Tag Archives: patterns

Winter Corn

"Winter Corn" — Old corn left on the stalk in a winter field.
“Winter Corn” — Old corn left on the stalk in a winter field.

We don’t usually see corn on the stalk this late — by now it usually has been harvested, either for human food or animal feed. The stalks are left to decay for a while or sometimes salvaged for seasonal autumn decorations. Eventually they are knocked down — and it parts of California they get burned. It is quite unusual to find stalks with fully mature ears of corn on New Year’s Day, which is when I made this photograph.

So, why are the ears still there in this field? Not everyone understands the multiple factors driving support for wildlife refuges. Many of us are simply grateful they are there, providing safer places for migratory and other birds. But hunting and agriculture have played a big part. Here, attracting birds to places that are not someone’s field is one of the goals, and this crop provides feed for migratory birds.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Balconies, Ribeira

Balconies, Ribeira
Complex patterns of balconies, doors, windows and walls in the Ribeira District, Porto.

Balconies, Ribeira. © Copyright 2023 G Dan Mitchell.

Complex patterns of balconies, doors, windows and walls in the Ribeira District, Porto.

This little scene comes from the Ribeira District of Porto, Portugal. This very old area is on the steep slopes leading down to the banks of the Duoro River, which passes through the city and has long been a route for shipping. Because it is in this steep area and because it is very old, the narrow and twisting streets can be difficult to navigate… but also extremely intriguing, despite the number of tourists who flock to the area these days.

This vignette includes the balconies of some buildings that I first spotted at the end of a (rare!) straight section of a narrow walkway. (I have another photograph showing that perspective.) The scene is full of little details, and it is illuminated by the soft, reflected light that manages to make it to the bottom of this urban canyon — something that reminded me a bit of photographing in the red rock canyons of Utah.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Snow-capped Panamint Mountains

Snow-capped Panamint Mountains
Fresh snow forms patterns on the sparse forest along the crest of the Panamint Mountains.

Snow-capped Panamint Mountains. © Copyright 2023 G Dan Mitchell.

Fresh snow forms patterns on the sparse forest along the crest of the Panamint Mountains.

After all these years of seeing snow on desert peaks, it still catches my attention when wintry weather comes to this landscape. At first it seems strange, but then I remember that desert temperature swings are huge and snow is actually common at higher elevations. This very recent snowfall had not really begun to melt yet — and the white snow set off the shapes of the juniper trees and ridges criss-crossing the slopes of this summit.

Most often when I’ve photographed this area late in the day the temperatures have been comfortable or even warm. But on this late-March evening it was distinctly cold, with wind blowing and the snow nearby. We bundled up and photographed for an hour or so as the day came to and end.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Morning Dunes

Morning Dunes
Sand dunes and shadows in early morning light.

Morning Dunes. © Copyright 2023 G Dan Mitchell.

Sand dunes and shadows in early morning light.

Sand dunes provide an endless laboratory for experimenting with curves, light, shadow, and texture. To the best of my memory, I have never failed to photograph then during a visit to Death Valley National Park, and some of the dunes have become old friends. But that long familiarity doesn’t eliminate surprises, and I discover something new on every visit.

I photographed this scene on a late-March morning, back when the weather in the region was still more like winter than summer. In fact, this clear and pleasant morning was a bit of an exception, and we encountered snow, high winds, and rain at other points during our visit.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.