Tag Archives: owens

Photographs: Nature, Photographs: Sierra Nevada

Eastern Escarpment

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Eastern Escarpment
A section of the eastern escarpment of the Sierra Nevada.

Eastern Escarpment. © Copyright 2022 G Dan Mitchell.

A section of the eastern escarpment of the Sierra Nevada.

This is another in a short series of photographs I made of a section of the eastern escarpment of the Sierra Nevada this fall. I had spent several day photographing aspen color — with a side trip up to the White Mountains to visit the bristlecone pine forest — and as I started home I noticed somewhat unusual conditions for midday that seemed like they might just work for photography. Specifically, there were high, thin clouds muting the harsh sun just a bit. So I wandered off the main route a bit and poked around looking for interesting views pack up toward the peaks.

This scene encompasses a range from the lowest hills right above the valley all the way to the peaks at the summit of the range. This particular cross section is a bit unusual, as it really includes hills and mountains from bottom to top — desert hills in the foreground and the alpine zone far above.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Valley to Summit

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Valley to Summit
Basin Mountain, as seen from the base of the Sierra Nevada.

Valley to Summit. © Copyright 2022 G Dan Mitchell.

Basin Mountain, as seen from the base of the Sierra Nevada.

This is a vertical-format view of one of my favorite eastern Sierra mountains, Basin Mountain. It isn’t the tallest in the range or even on this section of the crest, and others have more storied reputations. But I’ve spent quite a bit of time in places where I could see it — both directly beneath its eastern face and passing by on the way to other locations. Although it isn’t very clear from this angle, that eastern face features a striking “basin” that opens toward Owens Valley. I’ve long been intrigued by an obvious trail ascending into that basin, though I’ve never gotten around to taking it.

I made the photograph from the base of the Sierra along the western edge of what we might broadly consider to be part of Owens Valley. (Technically, the exact spot has a different name, but close enough!) The view illustrates some typical features of the “East Side” mountains. They rise from desert-like terrain in many places, and even when it isn’t actually desert it is dry. The foothills rise through what I refer to as “sagebrush country,” often on material deposited by flowing water or old glaciers, and eventually meet the rugged base of the rocky Sierra itself. From there the terrain becomes much more alpine and often much steeper as it rises toward the highest peaks.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Owens Valley, Photographs: Sierra Nevada, Photographs: White Mountains

Owens Valley and the White Mountains

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Owens Valley and the White Mountains
The morning view from the base of the Sierra Nevada, looking across Owens Valley to the White Mountains.

Owens Valley and the White Mountains. © Copyright 2021 G Dan Mitchell – all rights reserved.

The morning view from the base of the Sierra Nevada, looking across Owens Valley to the White Mountains.

Our recent road trip began in the Eastern Sierra Nevada. The reason for starting here was aspen color, and whether or not that ended up being the primary photographic focus the fall aspens are always worth a visit. Having photographed that subject for quite a few years, going to only the “usual places” is no longer quite enough, so I invariably end up heading out and exploring some places where aspen hunters typically don’t go. On this morning we headed up toward the base of the Sierra, passing through lots of aspen-free high desert terrain, and finally reaching a high enough point that we found some small, isolated groves.

In places like this, aspens can take a back seat to the larger and even monumental vistas along the eastern escarpment of the Sierra. With a bit of elevation, views open to the north, south, and (especially) to the high ridges of the White Mountains along the eastern side of Owens Valley. Although this range is in the rain shadow of the Sierra, and thus lacks the Sierra forests and deep snow, it is just as high and rugged. The photograph looks straight across Owens Valley toward the range, where White Mountain, the highest point, is just nudging Into the base of the morning clouds.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Owens Valley, Photographs: Sierra Nevada

Owens Valley Trees, Sierra Nevada, Evening

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Owens Valley Trees, Sierra Nevada, Evening
The last light of an autumn day falls across a group of trees in Owens Valley with the Sierra Nevada in the background.

Owens Valley Trees, Sierra Nevada, Evening. © Copyright 2021 G Dan Mitchell – all rights reserved.

The last light of an autumn day falls across a group of trees in Owens Valley with the Sierra Nevada in the background.

Landscape photography often feels a bit like hunting to me. I may go to a particular location with a general sense that something worthwhile is likely to happen there — and that sense is often based on some combination of long-developed intuition and knowledge of the antecedent conditions and the current situation. But I often do not have a specific subject or composition in mind. (Sometimes I do, but that is less likely.) In other words, I believe that there is a good chance that I’ll find the sort of thing that appeals to me photographically… so I go to a place at a time because I think the odds are good I’ll find something interesting.

One result is that I have to be ready to discover, change plans, improvise, and respond quickly to whatever I discover. (It also means that there are occasional dead-ends, but I digress…) We went to this spot with something entirely different in mind, but within minutes of arriving I decided that the “something else” was not going to work… and I saw that the line of sunlight coming across Owens Valley was striking this group of trees and that I only had a moment or two to photograph before the light left them. I made an initial exposure in landscape mode, then switched to portrait mode when I noticed more light on the foreground than the background. In the end, I came away with two rather different photographs of these trees — in the landscape version they lie near the bottom of the frame with only more distance subjects above them, while here they are situated beyond the stretch of foreground plants and the distant peaks occupy less of the frame.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.