Tag Archives: patch

Photographs: Birds, Photographs: Central California, Photographs: Nature, Photographs: Wildlife

Red-Winged Blackbird Territorial Display

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Red-Winged Blackbird Territorial Display
Red-Winged blackbird on its perch, late-winter territorial display.

Red-Winged Blackbird Territorial Display. © Copyright 2022 G Dan Mitchell.

Red-Winged blackbird on its perch, late-winter territorial display.

One beneficial personal effect of my bird photography has been greater awareness of parts of the local natural world that I had not paid a lot of attention to. As I have mentioned previously, I not really a “birder” in the usual sense of the word, and while I’ve enjoyed observing birds in the wild I can’t claim to be an expert on them. But photographing them has encouraged me to ask questions about what I’m seeing and to learn more.

There are two similar types of small blackbirds where I photograph, the tricolored blackbird and the red-winged blackbird. Both seem to my untrained bird-watching eyes to be pretty darned similar, apart from the extra bands of color on the shoulders of the former. Both are common in grasslands and related agricultural areas. Some sources suggest that populations have declined due to climate change and the loss of habitat, and that their range has shrunk. Apparently the eye-catching display — puffed out feathers and “exhibit of the colorful shoulder patches — is, at least during the late-winter period when I made the photograph, used to mark territory prior to the breeding season.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Cirque In Shadow

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Cirque In Shadow
A high country cirque in shadows, surrounded by a landscape of talus, cliffs and late-season patches of snow.

Cirque In Shadow. © Copyright 2021 G Dan Mitchell – all rights reserved.

A high country cirque in shadows, surrounded by a landscape of talus, cliffs and late-season patches of snow.

Over the past decade-plus I have traveled into the Sierra backcountry almost annually with a group of fellow photographers each summer. We’ve photographed from Yosemite to Sequoia-Kings Canyon and some non-park areas along the eastern edge of the range. Our practice has been to take a day or two to get to a suitable spot where we set up a basecamp and then photograph the heck out of the surrounding area. One plus of this approach, as contrasted with trying to cover more ground by moving daily, is that we get to become more intimately familiar with the rhythms of the place.

I made this photograph a few years ago on one of these trips. We camped in thin forest at a nice high-country lake mostly surrounded by rocky terrain. Over the course of the week we explored the surroundings, gradually uncovering what the area had to offer. This lake is one of several along the course of a small stream coming down from much higher country, and it lies in an east-facing cirque more or less at timberline. The late-season snow field in the talus field attracted me from the first time I saw it, and it was only after several visits that I decided to try photographing it in the deep shade from the surrounding peaks and ridges.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature, Photographs: Sierra Nevada

Late Season Wildflowers

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Late Season Wildflowers
A patch of late-August lupine flowers in the John Muir Wilderness

Late Season Wildflowers. © Copyright 2019 G Dan Mitchell – all rights reserved.

A patch of late-August lupine flowers in the John Muir Wilderness.

Over the years I’ve seen some outlier seasons in the Sierra Nevada. A few years ago we experienced a serious five-year drought that left the range dry very early in the season, producing summers that were mostly brown up high and autumns that featured stressed aspens. I’ve also experienced summers that followed extremely wet precipitation seasons, including several during which the high country really did not open until July. In those years there was snow around all summer, and even at the end of the season there were still flowing water, green meadows, and even wildflowers.

This summer fell into the latter category. Although last winter’s season started out looking dry, a series of strong storms arrived a bit later and produced a much larger than average snowpack. Once again, the opening of the high country was delayed, and when it did open up there was water everywhere. My recent visit was during the final few days of August and the first couple of days of September. Despite the late date, many areas were still green — especially in the well-watered valley we visited — and wildflowers were still blooming. Not far from our camp I found extensive patches of lupine in full bloom.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Nature, Photographs: Sierra Nevada

Snow Field, Reflection

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Snow Field, Reflection
A late-season snow field at the base of rugged cliffs, reflected in the surface of a High Sierra lake

Snow Field, Reflection. © Copyright 2018 G Dan Mitchell – all rights reserved.

A late-season snow field at the base of rugged cliffs, reflected in the surface of a High Sierra lake

I can say a few things concerning both the objective facts about this scene and about my subjective reaction to it. The facts: We walked to this lake frequently during our September photographic sojourn in the Eastern Sierra backcountry. It wasn’t far from our base camp at another nearby lake, and if we walked directly there it might take all of 10-15 minutes — though, as photographers, our walks are hardly ever direct, more often devolving into stop-and-go affairs as we are distracted by various subjects. The snow bank and the steep wall above the lake were most often in shadow, and by evening the light could become quite dim.

There are many ways I could (and perhaps did) photograph this subject, but here I wanted to focus on the contrast between the form of the bright snow field and the much darker surroundings of cliffs, talus, and shadowed lake. Late in the day a long shadow began along the talus field and gradually advanced across the lake, darkening the water and the surrounding forest and rocks. After sunset, my impression of the place was of stillness and oncoming darkness, and I wanted this version of the photograph to suggest these things.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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