Tag Archives: new

Selfie, Reflection

Selfie, Reflection
Reflection of a couple posing for a selfie, Whitney Museum, Manhattan

Selfie, Reflection. New York City. July 3, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Reflection of a couple posing for a selfie, Whitney Museum, Manhattan

I made this photograph when we visited the Whitney Museum on a trip to New York City earlier this year — the new version of the Whitney located in Chelsea near the end of The High Line Park. We were there at least partly to see the Calder exhibit, but also because we like the Whitney itself. I not only like the place (and this is true of other museums I visit) for the work that is exhibited, but also for the photographic opportunities. There are lots of people to see, and this museum incorporates all kinds of other interesting visual opportunities: the architecture of the building, the outside terraces, the views of the surrounding areas.

I made this photograph on one of the outdoor terraces on an upper floor. The terraces provide open views of Manhattan, and they house large works that display well in outdoor spaces. There are always lots of people passing through these spaces, and this couple stopped to make a selfie photo against one of the sculptures, inadvertently positioning themselves where their reflection also incorporated a slightly distorted view of the Manhattan surroundings. The subject of “selfies” is a big one on its own, and I won’t try to take that on in its entirely here. However, people making these photographs of themselves sometimes seem to let down their guard as they temporarily become almost oblivious to their surroundings and they often assemble into interesting group poses.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Window And Shadows

Window And Shadows
Afternoon light forms shadows behind a window at the Whitney Museum, New York City

Window And Shadows. New York City. July 3, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Afternoon light forms shadows behind a window at the Whitney Museum, New York City

This photograph was made near a window on one of the upper floors of the New Whitney Museum in Manhattan. At the west end of the upper floors, near the end of the main corridors outside the gallery, there are small windows that overlook the Hudson River and New Jersey in the distance. At some point on every visit to the Whitney I find myself standing next to one of these windows overlooking this view and trying to make photographs. (I have my rituals — I also go out onto the various terraces and platforms outside the east side of the building and photograph Manhattan and people.)

I don’t think it is a secret that I’m attracted to patterns and shapes, and the angles of shadows cast by light coming through windows often interests me. I only partly see a subject like this as what it objectively is — I’m more likely to think of it simply as light and shadow and texture and shape.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

World Trade Center and Oculus

World Trade Center and Oculus
One World Trade Center flanked by building and part of the Oculus structure

World Trade Center and Oculus. New York City. July 3, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

One World Trade Center flanked by building and part of the Oculus structure

Any commentary on a photograph from this location could easily expand to a chapter or more of text, but I’ll attempt to keep it to my usual two paragraphs. If you take the MTA E line spur to the WTC you emerge to more or less this view, one that has changed continuously for the past decade and a half — beginning with the events of September 2001, continuing in the aftermath of clean-up, followed by a long period of monumental construction work, and now beginning to look relatively complete. We did not visit the site for some time after the towers were destroyed, but I recall that our first visit was still a powerful experience — most of all I recall turning a corner and seeing a wall of photographs of FDNY victims.

Today the site, while still carrying the memories of the 2001 incident, begins to feel more and more like it is becoming a finished place and less like it is a perpetual construction zone. The huge Oculus structure now houses the PATH terminal and plenty of businesses. In this photograph its striking, skeletal form intrudes into the frame from the left, and dramatic clouds from another New York summer day are behind the new Trade Center building.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

“DSLR Killer!” — Maybe and Maybe Not

Sony, a company that has made innovative inroads in the camera market in the past few years, just announced its new Sony A9, yet another innovative product that continues the impressive progress of  mirrorless cameras. Some describe it as a “DSLR Killer.” I’m not so sure.  Some thoughts follow.

(Sit back. This isn’t going to be a short post! Hint: It isn’t anti-a9, though it isn’t exactly pro-a9 either.)

Sony a9
Sony A9 Digital Camera

First, some personal background and perspectives. I use both mirrorless and DSLR camera systems — a Canon system based around the 5DsR and a Fujifilm system based around the XPro2. I use both for serious photography. Either may be my first choice, depending upon my subject and other conditions, and each excels at some things and is less capable at others. All of this is my way of saying that I’m not “pro-DSLR” or “pro-mirrorless,” and that I’m fairly brand-agnostic. (My first digital cameras back in the pre-2000 “stone age” period were mirrorless!) There are a lot of great cameras coming from by a range of manufacturers today and choosing one brand over another makes little difference to one’s photography.

Fujifilm X-Pro2
Fujifilm X-Pro2

I’m convinced at this point that mirrorless cameras have the potential to become the predominant serious cameras eventually, and that they are already serious tools that can be the best choice in some situations. Their pluses, both current and potential, include the following: Continue reading “DSLR Killer!” — Maybe and Maybe Not