Tag Archives: nevada

Tall Aspens, Fall Color

Tall Aspens, Fall Color
“Tall Aspens, Fall Color” — A large grove of big aspen trees with autumn color, on an Eastern Sierra Nevada hillside.

This is a type of autumn aspen photograph that I think of as a “wall of color.” Here there are more of the tall and straight trees than we see in many places in the Sierra, and the entire grove is at or near its fall peak. It helps that I had a somewhat elevated vantage point to make the photograph, part of what lets me fill the frame with color.

To look at this photograph you might imagine a scene almost like New England fall colors. However, while such colors there can go on for miles and cover successive mountains (hills, really) and valleys, in the Sierra the color is more concentrated. Groves, many of which are small, can stand out brilliantly against the predominant background of dark conifer trees or rocks or sagebrush.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Aspen Transition

Aspen Transition
“Aspen Transition” — Autumn aspen trees begin their seasonal color transition in the Eastern Sierra Nevada.

The colors of autumn aspen trees are so impressive that you might think that photographing them is simple. But there are challenges, at least not if you want the best possible photographs. The intense fall colors present a challenge to modern digital cameras. Very intense colors,like the yellows, reds, and oranges of these trees, can “blow out” the image if you use a “normal” exposure. The color is very intense, especially if the leaves are in direct sunlight. That’s why I often prefer to photograph these trees in soft, filtered light ore even in shade.

These trees are part of a very large grove on the eastern slopes of the Sierra Nevada. In this frame you can see trees at almost every stage of the transition, from green leaves to a few that are almost bare. In this case the combination of the Sierra crest to the west (right) and some scattered clouds served to make the light more gentle.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Merced River Bend

Merced River Bend
“Merced River Bend” — Autumn cottonwood trees grow along a bend in the Merced River, Yosemite Valley.

I made this photograph late in the afternoon as long shadows began to stretch across the floor of Yosemite Valley, gradually leaving these trees in shade. Here the Merced River flows slowly through a flat section next to meadows and lined with big cottonwood trees. Although a few of these trees had lost their leaves, many were at peak color.

This is one of several spots in the Valley where I like to wander slowly and look for photographs. This particular spot used to be easily accessible, though increasing Valley crowds have forced the park service to downgrade access. It took me a while, but I found a trail that wasn’t off-limits.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Autumn Forest, Yosemite Valley

Auturm Forest, Yosemite Valley
“Autumn Forest, Yosemite Valley” — Autumn color from black oak and big leaf maple trees among the conifers, Yosemite Valley.

This is another of those dense vegetation photographs that I like. I enjoy the challenge of looking at these complex scenes long enough to find order in their complexity and near-chaos. Here that meant setting up a good distance back from the scene and photographing with a very long lens, moving around to find just the right relationships among the elements.

There are two special things about this specific spot in Yosemite Valley. The first has to do with light. Since areas along the base of the southern cliffs tend to remain in the shadows for many hours, I go here to find soft shadow light. But even better, El Capitan is across the Valley from this spot, and it reflects the daytime sun into these trees, giving a directional quality to the light. There’s one more interesting thing about this spot: a road runs fight in front of it, so one must compose carefully to leave it out and then wait for any cars to pass!


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.