Tag Archives: nevada

Photographs: Sierra Nevada

Forest in Reflected Light, Kern River

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Kern River Forest
“Forest in Reflected Light” — Forest scene along the Kern River in Sequoia National Park, California

In the middle of my August 2008 trans-Sierra backpack trip we spent a morning walking up the 7.5 miles between Kern Hot Springs and Junction Meadow in the upper Kern Canyon. Since I’m fond of higher country I wasn’t expecting too much on this day, but I was happy to encounter a wonderful lighting situation that I’ve seen before in Yosemite and similar valleys: the western canyon walls were in full sunlight and reflecting beautiful, warm, diffuse light across the river into the shaded forest on the east side where I photographed these trees and ferns.

A bit more about this trip. I had previously done this route — the High Sierra Trail — from the western reaches of Sequoia national Park, over the Kaweahs, down into the Kern, the up and over the Sierra Crest with a side trip to Mt. Whitney before exiting at Whitney Portal. This time I went with a group of backpacking friends, and it was wonderful to revisit this landscape.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Photographs: Nature, Photographs: Sierra Nevada

Submerged Boulders, Lake, and Cliffs

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Submerged Boulders, Lake, and Cliffs
Sunlight illuminates submerged boulders near the cliff face along the High Sierra Trail – Sequioa National Park.

Submerged Boulders, Lake, and Cliffs. Sequoia National Park, California. August 6, 2008. © Copyright G Dan Mitchell – all rights reserved.

Sunlight illuminates submerged boulders near the cliff face at a lake on the High Sierra Trail – Sequioa National Park.

I first visited this lake decades ago during a two-week trans-Sierra backpack trip along the High Sierra Trail. I recall arriving and recognizing it from a well-known 1932 Ansel Adams photograph, but I made no serious attempt to photograph it at the time. In the summer of 2008 I retraced the route with a group of friends, and on the third morning I again climbed the spectacular trail toward Kaweah Gap. After crossing a lovely section filled with springs, flowing water, and wildflowers the trail topped a rise and suddenly arrived at this lake. I spent a half hour or more photographing from the shoreline. Finally I finished, packed up my photography gear, and we started up the switchbacks toward the pass.

A moment later as the trail climbed above the lake I glanced back and saw a stunning sight as sun broke through the clouds and intermittently illuminated the submerged talus at the base of the cliffs. Ironically, my first reaction was to think, I just finished shooting, and I’m not going to take this pack off and set up all that gear again!” I almost kept going. Fortunately, I’ve learned my lesson a few times — shoot it now while you have the chance! — so I dropped my pack, set up my tripod and camera, and waited for the right light to appear as broken clouds moved overhead.

Notes:

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Sierra Nevada

Dawn and Shoreline Trees, Moraine Lake

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Dawn and Shoreline Trees, Moraine Lake
Dawn and Shoreline Trees, Moraine Lake. Sequoia National Park, California. August 8, 2008. © Copyright G Dan Mitchell – all rights reserved.

Dawn along the tree-lined shore of Moraine Lake in Sequoia National Park, California. Moraine Lake is along the “High Sierra Trail” route between Crescent Meadow in the western Sierra and Whitney Portal on the east side of the range. This photograph was made last week as I crossed the range from west to east with a group of friends – who were all still warm in their sleeping bags while I arose before dawn to prowl the lakeshore and get this sunrise photograph.

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Photographs: Sierra Nevada, Photographs: Yosemite

Leaving Lembert Dome, Dusk

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Leaving Lembert Dome, Dusk

Leaving Lembert Dome, Dusk. Yosemite National Park, California. July 30, 2007. © Copyright G Dan Mitchell – all rights reserved.

Hiker leaving the summit of Lembert Dome at dusk. Tuolumne Meadows, with the Sierra crest in the background. Yosemite National Park, California.

I shot this last summer on an evening when I had just finished photographing the Sierra sunset from the top of Lembert Dome in the Tuolumne Meadows area. The “good light” had seemingly ended and I had packed up my camera, lenses, and tripod and was heading down from the peak when there was a wonderful bit of post-sunset warm, soft light… just at the moment when this lone hiker crossed this section of the granite come below me. Not having time to set up my tripod and other gear properly, I simply grabbed three frames at very low shutter speeds, and I was very pleased when I found that one of them actually turned out beautifully. In this case, I was shooting hand held at such low shutter speeds that I had to rely on the image-stabilization feature of the lens I had on my camera at that moment.

(Update#2: Since I posted this color version I was contacted about licensing the use of  a black and white version of the photograph in a print journal. There are, I think, a few lessons in this shot and this experience.

  • First, not all landscape photography is done at a sedate and leisurely pace, pondering for many minutes the intricacies of composition and so forth. Sometimes things happen so quickly that you must depend upon instincts and react quickly to a situation that only lasts a moment. In this case I could not possibly have anticipated the light or the appearance of the lone hiker – when I saw this conjunction of subjects I had no time to set up a tripod.
  • Second, sometimes traditional landscape approaches (tripod, small aperture, etc.) won’t get the shot and the adaptability of your gear may save the day… or evening. I pulled out my camera and handheld the shot using the lens that was already on the camera with image stabilization and a rather low shutter speed.
  • Third, it probably isn’t news to any one, but sometimes an image that you conceive as color may turn out to work well in black and white, and vice versa. Be flexible.

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