The location is in California’s Great Central Valley, a 400+ mile long feature running up and down the state, separating the coastal mountain ranges from the Sierra Nevada. Most people are probably familiar with it from driving through or across it on their way to some other place. It is largely agricultural, though these days population centers are expanding rapidly and parts of the valley are increasingly urban. Bottom line? It is hardly a place that most people would regard as a scenic attraction.

I get it. And most of my visits are more of the “passing through” than the “going there” sort — except in winter when I often make it my destination. Winter provides a relief from the valley’s generally hot and dry climate during most of the year, and wet areas appear when rain falls, especially where rivers meet and were old marshes once existed. The soft light and the expansive sky can be a relief from the urban experience. Here, wetland ponds are full from recent rains, and interesting tule islands stand where someone has chopped town the vegetation before the pond was flooded.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Dunes and Hills, Evening

Dunes and Hills, Evening
Evening light on rocky desert hills and sand dunes, Death Valley National Park.

Dunes and Hills, Evening. © Copyright 2022 G Dan Mitchell – all rights reserved.

Evening light on rocky desert hills and sand dunes, Death Valley National Park.

You may see a few photographs of this ridge and its low peaks over the next week or two. It was not my main reason for going to this location, nor was it my target when I set out on foot to photograph nearby. But as soon as I started walking I found myself intrigued by its form, the large valley beyond it, and the combination of rocky formations and a thin distribution of blown sand. I ended up photographing it on successive days on my way to and from another subject.

The ridge illustrates an important general fact about much of the Death Valley National Park geography, namely that there are a whole lot of ridges and valleys that trend roughly in a north-south direction. (Technically, the line tens to run sort of northwest to southeast.) It turns out that this is really important to photographers, since much of the early morning and early evening light either strikes features directly or else leaves them in shadow. If you are keeping track of my photographs of this feature, you’ll see a clear example of this. In a previously posted photograph made at one end of the day, the ridge is almost entirely in shadow, with just a bit of rim light near the top, and only the distant mountains are in the sun. Here the table are turned, and the ridge is fully illuminated while the distant mountains are in soft, shadow light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Winter Trees and Grass

Winter Trees and Grass
Winter grass beneath a thicket of dormant trees on a foggy morning in the Central Valley.

Winter Trees and Grass. © Copyright 2022 G Dan Mitchell – all rights reserved.

Winter grass beneath a thicket of dormant trees on a foggy morning in the Central Valley.

This photograph comes from a particular moment of transition on a winter tule fog day in California’s Central Valley, the point when the nearly impenetrable gray blanket of the fog begins to thin, the view opens a bit, and the light becomes warmer and slightly directional. A half hour earlier this scene would have been almost devoid of color, and many of the trees would have been nearly obscured by fog. (An hour later the scene might be overly bright and harshly lit.)

This spot holds several things that characterize the the Valley at this time of year: the fog-to-sunlight transition, of course, but also the dormant trees along the edge of farmland and the very green newly sprouted winter grass. That grass is a distinctly California thing that often surprises visitors from colder climates, where the seasonal cycle is almost reversed. A spot like this will be dry and brown in summer and fall, but winter rains trigger our”impossible green” season as the plants respond to the moisture.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Creosote, Shadowed Dunes

Creosote, Shadowed Dunes
Creosote plant in sunlight, backed by shadowed sand dunes.

Creosote, Shadowed Dunes. © Copyright 2022 G Dan Mitchell – all rights reserved.

Creosote plant in sunlight, backed by shadowed sand dunes.

Sand dune landscapes provide all sorts of surprises. After seeing many photographs of impressive blowing sand and dust storms, you might think that is the norm — but most of the time the dunes are quiet and still. In the daytime there often doesn’t seem to be a lot going on in a visual sense. But go there at the earliest and latest moments of the day, and the light changes so quickly that it is almost impossible to keep up. Here there was only a brief moment when the soft light fell on the dune and the creosote plant and left the further dunes in soft, cool-toned light.

It is common to think of landscape photography as a slow and deliberate process. In fact, at times and with certain subjects it can be, and the photographer may have a lot of time to look and contemplate. But in this edge-of-day light things happen so quickly that photography can become a kind of action sport. The light does something “over there” for a brief moment, but when I look up something new is happening elsewhere. I turn my attention, quickly make a photograph or two, and right away some new combination of form and light emerges. And this whole dynamic show itself only lasts for a short time between midday bright (and often harsh) light and darkness.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.