This spot and this view have long intrigued me. The lines and curves lead from the shoreline forest at left, past that talus-covered slope on the right, across the water to another peninsula, and finally to the massive face rising beyond. The personality of this view can change remarkably — I’ve photographed during storms, under the full moon, in direct sunlight.
Continue reading Soft Light, Ellery Lake
Is it ever too early to start thinking about autumn? I don’t think so! Every fall I revisit familiar places to photograph the signs of the changing seasons. One of these is Yosemite Valley, where the most interesting colors often peak right around Halloween. At a minimum I make a long day trip up and back from the San Francisco Bay Area. But my preference is to visit for at least a coupe of days.
Continue reading Autumn Black Oak Leaves
Last fall I was in a popular Eastern Sierra location to photograph autumn aspen color. I had arrived before sunrise, while it was still pre-dawn twilight. I began photographing before the sun came up, continued through the arrival of first direct light, then moved on to some other nearby subjects. As I continued to work I could not help noticing that the full moon was setting in the western sky.
Continue reading Sierra Setting Moon at Sunrise
I have photographed in Yosemite since I was literally a child. (The first “serious ” photograph I recall making was on a family trip to the Valley when I scrambled up a little hill to find a composition of a dome framed by tree branches.) The Valley remains one of the most astonishing sights on the planet, with features that are darned near unbelievable. But after decades of photographing there, when I visit now I look for other things than the icons.
Admittedly these black oaks have become almost iconic, though they aren’t a recognizable feature in the way that Half Dome or Yosemite Falls are. There’s no one particular feature, but rather a playground of textures and colors and lines to work with. I stop and photograph here on almost every visit.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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