Tag Archives: north

Red-Wing Blackbirds, Twilight

Red-Wing Blackbirds, Twilight
A huge flock of red-wing blackbirds wheels in the twilight sky

Red-Wing Blackbirds, Twilight. © Copyright 2018 G Dan Mitchell – all rights reserved.

A huge flock of red-wing blackbirds wheels in the twilight sky

First, a confession. Although I’m almost positive that the little black spots in this photograph are individual red-wing blackbirds, I was not actually close enough to verify. I had seen quite a few of those specific birds here earlier and none (or very few) of the birds that I might mistake for them, such as tricolor blackbirds. The rediwings are ubiquitous here in California and, I suspect, many other places. Before this past year I had mostly noticed them as individuals or in very small groups, often perched on a fence or tree or similar. I also sometimes saw them in groups of perhaps a few hundred.

This was the first year that I saw these small birds collect into extremely large group of many thousands of individuals. (In at least one case, I would estimate that there might have been multiple tens of thousands. On that day I saw then in the far distance through light fog in the very early morning — too far away to photography.) These really big groups sometimes perform remarkable group aerial maneuvers, with the entire flock spontaneously changing directions, ascending, descending and forming unusual patterns in the sky. In this photograph we see a diagonal boundary between the main group and a smaller group against twilight sky.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Building 259

Building 259
Building 239, Mare Island Naval Ship Yard

Building 259. © Copyright 2018 G Dan Mitchell – all rights reserved.

Building 239, Mare Island Naval Ship Yard

In mid-March I returned to the old Mare Island Naval Ship Yard to do night photography with some of my nocturnal friends, a group of photographers with connections through Bay Area night photography guru Tim Baskerville who has been photographing, teaching, and generally promoting night photography for decades. We assembled well before dark, and as I arrived I kept my eyes out for structures on the old ship yard that might be interesting to photograph after sunset. About a half hour before the sun went down we began to head out to start out night’s work.

I planned to photograph around the “historic core” of the facility, but I decided first to drive back along my arrival route to where I had seen these buildings and few others that caught my attention. I started with a building that I have photographed in the past, and the sun set as I worked that scene. The soft, blue early twilight changed the appearance of the buildings, giving the foreground building 259 a blue cast and altering the color of the further building. I’m intrigued by these “round” buildings (what I grew up calling Quonset huts), and here I wanted to contrast its shape and color with the squared and pinkish background building.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Trees In Sun, Cliff In Shadow

Trees In Sun, Cliff In Shadow
Sun from behind an ice-rimmed granite monolith lights a row of trees at the edge of a meadow

Trees In Sun, Cliff In Shadow. © Copyright 2018 G Dan Mitchell – all rights reserved.

Sun from behind an ice-rimmed granite monolith lights a row of trees at the edge of a meadow

I made this photograph on a day of somewhat ephemeral conditions. There had been snow the day before — light snow, but in very cold conditions. On this morning the storm had passed, but it was so cold that a thin layer of snow was still there. It was in the meadows, on the branches of trees, and collected on every small irregularity on the granite cliffs above Yosemite Valley. At the moment I made this photograph the sunlight, shining through thin clouds, had just arrived on the closest trees, while those in the distance remained in cold shadows.

The light and the snow patterns on the face of the granite monolith are remarkable. The small amount of snow — perhaps only and inch or two — brought the patterns of cracks and small ledges into relief, making visible features that we might overlook on a warmer day And the light on the cliff is rather blue since the face is illuminated not by direct sunlight, but instead by the giant “light panel in the sky,” which happens to be very blue!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Windows, Brick Building, Night

Windows, Brick Building, Night
“Windows, Brick Building, Night” — Light from the interior of an industrial building spills through windows and into an alley

This building was a surprise to me. As I recall from past visits, I’m pretty sure that it had been more or less abandoned at one point, and I typically found it completely dark when I photographed there at night. I specifically recall photographing around it and having to content with a very dark environment, the sort where exposures of many minutes were necessary. But on this visit I found it, instead, to be a source of light. The interior was clear and well-lit, and large expanses of windows allowed the light to spread from the building onto the surroundings.

On a slightly technical level a few things seemed notable about photographing this structure. First, it is an example of how well current photographic technology can handle some very challenging light situations. The subjects in this photograph ranged from a bare lightbulb inside the building (visible as the brightest area in the central window) to virtually black shadows on the close side of the building wall. Yet a single exposure was sufficient to capture enough image data to protect the highlights and retain some detail in even the darkest areas. The second observation has to do with the inevitable changes that time brings to places like this. I have photographed here for about fifteen years, and on this visit I saw many changes. I lamented many of them, especially the places now off limits, knocked down, or modified almost beyond recognition. But at the same time, the re-opening of some of the old structures has made them more photographically interesting — as in the case of this building where there is now sufficient light for photography.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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