Tag Archives: patterns

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Playa and Shadowed Ridge

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Playa and Shadowed Ridge
“Playa and Shadowed Ridge” — Morning sunlight on the playa of Death Valley beyond a nearby shadowed ridge.

On one hand, this is an interesting record of something you can see in high places above Death Valley following a very wet season. On the other hand, there are several stories behind this photograph. It was morning, and I had arrived at this high overlook before dawn. Eventually the shadows of the mountains upon which I stood retreated across the valley towards me, leaving the playa in sun. At the moment that I made this exposure, there was just a small stub of the mountain shadow still in the valley, yet the jagged ridge just below me was still in dark shade.

Far below, there was a lot of water on the desert playa, much more than usual. Heavy rains during recent months had flooded a large section of the valley, and here a large pond is visible among the deposits that spread across the playa. A twisting, meandering stream leads to it. Farther out on the playa there are more channels — this landscape that we think of as being arid and hot was, on this day, full of water.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Central California, Photographs: Nature, Photographs: Ocean & Coast

Wood and Stones

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Wood and Stones
“Wood and Stones” — Cast-up driftwood, stones, and seashore detritus on coastal rocks at Point Lobos.

The conditions on this mid-April visit to Point Lobos were a sort that coastal Californians recognize as summer-like: cold, windy, damp, and foggy. Ironic, no? But during the time of year when it is hot in most of California, it is frequently foggy and cool at the coast — which is part of what Californians like about the coast. As the clouds began to thin a bit on this morning at Point Lobos, the light changed from gray to the soft, slightly directional sort that is ideal for subjects like this.

I have photographed this spot — not just Point Lobos itself, but this specific place in the park — literally for decades. I’m pretty sure that the first time I photographed here I was a kid and using 120 film in a cheap Brownie camera. But I still find something here on every visit. Wandering this cove is almost a visual meditation. There’s so much to see, especially when winter’s debris is still plentiful, that I have to give up any pretense of working quickly. Instead I wander slowly, letting my mind slow down enough that I can start to pick out subjects among the rocks, sand, driftwood, and sea wrack.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Flooded Playa, Mountain Shadow

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Flooded Playa, Mountain Shadow
“Flooded Playa, Mountain Shadow” — The shadow of a mountain retreats across a flooded playa in morning light, Death Valley.

It is hard to make sense of the landforms of Death Valley when you are within the valley. It is so vast and so flat that your view is often a combination of what is right at your feet and what is many miles away. A more comprehensive view comes from ascending to a high point in the mountains on either side of the valley. From these elevated perspectives you can see things that are otherwise invisible.

This year these perspectives revealed something very unusual. A large section of the playa near Badwater, where the lowest point is located, is submerged under the shallow waters of Lake Manly. This photograph incorporates several elements of this year’s view — that shadow of the mountains on which I was standing, the salt flats shining white in morning light, the turquoise waters of the shallow lake, and a maze of channels along its periphery.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Photographs: Europe, Photographs: Italy, Photographs: Structures and Objects, Photographs: Travel, Photographs: Urban/Street

Weathered Wall

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Weathered Wall
“Weathered Wall” — Abstract patterns of paint, stucco, and weathering on a wall in Orvieto, Italy

There’s really no obvious way to tell from the image that it was made in Italy — though once you know that you may recognize that beautifully worn and weathered walls are part of the landscape there. I spotted this detail as we walked through the small hill town of Orvieto during the summer of 2023.

While I usually prefer to think of such weathering as “picturesque,” you could be forgiven for regarding it as run-down, too. To be honest, the exteriors of buildings in big cities are not always pristine, and this is especially so when we get away from fancy downtowns and into regular neighborhoods. After years of visiting such places it finally occurred to me that people in these places might surrender exterior beauty, but that they transfer their aesthetic impulse to interiors. In any case, I’m happy to find subjects like this.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | Post | Email

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.