Tag Archives: patterns

Cloud Forms #3 – September 16, 2012

Cloud Forms #3 - September 16, 2012 - Evening sky above Olmsted Point in the Yosemite Sierra.
Evening sky above Olmsted Point in the Yosemite Sierra.

Cloud Forms #3 – September 16, 2012. Yosemite National Park, California. © Copyright 2012 G Dan Mitchell – all rights reserved.

Evening sky above Olmsted Point in the Yosemite Sierra.

On my return from a mid-September eastern Sierra backpack trip, I again passed through Yosemite National Park on the Tioga Pass Road. By a bit of luck combined with some planning, I managed to time of my passage so that I could be there during the last hour or so of the day, figuring I might try to grab a few last opportunistic photographs before driving back to the Bay Area after dark. With that long, dark drive ahead of me, I decided to aim for a stopping point a bit further west along the route, and I stopped about a half hour before sunset at Olmsted Point.

Although I have a number of photographs of the iconic image of the “backside” of Half Dome from this location, the lighting here can be interesting enough that I’ll stop and try “one more time” if I happen to be there. As is often the case, the lighting did not initially appear too promising. The typical autumn wildfire haze was in the air, lending a bit of a yellow/brown color to the hazy lower atmosphere, and the higher clouds seems thin. But if there is one thing that I (and just about any other landscape photographer!) have learned by now, it is that the last minutes of daylight {and the first moments after the sun sets} can be full of surprises. I began with the practical step of scoping out a composition of the iconic dome, but then I turned my attention to lots of other subjects that surround Olmsted Point: the sparse trees ascending the granite slabs across the roadway, higher ridges across Tenaya Canyon and in the opposite direction, the Sierra crest around Mount Conness, and the sky. For a brief moment after the sunlight had left Olmsted Point, the final rays passed through atmosphere near the western horizon and lit up the patterned layers of clouds and drifting wildfire smoke.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Badwater Salt Flats, Evening

Badwater Salt Flats, Evening
Badwater Salt Flats, Evening

Badwater Salt Flats, Evening. Death Valley National Park, California. March 31, 2009. © Copyright 2009 G Dan Mitchell – all rights reserved.

Black and white photograph of rough patterns in the dried salt desert floor at Badwater Salt Flats, Death Valley National Park.

This is another of the “rediscovered photographs” that I uncovered while reviewing many years of raw files recently. Periodically I go through all of the old archived raw files, partly to cull out a few that I know that I’ll never use, but also because I know that whenever I revisit the old files I discover some photographs that I had forgotten or had never understood at the time I made them. Revisiting the old file archives, I’m sometimes shocked that I passed over certain images.

This one is from the salt flats at Badwater in Death Valley National Park. Technically, this was not shot at precisely “Badwater,” but it is close enough. I was out on the flats in the late afternoon, shooting as the sun dropped behind the Panamint Range. In my view, the best light – with the exception of days when clouds might tower above the Panamints – comes starting right about at the time that the sun passes the line of the ridge as it descends at the end of the day. This takes the incredibly bright and harsh sun off of the playa and provides softer light in the shadow of the range. However, this also presents a problem that almost everyone who has shot here must understand, namely that the illumination by the bright blue sky turns the “white” salt a surprisingly intense blue color. I’ve seen people handle this in a variety of ways: keep the intense, almost gaudy, blue color; do a lot of color correction to get colors that more closely correspond to what we recall seeing; mostly include the sky with its more intense colors; or let the colors go and do a black and white rendition.

Although I’ve “done” this subject in color a number of times, somehow this one seemed to call out for black and white. For one thing, it allowed me to use the interesting shapes of the evening clouds as a dramatic backdrop to the rough and broken shapes of the playa salt polygons. It also allowed me to try an interpretation that focuses on the dramatic potential of the scene.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Detail, Zabriskie Point Formations

Detail, Zabriskie Point Formations
Detail, Zabriskie Point Formations

Detail, Zabriskie Point Formations. Death Valley National Park, California. March 29, 2010. © Copyright G Dan Mitchell – all rights reserved.

Detail photograph of patterns of barren hills and gullies at Zabriskie Point, Death Valley National Park, California.

From my series of detail photographs of smaller elements of the landscape at Zabriskie, and another one shot during atypical times of day – in this case in very bright afternoon sunshine. Because of these lighting conditions – color, intensity, and angle, the quality of the image is less “dreamy” than the typical early morning soft-light photographs of this area. Here you see more clearly the rough texture of the material making up the folds and gullies of these interesting hills that drop into Gower Gulch.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Technical Data:
Canon EOS 5D Mark II
Canon EF 100-400mm f/4.5-5.6 L IS USM at 330mm
ISO 100, f/16, 1/50 second

keywords: zabriskie, point, detail, hills, gullies, barren, dry, earth, dirt, afternoon, light, diagonal, forms, abstract, geology, nature, landscape, patterns, death valley, national park, scenic, travel, california, usa, north america, stock, eroded

Man With Cell Phone, Maroon Wall

Man With Cell Phone, Maroon Wall
Man With Cell Phone, Maroon Wall

Man With Cell Phone, Maroon Wall. San Francisco, California. March 6, 2010. © Copyright G Dan Mitchell – all rights reserved.

A man with a cell phone walks along a San Francisco sidewalk past maroon wall.

For the first time, I went out and did street photography with my two sons in San Francisco during the first weekend in March. It was fun, though I’m not used to shooting street (or much else) with other people, and I think my work habits may have a tendency to drive others slightly crazy. (Sons, thanks for putting up with me! :-) When I shoot street and urban subjects I tend to wander about rather slowly, looking at everything, getting distracted while I stop to shoot something, and then heading off in an unpredictable direction when something else catches my attention!

We took BART to the downtown area of the City and wandered up toward Union Square along with the rest of the horde, finally heading out into some less traveled streets where there weren’t quite so many people. We photographed various back streets and then descended through the fringes of the Tenderloin to end up at the Civic Center.

One irony is that while I am fully digital these days – though I did go with the traditional approach and shoot with only a 50mm prime – both of my sons prefer to shoot film now! There is no explaining some things! :-)

When I shoot street I tend to approach it somewhat as a landscape photographer, first looking for interesting light, patterns, colors, and so forth. At that point I often square up a composition and then look for the right person or people to walk through the scene, and I try to time the exposure to put the figure in an interesting place in the composition. In this case I think it got quite lucky with the colors of the fellow’s clothing against the maroon wall!

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

G Dan Mitchell Photography | Twitter | Friendfeed | Facebook | Facebook Fan Page | Email

Technical Data:
Canon EOS 5D Mark II
Canon EF 50mm f/1.4 USM
ISO 200, f/11, 1/100 second

keywords: man, person, walking, cell, phone, talking, maroon, yellow, tan, arch, circle, patterns, window, reflection, fire, alarm, parking, meter, sidewalk, manhole, cover, design, gate, door, vent, address, hill, slope, san francisco, california, usa, north america, street, urban, downtown, city, stock