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Eastern Sierra Aspen Color Reports Starting (9/24/09)

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If you are really trying to follow the evolution of eastern Sierra fall color – most aspens – your best bet is to find some of the primary sources yourself and start following them. However, I’m going to continue to post a few here from time to time – and before long I should be able to start posting some of my own reports.

  • Inge Fernau posted an extensive description of her one-day marathon trip to Bishop Creek, including some photographs that will help those who know the areas already extrapolate a bit. Inge’s site is always worth a visit, and few post more thoroughly on the aspens.
  • The calphoto site is typically a great source of current information about the fall color in the eastern Sierra… but this season there doesn’t seem to be much info there yet. I’m hopeful that this many change in the next few days.
  • The Eastern Sierra Fall Color group at Flickr has a lot of information, both in the form of text and in images that will give you some answers to the “where?” and “when?” questions.
  • Greg Boyer’s One Horse Studio site is featuring frequent updates including one from the middle of the current week that sounds somewhat optimistic.

Remember a few things about finding and shooting aspens:

  • Conditions can vary a lot as you travel north/south and low/high. If you hear a poor report about one spot, you cannot necessarily extrapolate that to the whole range. Be prepared to move if your “perfect spot” isn’t in condition.
  • How you shoot the trees matters a lot. Sometimes a grove that seems to be almost green will appear to be quite yellow/gold if you go around to the other side for some backlight.
  • Time of day matters a lot #1. It is really tough to shoot them effectively in harsh, midday sun on a cloudless day. Early and late are often better, and shooting on the sun/shade boundary is often very interesting – though you’ll have to be prepared and work quickly.
  • Time of day matters a lot #2. A spot that is flat and boring in the morning may shine in the evening, and vice versa.
  • Time of day matters a lot #3. Shooting in shady conditions is sometimes very effective. You can get past the problems with black shadows and blown highlights and get a very wonderful soft effect – though you’ll likely have to do some color balancing in post.
  • If you show up and there is a crowd in the spot you were heading towards – yes, it happens! – look around. There is often something slightly different nearby and shooting something other than “the obvious thing” often leads to more interesting shots. (One morning I arrived at North Lake intending to do the iconic “across the lake towards Piute Peak” shot only to find a few dozen photographers lined up tripod to tripod in “the spot.” I went a few hundred yards away… and came back with one of my very favorite aspen photos.
  • Think small. Big groves are spectacular, but sometimes one perfect leaf can make a better photograph.
  • Think beyond the trees. Part of the experience includes other trees, rocks, moving or still water, clouds, grass, etc.

Happy aspen hunting!

UPDATE: 9:00 p.m. – Sierra Impressions points out that there is a probability of a change in the weather pattern next week – in the direction of true fall-like weather. That could mean cooler temperatures (a possible hard freeze is mentioned), perhaps wind, and (outside chance) some precipitation. It is always good to keep an eye on this stuff, for a whole bunch or reasons:

  • light snow can create some really wonderful photographic opportunities, but
  • it can also temporarily close passes, and
  • challenge your adaptability to and knowledge of more challenging conditions.
  • wind can quickly bring down some aspen leaves. (One morning I arrived before dawn at North Lake to find beautiful leaves. A squall swept in and it blew and snowed lightly for about an hour. At the end of that hour the large grove across the lake had lost half of its leaves!)

Besides following the official weather service reports – I like to read the “weather discussion” pages for more details – it also can be fun and informative to follow the Mammoth Dweeb Report. Not only does this site include some interesting local information and a lot of background stuff, but you can have fun following the speculation about longer term patterns.

Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Snowmelt Pond, Sunset

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Sunset sky reflected in a Tuolumne Meadows early-summer snowmelt pond.

Snowmelt Pond, Sunset. Yosemite National Park, California. July 8, 2009. © Copyright G Dan Mitchell – all rights reserved.

Sunset sky reflected in a Tuolumne Meadows early-summer snowmelt pond.

On a more typical Tuolumne visit than the one I experienced last week, this might have been the first photograph I would have shared. If you have followed my posts during the past few days, however, you know that I was fortunate to photograph a very atypical evening two days after I made this photograph – and I’ve been focusing on those images from this visit first.

This photograph was made two nights earlier, on the first evening of my Tuolumne Meadows visit. The location is at the edge of an extensive meltwater pool near the west end of the Meadows, a spot where I like to photograph early in the season. The distant ridge holds Ragged Peak (near Young Lakes), the distant tip of Mount Conness, and other peaks to the north of the Meadow.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

False Solomon’s Seal, Rain

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False Solomon's Seal After Rain

False Solomon’s Seal, Rain. Yosemite National Park, California. June 6, 2009. © Copyright G Dan Mitchell – all rights reserved.

Ground growing False Solomon’s Seal plants and flowers after morning rain – along Highway 120 in Yosemite National Park, California.

As I entered Yosemite on Highway 120 during the first weekend of June I stopped at one of my favorite dogwood groves along this road. The diffused light from overcast and the intense colors from early morning rain created striking colors in this grove – and I was surprised to find that there were still many dogwood blooms. While wandering around looking for just the right blossoms I happened to look down and notice a lot of lush new undergrowth including this little patch of false solomon’s seal.

This photograph is not in the public domain. It may not be used on websites, blogs, or in any other media without explicit advance permission from G Dan Mitchell.

keywords: false, solomons seal, Smilacina racemosa, highway, 120, rain, shower, wet, drop, reflection, flower, leaf, foliage, wildflower, flower, ground, hugging, forest, grove, nature, travel, scenic, green, water, spring, yosemite, national park, california, usa, north, entrance, stock

Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Forest After Morning Rain

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Forest After Morning Rain

Forest After Morning Rain. Yosemite National Park, California. June 6, 2009. © Copyright G Dan Mitchell – all rights reserved.

Soft overcast light illuminates tall trees covered with moss following early morning rain in Yosemite Nataional Park, California.

I’ve had my eye on this little spot in the forest alongside the highway 120 route north entrance to the park – it is in the high section between the turn-off to Tuolumne Meadows and the beginning of the steeper descent toward the Valley through open terrain. I have a particular set of conditions in mind for the photograph I would eventually like to make at this location, and although those were not the conditions I found on this morning I stopped and made a few photographers here nonetheless.

The weather in early June of this year has been a bit unusual – at the time when thing usually shift over to the expected California weather pattern of long periods of clear blue skies and warm temperatures, instead we have had weeks of cloudy, cool, and often wet weather. (All in all, the latter tends to make for more interesting photography than the former!) As I drove into the park early on this morning the forest was still wet from the previous day’s rain and the overcast was already rebuilding towards another day of rain, and this made for intense and saturated forest color (especially the reddish-browns and greens of the moss and leaves) and wonderful diffused light.

As Yosemite subjects go, this one falls considerably short of “icon” status – but it is the sort of thing about the park that grows on me more and more.

This photograph is not in the public domain. It may not be used on websites, blogs, or in any other media without explicit advance permission from G Dan Mitchell.

keywords: forest, tree, trunk, moss, green, branch, bark, texture, vertical, litter, plant, leaf, rock, morning, overcast, light, grove, soft, filtered, light, travel, scenic, nature, landscape, spring, rain, cloudy, wet, yosemite, national park, california, north, highway, 120, dense, stock