Tag Archives: park

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Panamint Sunrise, Lake Manly

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“Panamint Sunrise, Lake Manly” — The winter solstice sunrise illuminates the Panamint Mountains, reflected in the surface of Lake Manly.

We were in Death Valley National Park just before Christmas, arriving the afternoon before the winter solstice and departing on Christmas Eve Day. There are lots of reasons to visit this landscape in the winter, including the reappearance of Lake Manly for the second time this year. In prehistoric times this Lake was much larger and deeper, but in wet years a remnant appears, and shallow water spreads across the lowest part of the valley.

We headed to the shoreline before dawn on the solstice, not quite sure what we would find. (We had arrived too late to scout it the previous evening.) My first choice location wasn’t available due to a road closure, so we quickly readjusted and made our way to the edge of the water. From here we photographed the landscape and its reflections as the first light came to the Panamint Mountains across the valley.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Sandstone, Light and Shadow

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Sandstone, Light and Shadow
“Sandstone, Light and Shadow” — Early morning sunlight accentates the color of a Utah sandstone cliff.

The idea here was to get “up close and personal” with a small section of a monumental sandstone tower standing in the early morning sunlight. To make the photograph I turned away from the conventional scenic landscape I had been focusing on, using a long lens to focus on an area where features projecting from the wall were casting shadows back onto it.

Southwest sandstone is often impressive simply because of its color variation. I’ve commented before on how “my” California granite inevitably looks very… gray after I return from a visit to Utah. But in some places, such as here at Arches National Park, it isn’t just that the sandstone’s coloration is attractive, it is also that the strata of red rock are so thick and extensive.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Chicago, Photographs: Travel

Bean People

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Bean People
“Bean People” — Visitors in front of and reflected in the surface of “Cloud Gate” (aka “The Bean”) in Chicago.

The “Cloud Gate” sculpture is an icon in Chicago. Located in Millennium Park, it attracts hoards of visitors. I’ve been there more than once, and I encountered crowds each time — including on this rather cold November day. It seems that no one can resist interacting with their distorted reflection!

We had wandered through less crowded parts of the park — and those were easy to find in the cold weather. We saw beautiful rows of trees, some shedding autumn leaves, and then walked out to the Lake Michigan shoreline. We headed back into the more popular areas of the park looking for something warm to drink and paused for a few minutes at “Cloud Gate” to see the object and, perhaps even more, watch the people.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Red Cliffs and Trees

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Red Cliffs and Trees
“Red Cliffs and Trees” — Kolob Canyon red sandstone walls in morning light and shadow, Zion National Park.

There are plenty of people whose knowledge of the red rock sandstone formations of the Southwest exceeds mine. But I have observed tremendous variations in these rocks as I photographed in Utah. The rock generally comes in layers that vary significantly in color and texture. Sometimes they are thick, uniform, and massive. In other locations they are filled with textured sub-layers and contain curves and cracks.

The example in this photograph is one of those massive, solid layers. This cliff is in Zion National Park’s slightly-more-remote Kolob Canyon. It is in a location where you can get quite close to this impressive layer. I made the photograph on a morning with a bit of haze. The position of the sun in front and to the right of the camera produced rim light on the cliff’s edges.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.