Tag Archives: north

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Sand Dune Abstract

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Sand Dune Abstract, Death Valley
“Sand Dune Abstract” — Sand dune patterns in evening light, Death Valley.

I first photographed this specific subject in Death Valley well over a decade ago, and perhaps closer to two decades. I “discovered” it by accident while driving back from visiting an entirely different feature. I had stopped in this location to photograph other things, and as I scanned the landscape I noticed this section of almost pure sand dunes. I went here again this year at the end of February when the light on my intended subject died early, and I thought I might be able to work with the soft light in this spot.

Because I have photographed here for some time, I have watched — at times with some concern — as this location started to become another “icon” of Death Valley photography. One positive development of this, perhaps, is that the many photographs can look quite different, revealing how ambient light “paints” the landscape of the desert. (Well, OK, also revealing the role that post-production interpretation plays in such photographs.)

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Birds, Photographs: Central California, Photographs: Nature, Photographs: Wildlife

Snow Geese in Formation

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Snow Geese in Formation
“Snow Geese in Formation” — A group of snow geese in flight and lined up vertically.

Most of these migratory birds will likely have departed from their winter homes in Central California by the time you see this photograph. They arrive in the fall, overwinter, and then depart some time in early March. Back in the pandemic year of 2020 I visited one of the places where I photograph them about one week into March, and they were still there. I went back one week later, and they had all departed. The place seemed awfully lonely!

This group was part of a much larger flock that was in motion above wetland ponds — thousands of birds swirling around as they contemplated where they might land. The light was just right for this group — it came from the side and from down low, illuminating the birds’ undersides. (Often photos of birds overhead end up too dark against the bright sky.) I also like the fact that the five of them together demonstrate every phase of their wing flapping.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Gulllies and Strata, Morning Light

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Gulllies and Strata, Morning Light, Death Valley
“Gulllies and Strata, Morning Light” — Highly eroded gullies and strata, Death Valley National Park.

Some geological formations in Death Valley National Park are simply otherworldly. The sparse vegetation lays these features bare — they are more visible than in places covered by forests and other vegetation. The landscape has been uplifted, split, warped, and eroded in remarkable ways. Here tilted strata emerge in deeply eroded land, and morning shadows add more contrast.

I’ve often noted the irony that this place, known for its dryness and heat, is one of the best places to clearly see the effects of water on the landscape. The material in these formations was laid down under water millennia ago. And the diagonal gullies were created by water erosion. If you have your eyes open, you’ll see that the evidence of water’s effect on the landscape is visible everywhere in this park.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Birds, Photographs: Central California, Photographs: Nature

The Fly-In

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The Fly-In — geese arrive over a wetlands pond at sunset.
“The Fly-In” — Thousands of migratory geese arrive in the wetlands at sunset.

A day spent photographing migratory geese and other birds often includes a lot of “slow time” when little is happening. This isn’t necessarily a bad thing — sometimes the quiet and stillness is enough by itself. But around sunrise and sunset there is often a of activity as large flocks of birds take to the air and head to nighttime locations. If you are where they arrive, it is the “fly-in.” When they depart, we refer to the “fly-out.”

This huge flock of geese (almost certainly snow geese for the most part) arrived just after I went to this spot to photograph a colorful winter sunset and its reflection in the waters of a wetland pond. The flock arrived, circled, and eventually settled down on the water… and quiet returned.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.