Tag Archives: paper

Photographs: Belgium, Photographs: Europe, Photographs: Travel, Photographs: Urban/Street

NOW

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NOW
“NOW” — An impromptu poster and other things on a wall in Brussels.

One thing that appeals to me about street art (and not everything about it always does!) is how it “lives” where it was made. It is created by people using a variety of media: paint, ink, paper, glue, you name it. They leave it behind on its own where it deteriorates, may be defaced, gets added to, and eventually is covered by someone else’s creation. Someone creates it, but the eventual effect is often out of their hands.

This sign, or what remained of it, was taped to a steel roll-up door along a Brussels street. The “NOW’ remains emphatic in all-upper-case and red, but what it was that was so timely is a mystery since the upper portion has been ripped. A closer look reveals a few more details that may (or may not) provide some clues.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Belgium, Photographs: Europe, Photographs: Structures and Objects, Photographs: Travel, Photographs: Urban/Street

Brussels Wall Detail

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Brussels Wall Detail
“Brussels Wall Detail” — Wall with tags, graffiti, and poster remnants, Brussels.

This is a small section of a wall in Brussels, Belgium. We passed it while out on a very long (almost all day) walk through the city. I’m fascinated by walls like this one, where layers of personal messages and markings have built up over time, juxtaposed in sometimes-surprising ways to produce a kind of found art.

These things often consist of some combination of actual “art” (often small, personal drawings), bits of text including tags and quotes, random smears of paint, remnants of paper fliers in the process of weathering and falling off. They become short-term time capsules as layers build up, with the newest material on top and the oldest visible through the newer materials in places.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Europe, Photographs: France, Photographs: Travel, Photographs: Urban/Street

Weathered Street Art

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Weathered Street Art
“Weathered Street Art” — The weathered and worn figure of a man, on a wall in Montpellier, France.

There is a fine line when photographing things like this between appropriation of someone else’s creative work and making the image because the placement and weathering themselves provide independent visual interest. In short, I’m not big on simply photographing what other people create, but I do seek out and photograph things like this bit of weathered street art found on a wall in Montpelllier, France.

I suspect that it has or had some meaning or message that isn’t apparent to me — either because I lack the cultural context to see it or because it has been weathered to the point where it is no longer apparent. For me, that weathering itself is part of the attraction. In this case, the bits that remain suggest something like a genie emerging from a bottle.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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(All media © Copyright G Dan Mitchell and others.)

Photographs: Europe, Photographs: Italy, Photographs: Travel, Photographs: Urban/Street

Street Art, Bologna

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"street art, bologna"
“Street Art, Bologna” — Weathered layers of street art and graffiti on a Bologna wall.

Recently I have noticed that American visitors to Europe are surprised by the amount of graffiti (aka “street art”) in some cities. There is a lot of it, but I’m not sure if there is more of it than in the US. Perhaps they/we just end up in places where it is found more often when traveling, or maybe we are so used to it at home that we no longer “see” it. Another possibility: In the US I think there are efforts to control graffiti in places that tourists go, but in at least some parts of Europe that seems to be less the case. (This is not to suggest that graffiti isn’t a problem, as some recent stories about cretins writing and carving on antiquities has shown.)

One of the European cities where I first started to notice this is Bologna, Italy. Almost a decade ago we spent one night there during a drive from Germany to Tuscany — and I have this strong memory of walking through unlit streets with tons of graffiti at dusk. (After our recent trip, when walks in the same area at the same time of day included quite a few people, I’m beginning to distrust that early memory.) This photograph comes from a side-street in Bologna, where it was one of many examples. This one fascinated me, with its top layer of glued-on paper deteriorating to reveal layers of earlier marks and its interesting palette of colors.

Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.