Tag Archives: park

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Badlands, Morning Light

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Badlands, Morning Light
Soft morning sunlight on colorful badlands terrain, Death Valley National Park.

Badlands, Morning Light. © Copyright 2022 G Dan Mitchell.

Soft morning sunlight on colorful badlands terrain, Death Valley National Park.

This area of Death Valley attracts me on almost every visit to this desert landscape. Unlike many of the places I like to visit in the park, it isn’t in the “back of beyond,” and I often photograph here on a morning when I don’t want to travel too far, for example on the final morning of a visit. Like many badlands locations, this area provides an astonishing wealth of potential photographic subjects, and their appearance changes with the light.

In keeping with the usual practice, we visited early one morning on this trip, arriving in the area before sunrise so that we would be ready for the arrival of the first light. This morning sun can be intense, but a bit of high cloudiness softened the light a bit, and this made the colors a bit more visible.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Dune Study, Evening

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Dune Study, Evening
An interpretation of soft dune forms and colors in evening light, Death Valley National Park.

Dune Study, Evening. © Copyright 2022 G Dan Mitchell.

An interpretation of soft dune forms and colors in evening light, Death Valley National Park.

When photographing sand dunes I spend a lot of time looking for just the right combination of shading, texture, line, curve, and color. But in the end, it mostly comes down to the light — the light that colors the sand, creates the shading, and illuminates those lines and curves. It seems like every photograph in the sand dunes is an ephemeral, one-time thing, and the particular combinations of conditions can never be precisely replicated. Unlike subjects where the primary elements of the scene don’t change much, each visit to the dunes takes me to different places and photographs.

On a late-March trip to Death Valley National Park, I revisited a location that I had photographed with great success a couple of months ago. This time Patty accompanied me, and I wanted her to experience the light that I had worked with on the earlier visit. That did not happen. Two months ago the evening sky was clear, and warm-colored sunset light illuminated the western-facing dunes. This time the sky was filled with clouds and the light was soft and the colors far less intense, producing an entirely different and subtle experience.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Dunes and Desert Mountains, Evening

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Dunes and Desert Mountains, Evening
Evening clouds above desert mountians and sand dunes, Death Valley National Park.

Dunes and Desert Mountains, Evening. © Copyright 2022 G Dan Mitchell.

Evening clouds above desert mountians and sand dunes, Death Valley National Park.

My recollection of this evening is that I arrived barely in time for late-day photography. I had been photographing elsewhere and calculating my schedule carefully. My plan was to arrive just in time to walk out to an area I had scoped out before, arriving at my destination perhaps a half hour before the sun dropped behind a western mountain range. I would first shoot straight into the setting sun, using its rim light to accentuate the forms of the dunes.

My plan mostly worked, though it took a bit longer to hike to the spot than I expected. By the time I arrived I had less than that anticipated half hour to work in the last direct sunlight, but I set to work and did get some other photographs that I like. Then, as happens in places like this, the mountain shadow moved quickly across my position and the light went from warm-toned and intense to soft and increasingly blue. I turned 180 degrees and photographed this evening cloud above the last direct light on peaks along the east side of Death Valley.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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Photographs: Nature

Stems

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Stems
Stems of new bulbs crowd together.

Stems. © Copyright 2022 G Dan Mitchell.

Stems of new bulbs crowd together.

It isn’t unusual for someone to ask about one of my photographs, “Have you thought about how it would look in black and white?” Why, yes, I almost certainly have! When I began “doing photography” quite a few decades ago, I started with black and white film and printing, and almost all of the photographers I admired were those doing black and white work. Sometimes I know at the time of exposure that a photograph will be black and white. (Though I prefer today’s technology that allows me to capture for color image data for use in the post-processing conversion to monochrome.) Sometimes I’m positive that a photograph will end up as a color image. And sometimes, to be honest, I’m not certain.

This photograph falls into the latter category. Sort of. But not exactly. The thing that drew me to the subject originally was the pattern of very green plants. In fact, a while ago I shared a version of this photograph that is very much a color image. But yet… I felt that it would also work in black and white, and that in some ways the “abstract” nature of patterns of lines and contrasts between light and dark might even work better in some ways using a monochrome rendition.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.