Tag Archives: open

Five Sandhill Cranes

Five Sandhill Cranes
A chorus of five sandhill cranes in California’s Central Valley.

Five Sandhill Cranes. © Copyright 2021 G Dan Mitchell – all rights reserved.

A chorus of five sandhill cranes in California’s Central Valley.

I have seen a lot of sandhill cranes, but the group behavior seen here was new to me — the entire quintet raising their heads and displaying open beaks. I’m endlessly fascinated by the things that the birds and others do, and I’m often mystified by the purposes of these actions. In fairness, they may also be mystified by people showing up nearby, standing around with large metal and glass objects, and pointing them in their direction.

It is a bit unusual to get very close to sandhill cranes, at least in my experience. They have boundaries, and they are not amenable to having them crossed. I’ve mentioned previously that groups of them flying toward me will almost always divert to one side or the other rather than flying directly over head. When approached — which I always do in a non-aggressive manner, never getting very close — they seem fine up to a point. But once that point is reached, usually while I’m a good distance away, they are clearly uncomfortable with my presence and I don’t get closer. I’ve often had the best luck when photographing from a vehicle, especially when I can approach slowly and silently or, better yet, when I can park and wait for them. That’s what happened here — I was stopped along a rural roadway and they walked parallel to my position, perhaps more securely since my vehicle was on the opposite side of a berm from them.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Industrial Building Windows

Industrail Building Windows
Broken, graffiti-scarred windows and walls of an abandoned industrial building.

Industrial Building Windows. © Copyright 2021 G Dan Mitchell – all rights reserved.

Broken, graffiti-scarred windows and walls of an abandoned industrial building.

All around the San Francisco Bay Area — and, actually, up and down the west coasts — there are sites full of institutional buildings like this one. Some are on military bases, some are old public buildings, and this one is part of a historic ship yard on San Francisco Bay. I think I was sort of peripherally aware of this sort of architecture for decades, but it wasn’t until I started a long project photographing the old Mare Island Naval Ship Yard at night that I really began to notice.

Among these kinds of buildings, this is a young one. I don’t know the actual age, but it seems like a mid-Twentieth-Century building, perhaps from the World War II or post-war period? Now it is abandoned, in a mostly forgotten corner of a much larger facility. I was there to do night photography some years back, arriving early enough to photograph it in the last light before darkness came on.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Open Book

Open Book
A sandstone cliff meets the bottom of a Utah red rock country wash.

Open Book. © Copyright 2012 G Dan Mitchell – all rights reserved.

A sandstone cliff meets the bottom of a Utah red rock country wash.

My virtual journey back through Utah continues. Since opportunities to go into the field are limited right now I am instead digging back though tens of thousands of raw files in my archives. I have always recognized that I leave some photographs behind as I move on to the next thing — and sometimes I’m not just not yet ready to “see” how a photograph will work. For years I’ve made these return visits to the old files, most often with an end-of-the-year traverse of that year’s images before moving on. This time I’m starting back in 2012 and working my way forward slowly.

I made this photograph in the first slot canyon that I ever visited. You might wonder how I managed to get to 2012 without visiting this kind of terrain. It is a long story, but for some reasons I’ve explained elsewhere I simply didn’t get to Utah and the Southwest until about a decade ago. Shame on me! As we walked into this canyon I really had little idea of what to expect, but I was entranced. This bit of sandstone cliff wall sat immediately next to the sandy bottom of the wash, and the color of the diffused light warmed as it bounced down from above between the canyon walls.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Open Gate and Courtyard

Open Gate and Courtyard
A gate opens to a courtyard, Paris

Open Gate and Courtyard. © Copyright 2018 G Dan Mitchell – all rights reserved.

A gate opens to a courtyard, Paris

This photograph was one in a series of quick snaps — street photography done while on the move, with barely time to stop and compose the image. We ended up here almost by accident. We were working our way towards a museum at which there was an exhibit of photography that seemed interesting, and our route took us through this old area.

The gate was open as we walked past, revealing an interior courtyard. It was entirely empty, except for one very well dressed man, sitting on a step near the wall and staring intently at his cell phone.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.