Tag Archives: nature

Desert Mountains, Rain

Desert Mountains, Rain
Desert Mountains, Rain

Desert Mountains, Rain. Death Valley National Park, California. April 2, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Rain falling from a dissipating afternoon storm is backlit above desert mountains, Death Valley National Park

This was anything but an ordinary Death Valley day—though I’m not sure that any Death Valley day is likely to be ordinary. We began very early, awakening a couple of hours before dawn. The plan was to be far up in the Panamint Mountains before sunrise, in the hope of photographing the first light over the Valley from a high and wild place. I try to assess the weather conditions in the dark in any way that I can—checking wind, looking to see if stars are visible, and so forth. In the darkness I could tell that only a few stars were visible and that their light was muted, all of which suggested cloudiness. This was, of course, in line with a weather forecast that mentioned things like showers and snow flurries and clouds. However, you can’t tell what will happen until you go out there and watch it happen, so we headed up into the mountains.

Most of the story of this day will wait for photographs of that early morning and the rest of the day in the Panamint range that followed. However, for now I will mention that it was cloudy, it was cold, and it snowed. Later in the day the weather began to clear and we saw some sun before we came back down from the mountains, with plans for an evening shoot in a different location on our minds. As we descended we noticed precipitation in the mountains to our north and west—more or less in the Cottonwood Mountains. We stopped and photographed this weather before heading down into the Valley. Our plans were changing with the weather, and we ended up heading to a high place with a good open view of much of the Valley, figuring that the changing light from the clouds might present quickly changing opportunities. Sure enough, as soon as we arrived at our location we could see that the clouds over the Cottonwood range were quickly thinning, and that backlight was illuminating the last rain falling over the receding ridges of this range, creating a very bright and constantly changing effect.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

An Informal (and Surprising!) Death Valley Wildflower Report

Gilia Buds
Gilia Buds

Gilia Buds. Death Valley National Park, California. April 2, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Gilia buds opening on a rainy day, Death Valley National Park

This is going to be a sort of hybrid post, covering two subjects and out of phase with my normal daily photograph posts. Think of it as a bonus post—a photograph and an informal report on Death Valley National Park wildflowers. The description of this photograph follows the report on Death Valley wildflower conditions.

Wildflower Conditions

By now it is no longer news that California and other parts of the west are in the throes of a very serious drought. The situation is especially serious in California, which is now experiencing the worst in a series of three below-normal precipitation years. Many parts of the state are experiencing what have been described as historic drought conditions. The situation remains critical—and many of us are worried about the upcoming wildfire season—though recent March and early April rains brought a bit of relief.

All spring I have been hearing that the drought would make this a poor year for desert wildflowers in Death Valley. However, I knew that Death Valley had experienced some rain events in the past few months and that desert plants are quite opportunistic, often quickly blooming in response to moisture. I know Death Valley fairly well, though I’m no expert on wildflowers. However, I had a hunch that we might be surprised by how the wildflower season would play out.

We visited the park for several days right around the beginning of April. Even before we arrived, we saw a decent number of wildflowers as we drove across other desert areas on the way to the park. It seemed like plants were acting in the opportunistic manner I describe above and quickly sprouting up and blooming in response to recent rains. As we entered the park and crossed Towne Pass we (especially my wife, who is passionate about photographing the “small things”) began to notice a lot of wildflowers in many places, including whole beds of colorful flowers in many places along this drive. While we did not see the tremendous blooms on the Valley floor that can occasionally occur, once we got up into higher country we saw flowers everywhere, at least when we slowed down and looked. There was more rain and snow during our visit, and the additional moisture is bound to encourage other plants and flowers to grow.

I just saw a report at the Desert USA website (which names the flowers in ways that I cannot hope to do) confirming what we saw—that there is actually a substantial bloom of desert wildflowers in many places. If you have the opportunity to head out that way soon, do so!

About the Photograph

Believe it or not, it was snowing lightly when I made this photograph! We began our day by driving on gravel roads before sunrise to reach a high location in the Panamint Range from which we planned to photograph at sunrise. The sunrise photography turned out to be a challenge, as it was cloudy at first light and the clouds only increased as the sunrise progressed. Soon we began to notice snow falling on nearby peaks, though it did not fall where we were until after we moved on. Later, in a less exposed location but with temperatures in the low thirties, we encountered our first very light snowfall, and we could see that it was snowing more heavily on the peaks and ridges around us.

We moved on, heading up into Wildrose Canyon. My original plan had been to drive to the end of the road, but by the time we reached the Charcoal Kilns it was snowing hard enough that this no longer seemed like a great idea. In fact, other drivers with two-wheel drive vehicles were having problems ascending the last section of the road to the kilns. We photographed the snowy conditions here and back in Wildrose Canyon, and then as the snow abated a bit we drove on, heading back in the direction of Emigrant Pass. Not far from the pass we found a hillside covered with a spectacular display of flowers. At first it was some cacti that caught our attention, but as we got out and looked around we saw many, many flowers all around. These gilia buds had not yet opened into their more showy display.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Fog, Tree, Marsh, Morning Sky

Fog, Tree, Marsh, Morning Sky
Fog, Tree, Marsh, Morning Sky

Fog, Tree, Marsh, Morning Sky. San Joaquin Valley, California. February 14, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Winter morning fog in bright morning light above a San Joaquin Valley marsh

I made this photograph, rendered here as a high key black and white image, in a wetland area of California’s San Joaquin Valley. Photography began on this morning before dawn, in very foggy conditions. Here, nearly two hours later, we had worked our way around to a different location where shallow ponds stretched into the distance, reflecting trees in the thinning fog that was brightly lit by the morning sun, and with high clouds above.

At the time when I looked across this water I was struck by how little of substance there was in the scene. Above was misty and faintly blue sky with thin clouds. Below there was water, but the water served primary to reflect that same sky. The only solid material in the scene is the faint trees, a few birds, some bits of grass, and a couple of thin strips of levee. Everything else is sky or fog or reflection of sky and fog. The photograph is one of a series that I have tucked away, yet to work on at the appropriate time, and in need of further thought: Do I work with the high key luminosity of the scene, or do I work with the color version in which everything is shades of blue?

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Redwood Forest, Muir Woods

Redwood Forest, Muir Woods
Redwood Forest, Muir Woods

Redwood Forest, Muir Woods. Muir Woods National Monument, California. March 14, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

A tall, thin bay tree reaches for the light in front of a row of coast redwood trees, Muir Woods National Monument

This cathedral of redwood trees still brings me to a stop every time I walk up the main valley at Muir Woods National Monument. Typically I arrive very early in the morning, often before the park opens, when I can have the trail almost to myself. (I’m happy to share “my” park with the small number of other early morning visitors, who are usually very quiet.) This row of big trees is in a spot near where several trails meet up, and the light can range from deep shade to filtered sun.

The light is the tricky thing when photographing here. People are often surprised by just how little light may make it down through the canopy of the redwood forest. On this morning there was a layer of high clouds that muted the light, with only occasional breaks allowing more direct light. As a result, this was a 13 second exposure! The idea here was to find a “wall of trees” composition, with some depth from additional trees perhaps visible in the gaps among the main foreground group. I liked the visual dissonance of the single slender bay tree trunk curving across the scene to the left.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.