Tag Archives: north

Photographer, Desert Canyon

Photographer, Desert Canyon
Photographer Patricia Emerson Mitchell at work in a Death Valley canyon

Photographer, Desert Canyon. Death Valley National Park, California. March 30, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Photographer Patricia Emerson Mitchell at work in a Death Valley canyon

Photographer Patricia Emerson Mitchell paying attention to the small things along a narrow canyon in Death Valley National Park. On a cloudy day with dust storms out in the valley we headed up this canyon in the afternoon and found quiet conditions following this narrow canyon as it twisted and turned its way up into the mountains along the east side of the valley.

We started our hike at the top of a monumental alluvial fan build of rocks washed down from the mountains through this canyon. We dropped over the edge into the main wash and headed uphill, with the canyon walls soon closing in around us. In many places the canyon walls are almost vertical and only feet apart. These are places of deep quiet and stillness, mostly cut off from the surrounding terrain, protected from the wind, and with only a narrow band of blue sky straight overhead.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Chairs and Dappled Sunlight

Chairs and Dappled Sunlight
A small brick-paved urban square in dappled sunlight

Chairs and Dappled Sunlight. San Francisco, California. May 20, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A small brick-paved urban square in dappled sunlight

I have my reasons for photographing in urban environments, even though that might seem like an odd passion for someone who photographs nature and landscapes. The same attractions of form and light and texture and juxtaposition are found in both places, though the urban environment encourages me to photograph in a different way. Here I don’t use a tripod, and I often make photographs very quickly and instinctively, since the subjects are so transitory and it is a matter of photograph it now or never. Even a seemingly static and quiet scene like this one only lasts a moment before people again walk through the scene. If nothing else, it is an intense exercise in seeing.

The area of where I made this photograph is, despite the appearance, a very busy and noise place along San Francisco’s Market Street, a place where there are throngs of people and where traffic noise can be oppressive. Yet at times the crowds part and the scene can be almost empty. And there is often quite beautiful light — it comes from all angles as it reflects back and forth among the glassy surfaces of tall buildings, and at street level in some places the light can fill the scene from almost all possible directions.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Evening Dunes and Mountains

Evening Dunes and Mountains
Evening on Death Valley sand dunes with desert mountains in the distance

Evening Dunes and Mountains. Death Valley National Park, California. March 27, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Evening on Death Valley sand dunes with desert mountains in the distance

It was the first evening in Death Valley this season, and we had arrived after a lazy drive in from the Ridgecrest area. Having plenty of time, we stopped at Trona Pinnacles before reaching the park and after entering we took a long side trip out on a gravel road to a couple of somewhat remote canyons. We got settled in and it was time to head out for some evening photography — and since dunes were nearby they seemed like a good first evening destination.

The sand dunes go quickly through some remarkable transitions of light and color at the end of the day. In the full sunlight the tones of the sand can seem a bit flat and washed out, but the low angle light begins to highlight the textures — large textures of the dunes themselves, plus the finer textures of small patterns of windblown sand. The the color of the light begins to warm and the contrast drops and shadows fill with a soft light. At the moment I made this photograph the sun was still above the ridge to our west, but it had passed behind high, thin clouds that momentarily muted the light even more.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Surf, Bluff, Sea Stacks

Surf, Bluff, Sea Stacks
Surf, a steep bluff, and sea stacks lead toward a foggy horizon, Big Sur Coast

Surf, Bluff, Sea Stacks. Big Sur Coast, California. May 1, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Surf, a steep bluff, and sea stacks lead toward a foggy horizon, Big Sur Coast

I sometimes forget how long this coast has been a part of my consciousness, but a visit or two quickly remind me. I have lived in the San Francisco Bay area since I was four-years-old. Weekend and summer visits to the Monterey Bay beaches and the tide pools of Point Lobos were regular events, and the effect of those visits remains all these years later — and all it takes is a quick visit to remind me of what it means to live this close to the Pacific Ocean.

On this first day of May I made a morning visit to the upper Big Sur coast, getting to some of the best parts before the inevitable weekend crowds arrived. It was a beautiful day, at first looking like it might turn out to be “yet another blue sky day,” but soon becoming more interesting, at least from the photographic point of view, as thin fog began to form just about the meeting of the ocean and land. When I made this photograph looking south down the coastline, it was still early enough that the bluffs and coastal mountains cast shadows along the surf line.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.