Tag Archives: northern

Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast

Mendocino Bay Bluffs, Morning

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Mendocino Bay Bluffs, Morning
Morning light on Mendocino Bay and rocky coastal bluffs.

Mendocino Bay Bluffs, Morning. © Copyright 2021 G Dan Mitchell – all rights reserved.

Morning light on Mendocino Bay and rocky coastal bluffs.

Mendocino still seems to have some of the feeling of the California coast from some decades ago. When I was quite young my family used to visit Carmel, and back then it seemed like a very different and more intimate place than the touristy mob scene that it has become now. While Mendocino is most certainly a place that attracts and relies on the tourist trade, it still feels more like a real place than something contrived. It is small. There aren’t that many restaurants. Most of the lodgings are relatively unobtrusive.

It also is just about as close to the ocean as you can get in such a town along this part of the coast. To make this photograph I got out of bed, got dressed, (likely paused for coffee), headed out the door, and walked about five minutes to the edge of the coastal bluffs. There was hardly anyone else there — perhaps they were busy enjoying brunch still. The photograph looks along the edge of Mendocino Bay, back toward the outlet of the Big River.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Coastal Redwoods, Photographs: Nature

Redwood Forest Flowers

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Redwood Forest Flowers
White flowers growing amongst redwood sorrel in Redwood National Park

Redwood Forest Flowers. © Copyright 2021 G Dan Mitchell – all rights reserved.

White flowers growing amongst redwood sorrel in Redwood National Park.

As I frequently report, I’m fairly weak when it comes to identifying wildflowers. I know a few obvious ones instantly, at least by their common names. (Latin names? Let’s not go there!) But there are many more that simply cannot name. In many cases I “know” the flowers, and I’m familiar with when and where they appear and how they grow. It is the naming that has always challenged me.

All of that is a preface to the experience of photographing these lowers. I know that I’ve seen them before in the redwood forests, deep beneath the shadows of the big trees. In fact, I recognized them from a previous visit when we photographed at this location. But when I wanted to go behind “white flower on forest floor” I had to start searching. I finally came up with “Columbia windflower,” and my family botanist (thanks, Ruth Ann!) confirms that identification. What attracted me was their white blossoms standing above the bed of darker greenery, including some redwood sorrel.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Coastal Redwoods, Photographs: Nature, Photographs: Northern California, Photographs: Redwood National & State Parks

Wall of Redwoods

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Wall of Redwoods
A dense grove of closely-spaced coast redwood trees, Humboldt Redwoods State Park.

Wall of Redwoods. © Copyright 2021 G Dan Mitchell – all rights reserved.

A dense grove of closely-spaced coast redwood trees, Humboldt Redwoods State Park.

This dense “wall”of redwood trees is part of a grove at Humboldt Redwoods State Park in Northern California. Our experience of arriving in the grove was quite striking. We had just spent hours driving a long loop of small country roads out to part of the “Lost Coast” area, and after a somewhat steep descent the road dropped into this deep, dark, and quiet grove. We stepped out of the car into the cathedral-like experience of these incredibly large trees and paused here on our drive for some time, wandering slowly among the trees and making photographs.

I’ve written before about how photographing in the redwood forest presents a number of challenges. Some of them are objective — it is very dark here, even in the middle of the day in many cases, and one ends up using very long exposures, sometimes adding up to several seconds. And despite the sense of stillness, it seems that there is always a tiny bit of air movement that affects branches and leaves. But a more complex question is how to render photographs of these places. What the camera records here is quite different than what the eye and the mind see. For some technical reasons I’ve written about previously, while the eye sees rich and deep colors, the camera records something that can appear flatter and dimmer. So the post-processing question always becomes how to move things back toward the light and colors that we remember experiencing. When doing that it is easy to get carried away and perhaps create something that is a bit too much of a fantasy — there’s nothing objectively wrong with that, but the question of how far to go is never far away. I chose here to stick with a rather dark rendition, since I remember that this is how the scene felt to me at the time.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Commentary

Young Forest

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Young Forest
A dense forest of small trees, likely in an old logging tract, Northern California.

Young Forest. © Copyright 2021 G Dan Mitchell – all rights reserved.

A dense forest of small trees, likely in an old logging tract, Northern California.

As I described in a previous post, in early June we spent a day driving a somewhat less-travelled loop in far Northern California, a route the took us west from US 101 and out to the “Lost Coast” before heading south along a stretch of lonely beach and then turning inland. From there the route took us through coastal hills and valleys, though small hamlets, and past the ubiquitous marijuana farms before climbing a tall ridge and then dropping steeply into a dark and quiet redwood forest not far from our return route along US 101.

The first portion of this look was quite varied and different from what I expected. I only knew that it was a narrow, winding road with a somewhat dubious surface, and that it would eventually take us to the coast. But I had no idea of what terrain we’d cover or what sorts of vegetation we would see. Although the route starts near a coastal plain featuring farmland, it soon climbed into tree-covered hills, occasionally emerging into open meadows that sometimes afforded expansive views. At times the road was quite steep — it is not the sort of gentle route that tries to avoid steep grades. At one point we descended from a high open area and were surprised to find ourselves in this forest of small trees, moss, and ferns.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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