Tag Archives: north

Distant Sierra, Wetlands Dawn

Distant Sierra, Wetlands Dawn
Seen from foggy Central Valley wetlands, dawn comes to the sky above the Sierra Nevada

Distant Sierra, Wetlands Dawn. Central Valley, California. January 28, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Seen from foggy Central Valley wetlands, dawn comes to the sky above the Sierra Nevada

Driving toward this spot in the pre-dawn hours I encountered the usual winter tule fog as soon as I left the main highway for the narrow back roads that criss-cross the agricultural lands. I figured that it would be a foggy morning out in the wetland with the birds once I got to my destination, but instead the fog thinned as I arrived and, to my surprise, I could see the pre-dawn sky. I stopped, quickly set up my camera for bird photography… and immediately began photographing landscapes!

A bit of thin fogged hugged the ground a ways off in the distance. (And later it would glide back in and cover this area to the point that visibility was near zero.) Above the fog, the ponds, and the scattered trees the silhouette of the Sierra crest stretched from north to south. When I looked closely, I could pick out familiar peaks along the distant skyline. A few birds — geese and cranes — began to fly over, and I made this photograph as the sky lit up just before sunrise.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Boulders and Fractured Cliff

Boulders and Fractured Cliff
Huge boulders lie at the base of a fractured sandstone cliff, Capitol Reef National Park

Boulders and Fractured Cliff. Capitol Reef National Park, Utah. October 26, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Huge boulders lie at the base of a fractured sandstone cliff, Capitol Reef National Park

The rugged sandstone landscape of Utah is among my very favorite, rivaling “my” Sierra Nevada. It certainly exceeds the Sierra when it comes to color, especially in autumn when the yellows and reds of fall colors are set off against the infinite variety of sandstone colors and textures and that beautiful blue sky. The iconic locations are well known — Zion, Bryce, Arches — but off the beaten track there are infinite other beauties to find in places like Grand Staircase-Escalante National Monument, a place that would certainly be one of our greatest national parks by now if not for politics. This photograph comes from Capitol Reef, a park that I’ve been getting to know for the past few years.

I’ve spent a lot of time there, and recently I’ve been looking forward to returning. However, now that I see the Utah politicians mounting a very serious special-interest attack on these great American lands, ranging from new monuments to some of the venerable places, I’m not going to give that state one bit of my business. Several major outdoor equipment manufacturers (Patagonia and Arcteryx as of this writing, with more to come) have dropped out of Utah’s major annual outdoor industry meet-up, and I think that a fine way to remind those Utah politicians that these lands matter — to all of us, but also to their constituents whose gas and food we buy and in whose motels we stay — is to take a No Utah vow until this changes. Perhaps I can get my sandstone fix in New Mexico? ;-)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Fractured Cliff, Evening

Fractured Cliff, Evening
A fractured sandstone cliff in evening light, Capitol Reef National Park

Fractured Cliff, Evening. Capitol Reef National Park, Utah. October 26, 2012. © Copyright 2017 G Dan Mitchell – all rights reserved.

A fractured sandstone cliff in evening light, Capitol Reef National Park

Late in the day we ended up in a canyon not far from the main centers of Capitol Reef National Park, including the main campground. We drove into this canyon after the sun had dropped low enough to leave only the soft, shadow light. We walked a ways up the canyon, moving very slowly and photographing along the way. Given the late hour and the early loss of light in the deep canyon, it wasn’t long before we decided to head back to the trailhead and call it a day.

We packed up and started to head out of the canyon. Soon the canyon widened near its mouth and it opened to the west. While the light had mostly left deep in the canyon where we had been earlier, here there was still a bit of a glow on the tall sandstone faces lining the mouth. Below these cliffs the terrains sloped upwards from the valley floor, and debris from the cliffs collected around their bases. Seeing this light, we immediately decided to pull over and unpack everything and make some photographs before the light faded. This photographs shows a wonderful section of the cliff face where outer layers of the rock have apparently fallen in geologically recent time, revealing the beautiful pink rock beneath.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Apartment Building, Reflections

Apartment Building, Reflections
Against the backdrop of a black tower, an apartment building reflects the urban environment

Apartment Building, Reflections. San Francisco, California. February 3, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Against the backdrop of a black tower, an apartment building reflects the urban environment

Since I spent a day in San Francisco last week, you can expect a group of architecture and street and similar photographs over the next few day, possibly intermixed with landscapes and nature for a few weeks!. I was there to see a particular installation at SFMOMA, the San Francisco Museum of Modern Art. I always take my camera, partly to photograph people at the museum, partly to photograph the building itself, and partly to take advantage of photographing the surrounding neighborhoods, especially from elevated vantage points at the museum.

The recent expansion of the museum added a new wing at the rear, with seven floors of exhibits and other services. (And, as I realized on this visit, several more floors above that which appear to be inaccessible to the public, unfortunately.) Several outdoor terraces and balconies provide interesting overlooks above the surrounding urban scene, and during my visit the light was very interesting, too — ranging from cloudy and rainy to occasionally clear, but often with at least some clouds softening the light. I’m fascinated by the juxtapositions of form and color in the dense field of surrounding buildings, including the contrast between light tones and reflection of the building on the right versus the dark, slick, and vaguely ominous black of the further building.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.